民間的重啟—民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫創(chuàng)作啟示性芻議
發(fā)布時(shí)間：2018-07-26 20:07
【摘要】：本文以民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫的啟示性分析為寫作目標(biāo),并就兩者關(guān)系進(jìn)行深入探討。民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫的影響不僅體現(xiàn)在表現(xiàn)形式上,也體現(xiàn)在實(shí)驗(yàn)動(dòng)畫的思想構(gòu)建中,對于這兩方面的探討是貫穿整篇文章的核心基礎(chǔ)。民間的重啟,實(shí)質(zhì)上是在當(dāng)代藝術(shù)語境中,一種重新發(fā)現(xiàn)和激活傳統(tǒng)的視點(diǎn),因此為了能夠更加全面分析民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫的啟示意義,著意把這個(gè)問題拋入當(dāng)代藝術(shù)語境中,融入當(dāng)代藝術(shù)中的其它學(xué)科進(jìn)行分析和研究。文章圍繞實(shí)驗(yàn)動(dòng)畫中具有民間藝術(shù)基因的幾個(gè)典型案例進(jìn)行分析、解讀,嘗試性的探究出民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫產(chǎn)生的啟示和意義。文中列舉的某些案例不完全隸屬實(shí)驗(yàn)動(dòng)畫范疇,這是源于當(dāng)代藝術(shù)各學(xué)科之間所存在的共性和互通性已然超出了單門學(xué)科的自律之外。文章不僅是從藝術(shù)理論和藝術(shù)現(xiàn)象的角度分析,也依靠筆者對實(shí)驗(yàn)動(dòng)畫創(chuàng)作機(jī)制的體驗(yàn)來獲得。第一章緒論部分陳述了論文的研究源起,包括研究背景、研究外因及研究內(nèi)因。除此以外,還概括性闡述了本文的研究意義、研究現(xiàn)狀、研究目的及內(nèi)容,以作為論文研究的基礎(chǔ)。第二章節(jié)主要論述的是民間藝術(shù)與實(shí)驗(yàn)動(dòng)畫的關(guān)系。首先是對民間藝術(shù)和實(shí)驗(yàn)動(dòng)畫基本概念的梳理,然后結(jié)合相關(guān)藝術(shù)史,對兩者間存在的內(nèi)在關(guān)聯(lián),即對兩者處于動(dòng)態(tài)的相互融合、相互滲透的關(guān)系做了扼要闡述。第三章是本論文重點(diǎn),即民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫表現(xiàn)形式的啟示性分析。民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫表現(xiàn)形式產(chǎn)生的啟示主要體現(xiàn)在兩個(gè)方面。首先,民間美術(shù)在實(shí)驗(yàn)動(dòng)畫中的引申置換部分,主要體現(xiàn)在對民間剪紙、木偶、壁畫及唐卡的使用上,本文結(jié)合實(shí)驗(yàn)動(dòng)畫作品、中國早期動(dòng)畫作品、當(dāng)代藝術(shù)作品及國外藝術(shù)作品中具有典型性的案例,分析了民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫的圖像構(gòu)建、抽象性表達(dá)、符號(hào)轉(zhuǎn)譯及裝飾型風(fēng)格表現(xiàn)等多方面的啟示意義。其次,民間戲曲在實(shí)驗(yàn)動(dòng)畫的轉(zhuǎn)借應(yīng)用中也有相當(dāng)廣泛的表現(xiàn),論文結(jié)合具有典型性的藝術(shù)作品,分析了民間戲曲對實(shí)驗(yàn)動(dòng)畫中的造型設(shè)計(jì)、表演、音樂等方面的啟示性。本部分也簡略地談到筆者在實(shí)驗(yàn)動(dòng)畫作品及創(chuàng)作經(jīng)驗(yàn)中對民間藝術(shù)的態(tài)度,簡要的指出了民間藝術(shù)帶給筆者的啟示及影響,也嘗試性的探究了民間藝術(shù)對實(shí)驗(yàn)動(dòng)畫表現(xiàn)形式中的有效性。第四章分析了民間藝術(shù)所蘊(yùn)含的民間文化內(nèi)涵,以及民間文化對實(shí)驗(yàn)動(dòng)畫藝術(shù)思想構(gòu)建的啟示。在當(dāng)代藝術(shù)語境中,討論了民間文化做為中國傳統(tǒng)文化的繼承和載體,以及對當(dāng)代藝術(shù)本土化實(shí)驗(yàn)所帶來的啟示;嘗試解讀民間藝術(shù)的哲學(xué)基礎(chǔ),并嘗試性的討論了“陰陽”哲學(xué)的啟示和意義。結(jié)合筆者創(chuàng)作經(jīng)驗(yàn),分析了民間文化內(nèi)涵對自己的邊緣思維和以本土文化作為藝術(shù)思想根基的影響。文章的最后部分是對本文所研究的主要內(nèi)容做了綜合性的總結(jié),并嘗試性的提出了自己的看法及展望。本論文意圖立足于當(dāng)代藝術(shù)語境中,從表現(xiàn)形式及藝術(shù)思想構(gòu)建兩個(gè)方面入手對民間藝術(shù)為實(shí)驗(yàn)動(dòng)畫所帶來的啟示性進(jìn)行分析、解讀、整理。另外,文章也緊緊結(jié)合筆者的創(chuàng)作經(jīng)驗(yàn)進(jìn)行解釋和闡述,匯集了筆者長期以來對實(shí)驗(yàn)動(dòng)畫探索的經(jīng)驗(yàn)和認(rèn)知,也意在能夠更真切、形象的支撐文章論點(diǎn)。
[Abstract]:This article takes the inspiration analysis of folk art to the experimental animation as the writing goal, and explores the relationship of the two. The influence of folk art on the experimental animation is not only reflected in the form of expression, but also in the ideological construction of the experimental animation. The discussion of these two aspects is the core foundation of the whole article. In essence, in the context of contemporary art, a kind of re discovery and activation of the traditional view, so in order to more comprehensive analysis of the Enlightenment of folk art to experimental animation, the problem is put into the contemporary art context and into the other subjects of contemporary art to analyze and study. Several typical cases of folk art genes are analyzed, interpreted, and attempted to explore the enlightenment and significance of folk art to experimental animation. Some cases listed in this paper are not entirely subordinate to the category of experimental animation, which is derived from the universality and interoperability between the various disciplines of contemporary art which has gone beyond the self-discipline of a single subject. In addition, the article is not