【摘要】：正電視系列劇《歡樂頌》用復(fù)調(diào)式散點敘事模式整合復(fù)雜的人物關(guān)系、人物性格和人物形象,并借鑒電影蒙太奇手法最終集中到人性多義性的塑造上�！稓g樂頌》以五個女孩的情感困惑和職場奮斗作為敘事線索,劇中五個主角表現(xiàn)出的自我沖突、他者沖突以及社會沖突的激烈程度,加劇了故事演繹的豐富性和不確定性,并以此建構(gòu)起獨具特色的人性塑造空間,從而在滿足觀眾期待視野的基礎(chǔ)上,完成對人性敘事文化隱喻的再創(chuàng)造。
[Abstract]:The TV series Ode to Joy integrates the complex character relationship, character and character image with the polyphonic scattered point narrative mode. And draw lessons from the film montage technique and finally focus on the shaping of polysemy of human nature. Ode to Joy takes the emotional confusion and workplace struggle of five girls as narrative clues, and the self-conflict of the five protagonists in the play. The intensity of the conflict between the other and the social conflict aggravates the richness and uncertainty of the story interpretation, and thus constructs a unique space for shaping human nature, so as to meet the expectations of the audience. Complete the re-creation of the narrative cultural metaphor of human nature.
【作者單位】： 臨沂大學(xué)傳媒學(xué)院;
【分類號】：J905

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