本文選題：卡通式油畫(huà) + 卡通��； 參考：《青島大學(xué)》2006年碩士論文

【摘要】：從古至今,繪畫(huà)藝術(shù)廣泛吸收和融合其他文化,始終處在不斷的解構(gòu)和建構(gòu)過(guò)程中并日漸趨于“多元化”的方向發(fā)展。油畫(huà),作為繪畫(huà)藝術(shù)中的主要門(mén)類之一,其樣式語(yǔ)言的發(fā)展必然跟隨整個(gè)繪畫(huà)藝術(shù)發(fā)展的大方向——由單一走向多元。在當(dāng)今眾多影響油畫(huà)語(yǔ)言向多元化方向發(fā)展的因素中,現(xiàn)代卡通動(dòng)漫以其自身的優(yōu)勢(shì),由少而多地成了一個(gè)不容忽視的新生力量,它與油畫(huà)的結(jié)合產(chǎn)生了新的油畫(huà)語(yǔ)言即卡通式油畫(huà)。這種新興的油畫(huà)語(yǔ)言帶著七十年代末八十年代初出生的一代人特有的精神面貌和對(duì)傳統(tǒng)文化的理解,開(kāi)拓出了油畫(huà)領(lǐng)域之中的一塊全新的空間。這一新的表現(xiàn)語(yǔ)言是我國(guó)經(jīng)濟(jì)迅速發(fā)展的產(chǎn)物,也是我國(guó)繪畫(huà)藝術(shù)發(fā)展到新時(shí)期的必然結(jié)果,因此極具本土面貌�？ㄍㄊ接彤�(huà)一出世就以驚人的速度成長(zhǎng),在這個(gè)過(guò)程中雖然受到的褒貶不一,但它依然以獨(dú)特的魅力和極為強(qiáng)大的生命力迅速成為一股潮流,并繼續(xù)精神抖擻的大踏步前進(jìn)著。 本文通過(guò)對(duì)我國(guó)卡通式油畫(huà)的發(fā)展現(xiàn)狀以及它在國(guó)內(nèi)形成的影響進(jìn)行描述和歸納�？偨Y(jié)其內(nèi)在特點(diǎn)屬性,深入挖掘和探討其產(chǎn)生的背景及誘因,并與其它相關(guān)繪畫(huà)語(yǔ)言進(jìn)行比較,試圖更清晰的反映出卡通式油畫(huà)這一新時(shí)期下新的表現(xiàn)語(yǔ)言的整體面貌。最后依照它的發(fā)展現(xiàn)狀對(duì)其在整個(gè)繪畫(huà)發(fā)展史上的地位作一個(gè)前瞻性探索性的研究。
[Abstract]:Since ancient times, painting art has absorbed and integrated other cultures widely, and has been constantly in the process of deconstruction and construction, and has gradually tended to the direction of "pluralism". Oil painting, as one of the main categories of painting art, its style language development must follow the whole painting art development direction-from single to pluralistic. Among the many factors that influence the development of oil painting language, modern cartoon has become a new force which can not be ignored with its own advantages. The combination of oil painting and oil painting produced a new oil painting language, that is cartoon oil painting. This new oil painting language with the unique spirit of a generation born in the late 1970s and early eighties and the understanding of traditional culture has opened up a new space in the field of oil painting. This new expression language is the product of the rapid economic development of our country and the inevitable result of the development of Chinese painting art to the new period. Cartoon oil painting grows at an amazing speed when it is born. Although it has received different praise and criticism in this process, it still becomes a trend with its unique charm and extremely strong vitality, and continues to march forward with great vigor and vigor. This paper describes and summarizes the development of cartoon oil painting in China and its influence in China. Summarize its inherent characteristics, explore its background and inducement, and compare with other related painting languages, trying to reflect the whole face of the new performance language of cartoon oil painting in the new period. Finally, according to its development status in the development of the whole history of painting to make a forward-looking exploratory study.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J213

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 向美玲;中國(guó)當(dāng)代藝術(shù)中“卡通繪畫(huà)”的娛樂(lè)取向研究[D];華中師范大學(xué);2012年

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本文編號(hào)：2090138