研究國產(chǎn)都市情感劇藝術(shù)價(jià)值的上升空間
發(fā)布時(shí)間：2018-08-09 14:05
【摘要】：生活在當(dāng)下,人們無法否認(rèn),新時(shí)期蓬勃發(fā)展起來的國產(chǎn)電視劇已經(jīng)退去最初的幼稚,悄然成為當(dāng)今文藝創(chuàng)作潮流中最富有中國文化意味的傳媒藝術(shù)之一。據(jù)國家廣電總局《2009年中國廣播電影電視發(fā)展報(bào)告》統(tǒng)計(jì)：目前,國產(chǎn)電視劇的年產(chǎn)量維持在“每年12000-15000集,在全國的1974個(gè)電視頻道中,播放電視劇的頻道有1764個(gè),占總數(shù)的89.4%。在各種電視節(jié)目中,電視劇的收視市場(chǎng)份額占據(jù)第一�！庇绕渲档米⒁獾氖�,2011年中國躍居世界電視劇產(chǎn)量第一大國,年產(chǎn)量已超過2萬集。為此,我們是不是可以這樣認(rèn)為,與其他藝術(shù)媒介相比,電視劇傳播更廣、受眾更多、影響也更大,它不僅描摹著我們的生活情狀,也在構(gòu)建者大眾的思維框架,同時(shí)還成為國民核心價(jià)值體系形成的重要通道。然而這些劇作在獲得了較高收視率的同時(shí),有著諸多跟風(fēng)模仿、粗制濫造、缺乏思想內(nèi)涵的詬病。張宏森曾說過：充滿良知的人們應(yīng)該在這個(gè)龐大的數(shù)字面前保持警惕,數(shù)字誕生不了美,數(shù)字也誕生不了道德和品格。如果中國電視劇創(chuàng)作界不正視在文化生產(chǎn)和文化建設(shè)的同時(shí)文化道德的下降和淪落,那么,數(shù)字的龐大只能說那是病入膏肓者的閃爍發(fā)光的浮腫。 國產(chǎn)都市情感劇作為當(dāng)代社會(huì)的現(xiàn)實(shí)縮影以及時(shí)代體現(xiàn),它能否健康、良性的成長影響著受眾的藝術(shù)品位以及人生觀、價(jià)值觀的確立。所以它需要電視劇理論和藝術(shù)審美價(jià)值的指導(dǎo)與規(guī)劃,否則它將淪為一次性的文化快餐,只追求人們的消閑需求卻遠(yuǎn)離了啟迪人心智、關(guān)注時(shí)代的社會(huì)使命,并且被忽視固有的藝術(shù)價(jià)值和審美價(jià)值。30多年來,電視劇藝術(shù)的研究從理念的轉(zhuǎn)換到學(xué)科的確認(rèn),從藝術(shù)創(chuàng)作規(guī)則到藝術(shù)特性的探索,再到電視劇藝術(shù)主體性與社會(huì)性、娛樂功能和社會(huì)功能的融合。到了今天,我們不僅僅只停留在研究“是什么”、“為什么”的階段上,而是要開始研究“怎么做”、“如何做”的層面,這樣才能使理論與實(shí)際相結(jié)合,并對(duì)現(xiàn)實(shí)創(chuàng)作提供有力的支持。 所以,本文將采用定量分析和定性分析相結(jié)合的研究方法,從“國產(chǎn)都市情感劇的概況”、“電視劇創(chuàng)作”和“大眾接受心理”三個(gè)方面探析國產(chǎn)都市情感劇藝術(shù)價(jià)值的上升空間,旨在為我國都市情感劇藝術(shù)這一分支理論的建設(shè)添磚加瓦,并能夠通過本文的研究結(jié)果對(duì)今后提升國產(chǎn)都市情感劇的藝術(shù)價(jià)值作出值得借鑒性的理論貢獻(xiàn),從而使其在多元的文化取向和市場(chǎng)經(jīng)濟(jì)的特殊環(huán)境下能夠健康、快速的成長起來。
[Abstract]:Living in the present, people can not deny that the new period of vigorous development of domestic TV series has retreated from the initial childish, quietly becoming one of the most Chinese cultural media art in the current trend of literary and artistic creation. According to the State Administration of Radio, Film and Television Development report 2009: at present, the annual output of domestic TV dramas is maintained at 12000-15000 episodes per year. Of the 1974 television channels throughout the country, 1764 are broadcasting TV dramas, accounting for 89.441 of the total. Among all kinds of TV programs, TV series have the first market share of the audience. " In particular, in 2011 China became the largest producer of TV series in the world, with an annual output of more than 20, 000 episodes. For this reason, can we think that compared with other artistic media, TV dramas spread more widely, have more audiences, and have a greater influence? it not only depicts our living conditions, but also builds the thinking framework of the masses. At the same time, it has also become an important channel for the formation of the national core value system. However, these plays have gained high ratings, but also have a lot of imitation, shoddy, lack of ideological connotation of criticism. Zhang Hongsen once said: people with conscience should be vigilant in front of this huge number, the number can not be born beautiful, nor can the number give birth to morality and character. If Chinese TV series creation circles do not face up to the decline and decline of cultural morality while cultural production and cultural construction, then the huge number can only be said to be the blinking swelling of the terminally ill. As a microcosm of the contemporary society and the embodiment of the times, whether the domestic urban emotional drama can grow healthily and healthily affects the audience's artistic taste, outlook on life and the establishment of values. Therefore, it needs the guidance and planning of the theory of TV drama and the aesthetic value of art, otherwise it will become a one-off cultural fast food, only pursuing people's leisure needs but far away from enlightening people's minds and paying attention to the social mission of the times. In the past 30 years, the study of TV drama art has changed from the concept to the confirmation of the subject, from the rules of artistic creation to the exploration of the artistic characteristics, and then to the subjectivity and sociality of the drama art. The fusion of entertainment and social functions. Today, we don't just stop at the stage of "what is" and "why", but start to study the level of "how to do" and "how to do" so that we can combine theory with practice. And to the reality creation provides the strength support. Therefore, this article will adopt the quantitative