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民族奇幻片的類型自覺(jué)與類型超越

發(fā)布時(shí)間:2018-11-14 14:01
【摘要】:暑期商業(yè)大片《盜墓筆記》在市場(chǎng)上的成功,可從編劇、導(dǎo)演和表演三方面的外部因素來(lái)總結(jié),主要可歸為三點(diǎn):分別是"南派三叔和大IP小說(shuō)改編""李仁港動(dòng)作片的美學(xué)套路"以及"井柏然和鹿晗的冷萌表演"。內(nèi)在的原因可歸之于奇幻片的類型自覺(jué)和類型超越給年輕觀眾以熟悉的"陌生感"所造成的諸多看點(diǎn),這也為輝煌的票房成績(jī)奠定了堅(jiān)實(shí)的基礎(chǔ)。
[Abstract]:The success of the summer commercial blockbuster Tomb Theft in the market can be summed up from three external factors: screenwriter, director and performance. It can be classified into three main points: the adaptation of three Uncle and Big IP novels of the Southern School, the Aesthetic routine of Li Rengang's Action Film, and the Coldly adorable performance of Jing Buran and Lu Han. The internal reasons can be attributed to the type consciousness and type transcendence of fantasy films, which makes the young audience familiar with "strangeness", which also lays a solid foundation for the brilliant box office achievement.
【作者單位】: 同濟(jì)大學(xué)電影研究所;
【分類號(hào)】:J905


本文編號(hào):2331361

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