《功夫熊貓2》中熊貓形象的重塑與融合
發(fā)布時間：2018-10-18 06:57
【摘要】：近年來，中國的國寶熊貓作為重要文化元素，不斷被創(chuàng)作成動畫電影中的角色而走向世界。美國好萊塢利用熊貓這一中國元素接連創(chuàng)作出兩部動畫電影《功夫熊貓》、《功夫熊貓2》。相對于中國的《熊貓京京》、《熊貓總動員》等動畫電影，好萊塢的兩部“熊貓”在國際上贏得了更大的反響與口碑，影片中東西方文化交融的文化表現(xiàn)更是引人關注。 在本文中，基于文化身份理論和文化價值觀理論，選擇國產(chǎn)動畫電影《熊貓總動員》和好萊塢動畫電影《功夫熊貓2》為語料，作者使用對比分析的方法，從劇本、表現(xiàn)手法、配音配樂等方面總結了中美動畫的各自特色，從電影的文化表現(xiàn)上探討了好萊塢熊貓更吸引觀眾眼球的主要原因，即傳遞美國的普世價值觀，如博愛、自由、包容等；同時，作者分析了中國動畫和好萊塢動畫在構造角色手段上的異同。作者在對照國產(chǎn)動畫《熊貓總動員》的基礎上，分析了好萊塢動畫《功夫熊貓2》熊貓角色從中國傳統(tǒng)孝道到西方自由主義的重塑和從中國武俠精神到西方個人英雄主義融合變異的具體過程，從而使其符合美國民族自身文化的精髓。影片中這種對中美文化進行重塑和融合的文化表現(xiàn)，是《功夫熊貓2》獲得成功的重要原因之一。本研究結果發(fā)現(xiàn)，動畫影視作品的制作和成功離不開本土文化的土壤基因，本國文化在吸收他國文化元素后，經(jīng)過變異會更有利于本國文化的傳播。 本研究論文一共有6個部分。第一部分對本論文研究做了一個基本介紹。第二部分是本文的文獻綜述以及支撐本論文探討分析的相關理論。作者在第三部分首先通過一部中國動畫電影《熊貓總動員》描述了中國熊貓的形象以及它所代表的中國文化，，也就是熊貓的傳統(tǒng)中國符號象征。然后作者又通過一部好萊塢動畫電影《功夫熊貓2》描述了其中的熊貓形象和它所代表的美國文化。第四部分是本論文的主體部分，分別從個人集體主義以及文化身份認同兩個方面分析了對中國熊貓形象的重塑和融合。作者基于相關理論對兩部電影中的兩種文化價值觀進行了比較研究，揭示了《功夫熊貓2》是如何對熊貓形象從中國孝道文化到美國自由主義進行重塑的，又是如何從中國武俠精神到美國英雄主義進行融合的。第五部分討論了動畫片文化表現(xiàn)的民族化和不同價值觀的共存。第六部分是全文的結論。
[Abstract]:In recent years, as an important cultural element, China's National Treasure Panda has been created as a character in animated films. Hollywood has created two animated films, Kung Fu Panda and Kung Fu Panda 2. Compared with China's Beijing Panda, Panda General Mobilization and other animated movies, Hollywood's two Panda have won a greater international response and reputation, and the cultural performance of the blend of Eastern and Western cultures in the film has attracted more attention. In this paper, based on the theory of cultural identity and the theory of cultural values, the author chooses the domestic animated film "Panda General Mobilization" and the Hollywood animated film "Kung Fu Panda 2" as the corpus. This paper summarizes the characteristics of Chinese and American animation from the aspects of dubbing and soundtrack, and discusses the main reasons why Hollywood pandas attract the audience's attention from the cultural performance of the film, that is, to convey the universal values of the United States, such as fraternity, freedom, tolerance, and so on; at the same time, The author analyzes the similarities and differences between Chinese animation and Hollywood animation in the means of constructing characters. The author, on the basis of comparing the animation "Panda General Mobilization" made in China, This paper analyzes the concrete process of the remolding of panda characters from Chinese traditional filial piety to western liberalism and from the Chinese martial arts spirit to the fusion and variation of western individual heroism in Hollywood animation Kung Fu Panda 2. So that it conforms to the essence of the American nation's own culture. This cultural expression of remolding and merging Chinese and American culture is one of the important reasons for the success of Kung Fu Panda 2. The results of this study show that the production and success of animated film and television works can not be separated from the soil genes of native culture. After absorbing the elements of other cultures, the local culture will be more conducive to the spread of its own culture. There are six parts in this thesis. The first part makes a basic introduction to the research of this paper. The second part is the literature review of this paper and the relevant theories supporting the discussion and analysis of this paper. In the third part, the author first describes the image of the Chinese panda and the Chinese culture, which is the traditional symbol of the panda, through a Chinese animated film, "Panda General Mobilization". Then the author describes the panda image and the American culture through a Hollywood animated film Kung Fu Panda 2. The fourth part is the main part of this paper, respectively from the individual collectivism and cultural identity analysis of the image of China's panda reconstruction and integration. Based on the relevant theories, the author makes a comparative study of the two cultural values in the two films, and reveals how Kung Fu Panda 2 rebuilds the panda image from Chinese filial piety culture to American liberalism. Also how from the Chinese martial arts spirit to the American heroism carries on the fusion. The fifth part discusses the nationalization and coexistence of different values of animation culture. The sixth part is the conclusion of the full text.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J954
