文化紀(jì)錄片《四時(shí)芳華四季人》的創(chuàng)作闡述
本文選題:文化紀(jì)錄片 + 牡丹文化; 參考:《昆明理工大學(xué)》2017年碩士論文
【摘要】:《四時(shí)芳華四季人》是一部展現(xiàn)傳統(tǒng)牡丹風(fēng)俗文化的紀(jì)錄片,它運(yùn)用大量紀(jì)實(shí)的手法拍攝洛陽牡丹并講述與之相關(guān)的人物故事。全片以牡丹為主線,以不同年齡段的四個(gè)典型人物為線索,完成整個(gè)故事的講解與主題表達(dá)。表現(xiàn)了生活在中原地區(qū)居民對牡丹這朵奇花的深厚情感,并以牡丹作為文化符號挖掘他們的情感故事和心理狀態(tài),借此探討中原地區(qū)以牡丹衍生出的文化風(fēng)俗的歷史脈絡(luò)與傳承理念。從生活在當(dāng)?shù)氐男∪宋锶胧?由淺入深,把傳統(tǒng)的堅(jiān)守和時(shí)代的創(chuàng)新融合其中,完成整個(gè)故事思想的傳達(dá)和時(shí)代變革的探討,這是本片區(qū)別于其它同類題材最大的體現(xiàn),也是最終訴求。本片的設(shè)計(jì)說明深度分析了紀(jì)錄片《四時(shí)芳華四季人》的選題與立意,解析了該片從資料收集、文案策劃、聲畫結(jié)構(gòu),直至拍攝和后期剪輯的創(chuàng)作過程。通過視聽藝術(shù)將民族文化的傳承方法融匯在鏡頭之中,以專業(yè)實(shí)踐的方式傳承發(fā)展紀(jì)實(shí)美學(xué)。本片取材當(dāng)?shù)厣鷦?dòng)真實(shí)的故事,尋找最具代表性的人物,從本地人的視角講述牡丹文化的千年傳承,讓更多的人從廣泛的角度了解牡丹和與它息息相關(guān)的人,并對當(dāng)今時(shí)代傳統(tǒng)文化的堅(jiān)守與革新有更加深遠(yuǎn)的認(rèn)識。
[Abstract]:"04:00 Fanghua four Seasons" is a documentary film showing the traditional peony customs and culture. It uses a lot of documentary techniques to film Luoyang peony and tell the related character stories. The whole film takes peony as the main line and four typical characters of different ages as the clue to complete the explanation and theme expression of the whole story. It shows the deep emotion of the residents living in the Central Plains to the peony flower, and takes the peony as the cultural symbol to excavate their emotional story and psychological state. In order to explore the Central Plains by peony derived from the historical context of cultural customs and inheritance concept. Starting from the small people who live in the local areas, from the superficial to the deep, the traditional adherence and the innovation of the times are fused among them to complete the transmission of the whole story thought and the discussion of the times change. This is the biggest embodiment of the film's distinction from other similar subjects. Is also the final appeal. The design explanation of this film deeply analyzes the topics and ideas of the documentary "04:00 Fanghua four Seasons", and analyzes the creative process of the film from data collection, copywriting planning, sound painting structure to filming and later editing. Through audiovisual art, the national culture inheritance method is merged into the lens, and the development of documentary aesthetics is carried out in the way of professional practice. This film is based on vivid and real local stories, looking for the most representative characters, telling the millennial heritage of the peony culture from the perspective of the local people, so that more people can understand the peony from a wide range of angles and the people who are closely related to it. And the traditional culture of the present era of adherence and innovation has a more profound understanding.
【學(xué)位授予單位】:昆明理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J952
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