喜劇動(dòng)畫的動(dòng)作與表情設(shè)計(jì)研究
本文關(guān)鍵詞: 喜劇動(dòng)畫 動(dòng)作與表情 創(chuàng)意 出處:《中國(guó)地質(zhì)大學(xué)》2013年碩士論文 論文類型:學(xué)位論文
【摘要】:喜劇動(dòng)畫作為目前世界上較為流行的一種表現(xiàn)形式,對(duì)于動(dòng)畫制作者來(lái)說(shuō)有必要進(jìn)行研究和整理,因?yàn)橥ㄟ^(guò)整理和搜集我們可以從中找到制作喜劇動(dòng)畫的規(guī)律,尤其是在動(dòng)作的運(yùn)動(dòng)上,表情的運(yùn)用上,這是喜劇動(dòng)畫的精髓所在;對(duì)于現(xiàn)階段,國(guó)家大力扶持動(dòng)漫產(chǎn)業(yè),也說(shuō)明了動(dòng)畫產(chǎn)業(yè)對(duì)推動(dòng)國(guó)民經(jīng)濟(jì)起到了一定的作用,動(dòng)畫是一門表現(xiàn)物體運(yùn)動(dòng)的藝術(shù),在喜劇動(dòng)畫中如何在不借助語(yǔ)言表達(dá)的情況下,通過(guò)動(dòng)作與表情的運(yùn)動(dòng)來(lái)達(dá)到表現(xiàn)其目的,作為動(dòng)畫創(chuàng)作者,如何創(chuàng)作出富有喜劇色彩的喜劇動(dòng)畫,成為了本文研究的核心。 本文將從喜劇動(dòng)畫中的動(dòng)作與表情運(yùn)動(dòng)的基本概念法則出發(fā),通過(guò)研究其常用的運(yùn)動(dòng)規(guī)律外,結(jié)合大量的經(jīng)典案例和畢業(yè)創(chuàng)作進(jìn)行理論與實(shí)踐相結(jié)合的動(dòng)作分析,以探究喜劇動(dòng)畫中動(dòng)作與表情的傳達(dá)。 動(dòng)畫是一門集合了各種知識(shí)的綜合性學(xué)科,動(dòng)畫的創(chuàng)作需要集體的力量,個(gè)人是無(wú)法完成的,這就說(shuō)明了為什么一部?jī)?yōu)秀的動(dòng)畫影片的背后有個(gè)強(qiáng)大的運(yùn)作團(tuán)隊(duì),因?yàn)閯?dòng)畫的表現(xiàn)藝術(shù)是電視與影視有著明顯區(qū)別的藝術(shù)門類,它歸結(jié)于影視,但又是單獨(dú)的影視門類,由于它的做工復(fù)雜,投入較大,這也是為什么一部動(dòng)畫影片需要幾年時(shí)間來(lái)完成的原因,但是正式由于我們這些熱愛(ài)和關(guān)心動(dòng)畫事業(yè)的創(chuàng)作者,才會(huì)有更多優(yōu)秀作品呈現(xiàn)在觀眾面前。我們只有認(rèn)真分析和總結(jié)才能更好的完成一部又一部的動(dòng)畫作品。這也是為什么要研究本文的目的。也希望通過(guò)自己的研究和實(shí)踐為今后創(chuàng)造動(dòng)畫的學(xué)者提供一定的理論指導(dǎo),也希望能夠給動(dòng)畫產(chǎn)業(yè)盡一份微薄之力,希望中國(guó)的動(dòng)畫作品越來(lái)越好,動(dòng)畫事業(yè)也越來(lái)越輝煌,動(dòng)畫產(chǎn)業(yè)也越具規(guī)模成為一個(gè)強(qiáng)大的產(chǎn)業(yè)鏈。
[Abstract]:Comic animation is a popular form of expression in the world at present, it is necessary for animation producers to study and organize, because through sorting and collecting we can find out the rules of making comic animation. Especially in the movement of action, expression on the use, this is the essence of comic animation; For the present stage, the state vigorously supports the animation industry, but also shows that the animation industry has played a certain role in promoting the national economy, animation is a performance of the art of object movement. In the comic animation without the help of language expression, through the movement of action and expression to achieve its purpose, as animation creators, how to create comic comic animation full of color. Has become the core of this study. This paper will start from the basic concept of action and expression movement in comic animation, through the study of its common motion law. Combined with a large number of classic cases and graduation creation, the author combines the theory with practice in order to explore the communication of action and expression in comedy animation. Animation is a comprehensive discipline that gathers all kinds of knowledge. The creation of animation needs the collective strength, and individual can not complete it. This explains why there is a strong operational team behind an excellent animated film, because the performance art of animation is a kind of art which is obviously different from TV and film and television, which comes down to film and television. But it is also a separate category of film and television, because of its complex workmanship, large investment, which is why an animated film takes a few years to complete the reason. But officially because of us who love and care about animation career creators. Only then can there be more excellent works presented in front of the audience. Only by careful analysis and summary can we better complete one animation after another. This is also why we should study the purpose of this article. We also hope to study it through our own research. The research and practice provide some theoretical guidance for the scholars who create animation in the future. I also hope to give animation industry a modest contribution, hope that China's animation works are getting better and better, animation industry is more and more brilliant, animation industry has become a strong industry chain.
【學(xué)位授予單位】:中國(guó)地質(zhì)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J954
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