only analyzed from the angle of artistic theory and artistic phenomenon, but also by the author's experience in the creation mechanism of experimental animation. Chapter 1 is the first part of the introduction to state the origin of the research, including the research background, the study of the external cause and the internal cause. The second chapter mainly deals with the relationship between folk art and experimental animation. The first is to comb the basic concepts of folk art and experimental animation, and then combine the relevant art history with the internal relationship between the two, namely, the dynamic integration and infiltration of the two. The third chapter is the key point of this paper, that is, the revelation of folk art to the form of experimental animation. The inspiration of folk art to the form of experimental animation is mainly reflected in two aspects. First, the extension of folk art in experimental animation is mainly embodied in folk paper-cut, puppet, murals. As well as the use of Thangka, this paper combines the experimental animations, Chinese early animations, contemporary art works and foreign art works with typical cases, and analyzes the Enlightenment of folk art to the image construction of experimental animation, abstract expression, symbol translation and decorative style performance. Secondly, folk opera is in the following aspects It also has a wide range of performance in the application of the experimental animations. With the combination of typical artistic works, the paper analyzes the inspiration of folk opera to the modeling design, performance and music in the experimental animation. This part also briefly talks about the author's attitude to the folk art in the experimental animations and creative experience. This paper points out the inspiration and influence of folk art to the author, and tries to explore the effectiveness of folk art in the form of experimental animation. The fourth chapter analyzes the folk culture connotation of folk art and the revelation of folk culture to the construction of experimental animation art thought. In the context of contemporary art, the folk culture is discussed. As the inheritance and carrier of Chinese traditional culture, as well as the enlightenment to the localization experiment of contemporary art, we try to interpret the philosophical foundation of the folk art, and try to discuss the enlightenment and significance of the "Yin Yang" philosophy. The final part of the article is to make a comprehensive summary of the main contents of this article, and try to put forward his own views and prospects. The purpose of this thesis is based on the two aspects of the form of expression and artistic thought in the context of contemporary art, which brings the folk art to the experimental animation. In addition, the article also explains and expounds the author's creative experience, which brings together the author's experience and cognition for the exploration of experimental animation for a long time, and is also intended to be more genuine and image supporting the article argument.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954
本文編號(hào)：2147148
[Abstract]:This article takes the inspiration analysis of folk art to the experimental animation as the writing goal, and explores the relationship of the two. The influence of folk art on the experimental animation is not only reflected in the form of expression, but also in the ideological construction of the experimental animation. The discussion of these two aspects is the core foundation of the whole article. In essence, in the context of contemporary art, a kind of re discovery and activation of the traditional view, so in order to more comprehensive analysis of the Enlightenment of folk art to experimental animation, the