【摘要】：在主旋律電影的發(fā)展歷程中,以明星化包裝完成民族國(guó)家正義性表達(dá)的《建國(guó)大業(yè)》曾經(jīng)是不可逾越的標(biāo)桿,但《湄公河行動(dòng)》以良好的口碑和近12億元的票房完成了全面超越。2016年國(guó)慶檔期受到《爵跡》和《從你的全世界路過》壓制,原本不被市場(chǎng)看好的《湄公河行動(dòng)》之所以能夠?qū)崿F(xiàn)反超,原因在于把“主旋律”電影的精神訴求與警匪片的類型特征通過“沉冤昭雪”這種主流價(jià)值觀的過渡實(shí)現(xiàn)了完美融合。未來如果能從觀念與體制上解決“主旋律”電影與商業(yè)電影的融合問題,有可能逐步形成一種體現(xiàn)大國(guó)氣質(zhì)、類型特征鮮明又與中國(guó)社會(huì)現(xiàn)實(shí)高度關(guān)聯(lián)的主流市場(chǎng)類型。
[Abstract]:In the course of the development of the main melody film, the "Founding of the Nation", expressed in the form of star-oriented packaging, was once an insurmountable benchmark. But with good reputation and nearly 1.2 billion yuan at the box office, the Mekong Project has been completely surpassed. The 2016 National Day period was suppressed by "Marquis" and "passing through your World". The reason that the Mekong Initiative, which had not been expected by the market, was able to achieve reverse surpassing, The reason is that the spiritual appeal of the main theme film and the type characteristics of the police and bandit films are perfectly integrated through the transition of the mainstream values of "redress for grievances". In the future, if we can solve the problem of the fusion of "theme" film and commercial film from the perspective of concept and system, it is possible to gradually form a mainstream market type which embodies the temperament of a great country, has a distinctive type and is highly related to the reality of Chinese society.
【作者單位】： 北京師范大學(xué)藝術(shù)與傳媒學(xué)院;

【相似文獻(xiàn)】

相關(guān)會(huì)議論文 前1條

1 彭濤;;主旋律電影研究20年[A];求異與趨同——中國(guó)影視文化主體性追求與現(xiàn)代性建構(gòu)：中國(guó)高等院校影視學(xué)會(huì)第十二屆年會(huì)暨第五屆中國(guó)影視高層論壇文集[C];2008年

相關(guān)重要報(bào)紙文章 前10條

1 梁水寶;《傾城》:主旋律電影的創(chuàng)新之作[N];中國(guó)電影報(bào);2013年

2 本報(bào)記者 怡夢(mèng) 整理;主旋律電影也可以拍得像大片[N];中國(guó)藝術(shù)報(bào);2014年

3 本報(bào)記者 李博;《天河》：“好人有好報(bào)”的主旋律電影[N];中國(guó)藝術(shù)報(bào);2014年

4 本報(bào)記者 朱永華;主旋律電影：素面清風(fēng)款款來[N];湖南日?qǐng)?bào);2005年

5 韓t，

本文編號(hào)：2174705