本文編號：2278343
[Abstract]:In recent years, as an important cultural element, China's National Treasure Panda has been created as a character in animated films. Hollywood has created two animated films, Kung Fu Panda and Kung Fu Panda 2. Compared with China's Beijing Panda, Panda General Mobilization and other animated movies, Hollywood's two Panda have won a greater international response and reputation, and the cultural performance of the blend of Eastern and Western cultures in the film has attracted more attention. In this paper, based on the theory of cultural identity and the theory of cultural values, the author chooses the domestic animated film "Panda General Mobilization" and the Hollywood animated film "Kung Fu Panda 2" as the corpus. This paper summarizes the characteristics of Chinese and American animation from the aspects of dubbing and soundtrack, and discusses the main reasons why Hollywood pandas attract the audience's attention from the cultural performance of the film, that is, to convey the universal values of the United States, such as fraternity, freedom, tolerance, and so on; at the same time, The author analyzes the similarities and differences between Chinese animation and Hollywood animation in the means of constructing characters. The author, on the basis of comparing the animation "Panda General Mobilization" made in China, This paper analyzes the concrete process of the remolding of panda characters from Chinese traditional filial piety to western liberalism and from the Chinese martial arts spirit to the fusion and variation of western individual heroism in Hollywood animation Kung Fu Panda 2. So that it conforms to the essence of the American nation's own culture. This cultural expression of remolding and merging Chinese and American culture is one of the important reasons for the success of Kung Fu Panda 2. The results of this study show that the production and success of animated film and television works can not be separated from the soil genes of native culture. After absorbing the elements of other cultures, the local culture will be more conducive to the spread of its own culture. There are six parts in this thesis. The first part makes a basic introduction to the research of this paper. The second part is the literature review of this paper and the relevant theories supporting the discussion and analysis of this paper. In the third part, the author first describes the image of the Chinese panda and the Chinese culture, which is the traditional symbol of the panda, through a Chinese animated film, "Panda General Mobilization". Then the author describes the panda image and the American culture through a Hollywood animated film Kung Fu Panda 2. The fourth part is the main part of this paper, respectively from the individual collectivism and cultural identity analysis of the image of China's panda reconstruction and integration. Based on the relevant theories, the author makes a comparative study of the two cultural values in the two films, and reveals how Kung Fu Panda 2 rebuilds the panda image from Chinese filial piety culture to American liberalism. Also how from the Chinese martial arts spirit to the American heroism carries on the fusion. The fifth part discusses the nationalization and coexistence of different values of animation culture. The sixth part is the conclusion of the full text.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J954
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