problem is put into the contemporary art context and into the other subjects of contemporary art to analyze and study. Several typical cases of folk art genes are analyzed, interpreted, and attempted to explore the enlightenment and significance of folk art to experimental animation. Some cases listed in this paper are not entirely subordinate to the category of experimental animation, which is derived from the universality and interoperability between the various disciplines of contemporary art which has gone beyond the self-discipline of a single subject. In addition, the article is not only analyzed from the angle of artistic theory and artistic phenomenon, but also by the author's experience in the creation mechanism of experimental animation. Chapter 1 is the first part of the introduction to state the origin of the research, including the research background, the study of the external cause and the internal cause. The second chapter mainly deals with the relationship between folk art and experimental animation. The first is to comb the basic concepts of folk art and experimental animation, and then combine the relevant art history with the internal relationship between the two, namely, the dynamic integration and infiltration of the two. The third chapter is the key point of this paper, that is, the revelation of folk art to the form of experimental animation. The inspiration of folk art to the form of experimental animation is mainly reflected in two aspects. First, the extension of folk art in experimental animation is mainly embodied in folk paper-cut, puppet, murals. As well as the use of Thangka, this paper combines the experimental animations, Chinese early animations, contemporary art works and foreign art works with typical cases, and analyzes the Enlightenment of folk art to the image construction of experimental animation, abstract expression, symbol translation and decorative style performance. Secondly, folk opera is in the following aspects It also has a wide range of performance in the application of the experimental animations. With the combination of typical artistic works, the paper analyzes the inspiration of folk opera to the modeling design, performance and music in the experimental animation. This part also briefly talks about the author's attitude to the folk art in the experimental animations and creative experience. This paper points out the inspiration and influence of folk art to the author, and tries to explore the effectiveness of folk art in the form of experimental animation. The fourth chapter analyzes the folk culture connotation of folk art and the revelation of folk culture to the construction of experimental animation art thought. In the context of contemporary art, the folk culture is discussed. As the inheritance and carrier of Chinese traditional culture, as well as the enlightenment to the localization experiment of contemporary art, we try to interpret the philosophical foundation of the folk art, and try to discuss the enlightenment and significance of the "Yin Yang" philosophy. The final part of the article is to make a comprehensive summary of the main contents of this article, and try to put forward his own views and prospects. The purpose of this thesis is based on the two aspects of the form of expression and artistic thought in the context of contemporary art, which brings the folk art to the experimental animation. In addition, the article also explains and expounds the author's creative experience, which brings together the author's experience and cognition for the exploration of experimental animation for a long time, and is also intended to be more genuine and image supporting the article argument.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954
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