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實驗動畫的歷史演進及其價值研究

發(fā)布時間:2018-11-19 16:25
【摘要】:動畫是介于繪畫和電影之間的一種藝術(shù)形式,是基于敘事特征上的一種有效嫁接,它兼有電影與繪畫的品格特征,但又不是將兩種藝術(shù)形式簡單地進行疊加。在動畫發(fā)展的初期階段,創(chuàng)作者們對動畫的創(chuàng)作方法、創(chuàng)新、目的、媒介形式等進行不斷的探索,這種探索便是早期實驗動畫形成的基礎(chǔ)。在實驗的過程中創(chuàng)作者對不同的內(nèi)容與形式進行實驗與探索,這不但擴大了未來動畫的覆蓋范圍,更豐富了其表現(xiàn)形式。催生了當(dāng)今很多主流動畫表現(xiàn)形式的同時,彌補了商業(yè)動畫不敢涉足的領(lǐng)域。目前很多商業(yè)動畫電影的表現(xiàn)形式正是實驗動畫不斷探索的結(jié)果。由此可見,實驗動畫在整個動畫發(fā)展歷程中有著旺盛的生命力和重要的現(xiàn)實意義。本文主要是通過對實驗動畫的歷史進程進行分類總結(jié)并對其演進過程中的種種影響因素進行分析,指出了由于文化意識形態(tài)自身的發(fā)展規(guī)律、物 質(zhì)對文化意識形態(tài)的影響、藝術(shù)創(chuàng)作者創(chuàng)造藝術(shù)和受眾吸收的能力、主流文化和非主流文化的存在性以及經(jīng)濟和政治等因素的存在,促使了實驗動畫從雛形到發(fā)展再到繁盛的整個過程的形成。再從實驗動畫所具備的價值方向來分析其自身產(chǎn)生的價值,如:藝術(shù)價值、技術(shù)價值、社會經(jīng)濟價值和人文價值等,并在基礎(chǔ)上通過對比中國實驗動畫與國外實驗動畫的發(fā)展得到結(jié)論:中國動畫一直停滯不前,可能是因為沒有重視實驗動畫探索的發(fā)展。中國動畫可適當(dāng)借鑒國外實驗動畫發(fā)展的優(yōu)勢,比如可以從國外的產(chǎn)業(yè)模式上來指導(dǎo)中國動畫產(chǎn)業(yè);另外,,以商業(yè)動畫為載體,將實驗動畫探索與創(chuàng)新的精神應(yīng)用于商業(yè)動畫中,實驗動畫將轉(zhuǎn)化為“生產(chǎn)力”來創(chuàng)造經(jīng)濟價 值。使實驗動畫服務(wù)于商業(yè)動畫,擺正二者之間的關(guān)系,則兩者都能夠得到健康、長足發(fā)展,最終將帶動中國乃至整個世界動畫產(chǎn)業(yè)的發(fā)展。
[Abstract]:Animation is an artistic form between painting and film, which is an effective grafting based on narrative features. It has the character characteristics of film and painting, but it is not simply superimposed between the two artistic forms. In the early stage of animation development, the creators constantly explore the creative method, innovation, purpose and media form of animation, which is the basis of the formation of the early experimental animation. In the course of the experiment, the creators experimented and explored different contents and forms, which not only expanded the scope of the animation in the future, but also enriched its forms of expression. At the same time, it makes up for the field that commercial animation dares not set foot in. At present, the manifestation of many commercial animation films is the result of the continuous exploration of experimental animation. Thus, experimental animation has strong vitality and important practical significance in the course of animation development. In this paper, the historical process of experimental animation is classified and summarized, and the influence factors in its evolution are analyzed, and the development law of cultural ideology itself is pointed out. The influence of material quality on cultural ideology, the ability of artistic creators to create art and audience absorption, the existence of mainstream culture and non-mainstream culture, and the existence of economic and political factors, To promote the experimental animation from the embryonic form to development and prosperity of the whole process of formation. Then from the experimental animation has the value direction to analyze its own generated value, such as: artistic value, technical value, social and economic value and human value, etc. On the basis of comparing the development of Chinese experimental animation with foreign experimental animation, it is concluded that the development of Chinese animation has been stagnant, which may be due to the lack of attention to the development of experimental animation exploration. Chinese animation can draw lessons from the advantages of foreign experimental animation development, for example, it can guide the Chinese animation industry from the industrial model of foreign countries; In addition, with commercial animation as the carrier, the spirit of exploration and innovation of experimental animation is applied to commercial animation, and experimental animation will be transformed into "productivity" to create economic value. If the experimental animation serves commercial animation and corrects the relationship between them, both of them will be able to develop healthily and rapidly, which will eventually lead to the development of animation industry in China and the world as a whole.
【學(xué)位授予單位】:陜西科技大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J954

【參考文獻】

相關(guān)期刊論文 前2條

1 路琳;非主流動畫藝術(shù)的魅力[J];電視研究;2002年08期

2 楊曉林;;藝術(shù)短片的特質(zhì)兼對“中國學(xué)派”兩個口號的反思——《奧斯卡最佳動畫短片分析·序》[J];電影文學(xué);2010年03期



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