對當(dāng)代雕塑中的身體介入的研究
發(fā)布時間：2019-03-14 17:10
【摘要】：進入20世紀,雕塑的范式已被裝置模糊了邊界,被色彩的介入消解了一部分對空間概念的強化,在新的時代語境下各個門類的藝術(shù)形態(tài)充分交融,雕塑面臨自身語言的更新重任。同時,崛起中的青年藝術(shù)家總是對未來充滿熱情,迫切地希望尋找到一種新的雕塑思維和手段,它既能與今時今日的鮮活發(fā)生對話又是立足于過去而指向未來的,且在落實到物質(zhì)層面時有一定的新意。身體,作為一個切入點成為了我對雕塑領(lǐng)域研究的選擇。在《對當(dāng)代雕塑中的身體介入的研究》這篇論文中,我討論的核心是身體介入雕塑的可行性依據(jù)、形式的異同及其為雕塑帶來的啟示。身體本身具備物質(zhì)屬性、社會屬性和能動性正好與雕塑中的物質(zhì)性、觀念性、空間性、互動性等關(guān)鍵內(nèi)涵不謀而合。從這一類型的有身體介入的雕塑創(chuàng)作的內(nèi)在文脈看來,西方思想界60年代發(fā)生的“身體轉(zhuǎn)向”思潮至關(guān)重要,哲學(xué)意識的更新變革了藝術(shù)的面貌,將身體作為一種物質(zhì)媒介、藝術(shù)觀念的載體納入藝術(shù)創(chuàng)作有了思想支撐。60年代興起的行為藝術(shù)、劇場藝術(shù)為現(xiàn)當(dāng)代雕塑家提供了啟示,將“身體意識”納入雕塑思維指導(dǎo)當(dāng)代雕塑創(chuàng)造是一個不容忽視的改變。論文中將藝術(shù)史上由雕塑出身的藝術(shù)家做過身體介入雕塑的典型案例進行梳理、類比與詳細的分析,肯定了將身體介入雕塑之后為雕塑在順應(yīng)時代語境、拓展外延、語言更新中起到的積極作用。這篇論文的話題定位于雕塑領(lǐng)域中的“泛、非、反”領(lǐng)域,即“泛雕塑,非雕塑,反雕塑”�！胺骸笔菑膹V義的角度將一切具備三維空間占有的實體納入對雕塑的研究范圍,不單圍繞雕塑中最習(xí)以為常的架上范式和造型能力,而是向雕塑這門藝術(shù)學(xué)科的邊緣地帶探尋�！胺恰笔侵改切跋瘛钡袼芏植淮竽軌蚩隙ㄊ堑袼艿摹暗袼堋狈懂�,這種肯定與否依賴于雕塑的面貌是否在具體時代語境下人們對雕塑形式的熟悉范圍之內(nèi)。隨著社會形態(tài)和時代語言的演變,當(dāng)代雕塑中由于對觀念、行為、社會調(diào)查等方法的使用使新的面貌往往發(fā)生在約定俗成的范圍之外,也就是在當(dāng)代藝術(shù)中呈現(xiàn)出的去雕塑化特征�！胺础辈⒎菍褂诘袼苓@門古老的藝術(shù)在漫長的歷史長河中累積的體系,而是在既有的雕塑語言形式之外,通過當(dāng)代雕塑思維建立新的雕塑語匯和觀念,從而體現(xiàn)在面貌上的“反”雕塑。論文屬評論性綜述,引用的例證與討論的觀念屬于雕塑的前沿領(lǐng)域、爭論領(lǐng)域,而不確定性本是當(dāng)代雕塑獲得時代生命力的內(nèi)在動力。
[Abstract]:In the 20th century, the paradigm of sculpture has been blurred by the device, the involvement of color dispels part of the strengthening of the concept of space, in the context of the new era, the artistic forms of each category are fully blended. Sculpture is faced with the important task of renewing its own language. At the same time, the rising young artists are always full of enthusiasm for the future, eager to find a new kind of sculpture thinking and means, which can not only talk to the present and present life, but also be based on the past and point to the future. And in the implementation of the material level, there are certain new ideas. The body, as an entry point, became my choice in the field of sculpture. In the study of body involvement in Contemporary Sculpture, the core of my discussion is the feasibility basis of body involvement in sculpture, the similarities and differences of forms and its enlightenment to sculpture. The body itself has the material attribute, the social attribute and the initiative just coincides with the sculpture in the material nature, the concept, the space, the interactivity and so on the key connotation. Judging from the internal context of this type of sculpture creation with body involvement, the trend of thought of "body turn" occurred in the western ideological circles in the 1960s is very important. The renewal of philosophical consciousness has transformed the appearance of art and regards the body as a material medium. The carrier of artistic concept is supported by thought in artistic creation. The act art which emerged in the 1960s has provided enlightenment to modern and contemporary sculptors, and theatrical art has provided enlightenment to modern and contemporary sculptors. It is an important change to incorporate body consciousness into sculpture thinking to guide contemporary sculpture creation. In this paper, the author combs the typical cases of body involvement in sculpture by sculpture-born artists in the history of art, analogizes and analyzes in detail, affirming that after the body involvement in sculpture is adapted to the context of the times, the extension of sculpture is expanded. A positive role in language renewal. The topic of this thesis is in the field of "pan-sculpture, non-sculpture, anti-sculpture", that is, pan-sculpture, non-sculpture, anti-sculpture. Pan is to bring all the entities with three-dimensional space possession into the research scope of sculpture from a broad point of view, not only around the frame paradigm and modeling ability which is the most familiar in sculpture, but also on the edge of sculpture, which is the subject of art. "non" refers to the category of "sculpture" which is "like" sculpture but is not sure to be sculpture. This affirmation depends on whether or not the appearance of sculpture is within the scope of people's familiarity with sculpture form in the context of specific times. With the evolution of social form and language of the times, the use of ideas, behavior, social investigation and other methods in contemporary sculpture makes the new appearance often take place outside the scope of convention. That is to say, in contemporary art, it presents the characteristics of de-sculpture. "Anti" is not against the system that the ancient art of sculpture accumulated in the long history, but it is to establish a new sculpture vocabulary and concept through the contemporary sculpture thinking outside of the existing sculpture language form, "Anti" is not against the system of the ancient art of sculpture, which has accumulated in the long history. Thus reflected in the face of the "anti" sculpture. The thesis is a critical review. The cited examples and the concepts discussed belong to the frontier and controversial fields of sculpture, and uncertainty is the intrinsic motive force for contemporary sculpture to gain the vitality of the times.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J305