analysis and the qualitative analysis unifies the research method, from "the domestic city emotion drama general situation", On the three aspects of "TV play creation" and "popular acceptance Psychology", this paper explores the rising space of the artistic value of domestic urban emotional drama in order to contribute to the construction of the branch theory of urban emotional drama art in China. And through the research results of this paper, it can make a theoretical contribution to promote the artistic value of domestic urban affective drama in the future, so that it can be healthy under the pluralistic cultural orientation and the special environment of market economy. Grow up fast.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905
本文編號(hào)：2174309
[Abstract]:Living in the present, people can not deny that the new period of vigorous development of domestic TV series has retreated from the initial childish, quietly becoming one of the most Chinese cultural media art in the current trend of literary and artistic creation. According to the State Administration of Radio, Film and Television Development report 2009: at present, the annual output of domestic TV dramas is maintained at 12000-15000 episodes per year. Of the 1974 television channels throughout the country, 1764 are broadcasting TV dramas, accounting for 89.441 of the total. Among all kinds of TV programs, TV series have the first market share of the audience. " In particular, in 2011 China became the largest producer of TV series in the world, with an annual output of more than 20, 000 episodes. For this reason, can we think that compared with other artistic media, TV dramas spread more widely, have more audiences, and have a greater influence? it not only depicts our living conditions, but also builds the thinking framework of the masses. At the same time, it has also become an important channel for the formation of the national core value system. However, these plays have gained high ratings, but also have a lot of imitation, shoddy, lack of ideological connotation of criticism. Zhang Hongsen once said: people with conscience should be vigilant in front of this huge number, the number can not be born beautiful, nor can the number give birth to morality and character. If Chinese TV series creation circles do not face up to the decline and decline of cultural morality while cultural production and cultural construction, then the huge number can only be said to be the blinking swelling of the terminally ill. As a microcosm of the contemporary society and the embodiment of the times, whether the domestic urban emotional drama can grow healthily and healthily affects the audience's artistic taste, outlook on life and the establishment of values. Therefore, it needs the guidance and planning of the theory of TV drama and the aesthetic value of art, otherwise it will become a one-off cultural fast food, only pursuing people's leisure needs but far away from enlightening people's minds and paying attention to the social mission of the times. In the past 30 years, the study of TV drama art has changed from the concept to the confirmation of the subject, from the rules of artistic creation to the exploration of the artistic characteristics, and then to the subjectivity and sociality of the drama art. The fusion of entertainment and social functions. Today, we don't just stop at the stage of "what is" and "why", but start to study the level of "how to do" and "how to do" so that we can combine theory with practice. And to the reality creation provides the strength support. Therefore, this article will adopt the quantitative analysis and the qualitative analysis unifies the research method, from "the domestic city emotion drama general situation", On the three aspects of "TV play creation" and "popular acceptance Psychology", this paper explores the rising space of the artistic value of domestic urban emotional drama in order to contribute to the construction of the branch theory of urban emotional drama art in China. And through the research results of this paper, it can make a theoretical contribution to promote the artistic value of domestic urban affective drama in the future, so that it can be healthy under the pluralistic cultural orientation and the special environment of market economy. Grow up fast.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905
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