本文選題：紀(jì)錄片 + 話劇�。� 參考：《吉林大學(xué)》2017年碩士論文

【摘要】：全媒體時(shí)代背景下,人們獲得信息的途徑逐步拓寬,文化產(chǎn)品的種類極富多樣性。精神文明高度的提升,帶來(lái)了對(duì)文化傳播的更高要求,單向傳播的平面銀幕已經(jīng)不足以滿足人類的文化需求,很多人選擇走進(jìn)劇院,感受交互性更強(qiáng)的話劇帶來(lái)的魅力。在吉林長(zhǎng)春,這個(gè)有著巨大話劇市場(chǎng)潛力的城市里,一群熱愛話劇的人,正行走在逐夢(mèng)路上。紀(jì)錄片《逆光》通過(guò)講述幾位邊緣話劇人的逐夢(mèng)軌跡,來(lái)表現(xiàn)追夢(mèng)人的生存現(xiàn)狀,從認(rèn)清夢(mèng)想,努力實(shí)現(xiàn)夢(mèng)想,再到堅(jiān)持夢(mèng)想,真實(shí)的展現(xiàn)他們的生活狀態(tài)和內(nèi)心世界。奮斗的路是艱難的,和現(xiàn)實(shí)生活的沖突不斷,但是他們依然相信夢(mèng)想終會(huì)照進(jìn)現(xiàn)實(shí)。本文是對(duì)《逆光》的作品闡釋,主要分為四部分,第一章課程學(xué)習(xí)與本次創(chuàng)作的關(guān)系,主要闡述本次創(chuàng)作的理論基礎(chǔ)和實(shí)踐過(guò)程;第二章從內(nèi)容呈現(xiàn)方面展示作者紀(jì)錄片《逆光》的拍攝構(gòu)思、拍攝對(duì)象和主題的表達(dá),本章節(jié)闡釋了紀(jì)錄片《逆光》如何細(xì)致的剖析了一群業(yè)余話劇愛好者一步一步靠近夢(mèng)想的故事,展現(xiàn)了大時(shí)代背景下小人物逐夢(mèng)的艱辛與堅(jiān)持;第三章分別以前期拍攝、后期剪輯以及整體包裝三方面為切入點(diǎn),介紹了紀(jì)錄片的完成過(guò)程;第四章闡述了作品在完成過(guò)程中的創(chuàng)新和不足。
[Abstract]:Under the background of the all-media era, people's access to information is gradually broadened, and the variety of cultural products is very diverse. The promotion of spiritual civilization has brought higher requirements for cultural transmission. The one-way transmission of the flat screen is no longer enough to meet the cultural needs of mankind. Many people choose to enter the theatre to feel the charm brought by the more interactive drama. In Changchun, Jilin, a city with huge market potential for drama, a group of drama lovers are on the road to dreams. The documentary "against the Light" shows the living conditions of the dreamers by telling the dream track of several marginal drama people, from recognizing the dream, trying to realize the dream, then persisting in the dream, showing their living state and inner world. The road to struggle is difficult, conflict with real life, but they still believe that the dream will come true. The first chapter is the relationship between curriculum study and this creation, which mainly expounds the theoretical basis and practical process of this creation. In the second chapter, the author of the documentary film "the reverse Light" is presented in terms of content presentation, including the idea of shooting, the object and the theme of the film. This chapter explains how to analyze the story of a group of amateur drama lovers step by step closer to their dreams, showing the hardship and persistence of the small people in the background of the big times. The paper introduces the process of documentary film completion from the three aspects of later editing and integral packaging. Chapter four expounds the innovation and deficiency of the works in the process of completion.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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