本文編號：2440183
[Abstract]:In the 20th century, the paradigm of sculpture has been blurred by the device, the involvement of color dispels part of the strengthening of the concept of space, in the context of the new era, the artistic forms of each category are fully blended. Sculpture is faced with the important task of renewing its own language. At the same time, the rising young artists are always full of enthusiasm for the future, eager to find a new kind of sculpture thinking and means, which can not only talk to the present and present life, but also be based on the past and point to the future. And in the implementation of the material level, there are certain new ideas. The body, as an entry point, became my choice in the field of sculpture. In the study of body involvement in Contemporary Sculpture, the core of my discussion is the feasibility basis of body involvement in sculpture, the similarities and differences of forms and its enlightenment to sculpture. The body itself has the material attribute, the social attribute and the initiative just coincides with the sculpture in the material nature, the concept, the space, the interactivity and so on the key connotation. Judging from the internal context of this type of sculpture creation with body involvement, the trend of thought of "body turn" occurred in the western ideological circles in the 1960s is very important. The renewal of philosophical consciousness has transformed the appearance of art and regards the body as a material medium. The carrier of artistic concept is supported by thought in artistic creation. The act art which emerged in the 1960s has provided enlightenment to modern and contemporary sculptors, and theatrical art has provided enlightenment to modern and contemporary sculptors. It is an important change to incorporate body consciousness into sculpture thinking to guide contemporary sculpture creation. In this paper, the author combs the typical cases of body involvement in sculpture by sculpture-born artists in the history of art, analogizes and analyzes in detail, affirming that after the body involvement in sculpture is adapted to the context of the times, the extension of sculpture is expanded. A positive role in language renewal. The topic of this thesis is in the field of "pan-sculpture, non-sculpture, anti-sculpture", that is, pan-sculpture, non-sculpture, anti-sculpture. Pan is to bring all the entities with three-dimensional space possession into the research scope of sculpture from a broad point of view, not only around the frame paradigm and modeling ability which is the most familiar in sculpture, but also on the edge of sculpture, which is the subject of art. "non" refers to the category of "sculpture" which is "like" sculpture but is not sure to be sculpture. This affirmation depends on whether or not the appearance of sculpture is within the scope of people's familiarity with sculpture form in the context of specific times. With the evolution of social form and language of the times, the use of ideas, behavior, social investigation and other methods in contemporary sculpture makes the new appearance often take place outside the scope of convention. That is to say, in contemporary art, it presents the characteristics of de-sculpture. "Anti" is not against the system that the ancient art of sculpture accumulated in the long history, but it is to establish a new sculpture vocabulary and concept through the contemporary sculpture thinking outside of the existing sculpture language form, "Anti" is not against the system of the ancient art of sculpture, which has accumulated in the long history. Thus reflected in the face of the "anti" sculpture. The thesis is a critical review. The cited examples and the concepts discussed belong to the frontier and controversial fields of sculpture, and uncertainty is the intrinsic motive force for contemporary sculpture to gain the vitality of the times.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J305
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相關(guān)期刊論文 前3條
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2 邵亦楊;;身體策略與社會政治——西方當(dāng)代身體藝術(shù)譜系[J];美術(shù)研究;2012年01期
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