【摘要】：1988年完成的水墨動(dòng)畫(huà)《山水情》是繼《小蝌蚪找媽媽》(1960年)、《牧笛》(1963年)和《鹿鈴》(1982年)之后的最后一部由上海美術(shù)電影制片廠創(chuàng)作的水墨動(dòng)畫(huà)�；厮萆鲜兰o(jì)六十年代初到八十年代末,一批杰出的畫(huà)家、音樂(lè)家、動(dòng)畫(huà)藝術(shù)家們?cè)谥袊?guó)傳統(tǒng)水墨繪畫(huà)與中國(guó)影視動(dòng)畫(huà)的藝術(shù)基礎(chǔ)上,攜手創(chuàng)造出了一個(gè)富有獨(dú)特藝術(shù)魅力和中國(guó)韻味的全新動(dòng)畫(huà)片種——中國(guó)水墨動(dòng)畫(huà)。與此同時(shí),水墨動(dòng)畫(huà)的誕生也震驚了國(guó)際動(dòng)畫(huà)界,人們無(wú)不為其獨(dú)具特色的表現(xiàn)形式和深厚的文化底蘊(yùn)拍案叫絕,但是自九十年代以后,水墨動(dòng)畫(huà)卻由于制作成本高、周期長(zhǎng)等多種原因而一度處于停滯狀態(tài)。本文的研究對(duì)象《山水情》創(chuàng)作時(shí)間最晚,且在水墨動(dòng)畫(huà)藝術(shù)方面的造詣相比前三部水墨動(dòng)畫(huà)來(lái)說(shuō)更加成熟,故被后人贊譽(yù)為中國(guó)水墨動(dòng)畫(huà)的巔峰之作。所以筆者以為,《山水情》也是非常具有研究?jī)r(jià)值和意義的。本文以當(dāng)年水墨動(dòng)畫(huà)《山水情》主創(chuàng)人員的歷史回憶為線索和依據(jù),并結(jié)合中國(guó)傳統(tǒng)水墨文化,從動(dòng)畫(huà)創(chuàng)作中的藝術(shù)表現(xiàn)和內(nèi)涵體現(xiàn)入手,逐一對(duì)水墨動(dòng)畫(huà)《山水情》創(chuàng)作中的故事題材、視覺(jué)表現(xiàn)、音樂(lè)表現(xiàn)及意境內(nèi)涵等幾個(gè)重要方面展開(kāi)研究和論述,從而歸納總結(jié)出《山水情》創(chuàng)作中的特色所在。最后,在文章結(jié)尾部分,筆者又根據(jù)以上研究對(duì)中國(guó)水墨動(dòng)畫(huà)所面臨的現(xiàn)實(shí)問(wèn)題和未來(lái)的發(fā)展前景做出了思考與展望,希望本文的研究能夠促使更多的動(dòng)畫(huà)愛(ài)好者們對(duì)中國(guó)早期經(jīng)典動(dòng)畫(huà)作品的創(chuàng)作特色進(jìn)行更加深入的探索和挖掘。
[Abstract]:The painting animation "Mountain and Water situation" completed in 1988 is the last one created by Shanghai Fine Arts Film Studio after "Little tadpole looking for Mother" (1960), "Shedi" (1963) and "Deer Bell" (1982). Dating back to the early 1960s to the end of the 1980s, a group of outstanding painters, musicians, and animation artists based on the art of Chinese traditional ink painting and Chinese film and television animation. Hand in hand to create a unique artistic charm and Chinese charm of a new animation-Chinese ink animation. At the same time, the birth of ink and wash animation has shocked the international motion painting world, and people are all amazed by its unique forms of expression and profound cultural background. But since the 1990s, ink and water animation has been produced at a high cost. Long period and other reasons and once in a state of stagnation. The research object of this paper is "Mountain and Water situation", which is the latest creation time and more mature than the first three ink and water animations, so it has been praised as the peak of Chinese ink animation by later generations. Therefore, the author thinks that the landscape is also of great value and significance. Based on the historical recollection of the creators of the ink and water animation, and combining with the traditional Chinese ink culture, this paper starts with the artistic expression and connotation embodiment in the animation creation. This paper studies and discusses several important aspects, such as story theme, visual expression, music expression and artistic conception connotation in the creation of ink and water animation, and sums up the characteristics in the creation of "Mountain and Water situation". Finally, at the end of the article, the author makes some thoughts and prospects on the realistic problems and future development prospects of Chinese ink and wash animation based on the above research. It is hoped that the research in this paper can promote more animators to explore and excavate the creative features of Chinese early classic animation works.
【學(xué)位授予單位】：杭州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954;J218.7

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 張麗;;水墨動(dòng)畫(huà)的意境及其語(yǔ)言局限性[J];北京電影學(xué)院學(xué)報(bào);2006年05期

2 路盛章;動(dòng)畫(huà)藝術(shù)要發(fā)展創(chuàng)新[J];電視研究;2003年06期

3 常光希;田夷;;國(guó)際動(dòng)畫(huà)走向與中國(guó)動(dòng)畫(huà)對(duì)策[J];電影新作;1997年05期

4 金柏松;;美術(shù)電影民族化探索的歷史回顧[J];電影藝術(shù);1988年04期

5 唐家仁;;人巧奪天工——彩墨動(dòng)畫(huà)《山水情》隨記[J];電影藝術(shù);1989年11期

6 苗禾;王騰飛;李默;;金復(fù)載訪談錄[J];當(dāng)代電影;2011年11期

7 李鎮(zhèn);盧嘉毅;位彭;江川;;段孝萱訪談錄[J];當(dāng)代電影;2012年03期

8 范景中;;卓鶴君的山水世界[J];當(dāng)代中國(guó)畫(huà);2007年10期

9 王秦;;獨(dú)步世界的水墨形式——淺析水墨動(dòng)畫(huà)《山水情》中吳山明與卓鶴君的繪畫(huà)特點(diǎn)[J];美術(shù)大觀;2011年09期

10 朱鐵軍;葉貴霞;;淺論中國(guó)隱逸文化的嬗變[J];文教資料;2006年20期

相關(guān)重要報(bào)紙文章 前1條

1 杭州師范大學(xué)國(guó)際動(dòng)漫學(xué)院院長(zhǎng) 教授 王鋼;[N];光明日?qǐng)?bào);2012年

，

本文編號(hào)：2168334