發(fā)布時間：2018-04-22 01:17

  本文選題：聲音情感 + 影視聲音�。� 參考：《西安工程大學》2014年碩士論文

【摘要】：隨著影視媒體的發(fā)展，，聲音已從人們的日常生活走向了熒屏，在許多的影視作品中聲音通過加工創(chuàng)作使影片更具有藝術表現力，同時畫面中的人物角色通過聲音的塑造也變得更加鮮活具有生命。因此影視劇作品中缺少了聲音的展現也會變的黯然失色。 從上個世紀以來，電影作為一種現代藝術其發(fā)展歷程也發(fā)生了很大的變化。由最初的無聲到有聲就是一種時代的進步。影視劇作為廣大受眾的心靈雞湯，因為劇中人物的性格和經歷與受眾產生了共鳴被受眾所喜愛。而人物形象的的塑造卻離不開聲音的應用。聲音在影片中的運用豐富電影的內容，也生動的的刻畫了畫面中的人物形象。因此配音員用聲音成功去塑造人物對影視劇作品的表達具有重要的意義。 本文通過對這一課題進行探討，以分析影視作品為實例進行闡述，在理論基礎上通過實踐去分析論證現在影視配音中出現的一些問題。并根據這些問題給出一定的見解。全文共分為七個部分，第一部分為緒論部分，在這一部分闡述了課題背景、發(fā)展狀況以及研究意義和研究內容、研究方法等；第二部分通過從聲音的概念以及應用領域入手，闡述了聲音的在電影中的表達意義。第三部分闡述了聲音語言在影視中的表達以及影視中聲音的蒙太奇效應和聲音對影片空間的塑造、美學價值探究等。第四部分以分析影視作品為主，從各個不同的視角具體詳細的闡述了聲音去塑造人物形象的觀點。第五部分通過調查問卷的方式，從受眾最喜愛的電影人物入手，了解受眾對影視劇人物的理解。第六部分通過對受眾意見的整合，結合作品實踐，闡述對作品的設計說明以及作品結構層次。第七部分是本文的結論部分，在這一部分闡述了影視配音在影視作品中重要意義，并圍繞影片人物在熒幕上的準確展現需要聲音的塑造。 現如今發(fā)現不論是電影還是電視劇作品，不管它們二者以何種形式呈現都離不開聲音的塑造。聲音已經成為一個時代發(fā)展中必不可少的一種表現形式，在影視劇作品中聲音的表達能夠更具有說服力，感染力，影響受眾的情緒和心情。同時影視作品在日常生活中對受眾具有一定的伴隨性，在一定程度上擴大了作品傳播力度。通過配音員聲音的塑造增強了人物角色的表現力，確定了影視劇人物在影片中的角色定位，使受眾能夠從作品中了解和感受人物角色的思想和情感。因此聲音對人物形象的塑造這一課題具有一定的應用和研究性。
[Abstract]:With the development of the film and television media, the sound has moved from people's daily life to the screen. In many film and television works, the sound makes the film more artistic expression through the processing and creation. At the same time, the characters in the picture also become more alive and alive through the creation of sound. Therefore, the lack of sound in the film and television works will also be eclipsed. Since the last century, as a modern art, the development of film has also undergone great changes. From the initial silence to the sound is a kind of progress of the times. As the soul chicken soup of the broad audience, film and TV drama is loved by the audience because of its character and experience. However, the portrayal of characters can not be separated from the application of sound. The use of sound in the film rich film content, but also vividly portrays the characters in the picture. Therefore, it is of great significance for the dubbing staff to successfully portray characters to the expression of film and TV drama works. This paper discusses this subject, taking the analysis of film and television works as an example to elaborate, on the basis of theory and practice, to analyze and demonstrate some problems existing in the present film and television dubbing. According to these problems, some opinions are given. The paper is divided into seven parts, the first part is the introduction part, in which the background, development, significance, research content, research methods and so on are described. The second part begins with the concept of sound and its application field. The expression meaning of sound in the film is expounded. The third part expounds the expression of sound language in film and television, the montage effect of sound in film and television, the creation of film space by sound, and the exploration of aesthetic value. The fourth part focuses on the analysis of film and television works, from different angles of view elaborated in detail the sound to shape the image of the point of view. The fifth part through the questionnaire, from the audience favorite movie characters, understand audience understanding of film and TV drama characters. The sixth part elaborates the design explanation and the structure level of the works through the integration of the audience's opinions and the practice of the works. The seventh part is the conclusion of this paper. In this part, the significance of dubbing in film and television works is expounded, and the sound is needed for the accurate display of characters on screen. Nowadays, it is found that no matter whether it is film or TV play, no matter what form they take, they are inseparable from sound shaping. Sound has become an indispensable form of expression in the development of an era. The expression of sound in movies and TV plays can be more persuasive, infectious, and affect the mood and mood of the audience. At the same time, film and television works in daily life with a certain audience, to a certain extent to expand the dissemination of works. By shaping the voice of the dubbing staff, it strengthens the expression of the characters, determines the role orientation of the characters in the films, and enables the audience to understand and feel the thoughts and feelings of the characters from the works. Therefore, the sound of the image of the character of the project has a certain application and research.
【學位授予單位】：西安工程大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J912

【參考文獻】

相關期刊論文 前10條

1 杜銳;;動畫的聲畫旋律交響——試分析動畫中角色與配音[J];安徽文學(下半月);2007年12期

2 王明軍;;技近乎藝,道也——論影視配音藝術創(chuàng)作的技術性[J];當代電視;2006年12期

3 李力宏;;表演藝術之有聲語言再創(chuàng)造——影視劇配音創(chuàng)作淺析[J];當代電影;2007年06期

4 馬雪f3;;聲音創(chuàng)造的生命與情感——淺談近年來美國動畫片中配音對動物角色的塑造[J];電影評介;2007年23期

5 王點;郭旭輝;;動畫片聲音形象的塑造與表現[J];電影評介;2011年18期

6 李梓;;運用聲音塑造人物形象[J];電影藝術;1985年12期

7 鄭建初，林洪桐;第三度再創(chuàng)作關于配音藝術的對話[J];電影藝術;1994年03期

8 王明軍;;“還魂”譯制片配音中人物的貼合[J];中國廣播電視學刊;2007年05期

9 李辰傲;;芻議影視配音的技巧與方法[J];中國傳媒科技;2012年18期

10 崔志剛;談談影視配音[J];當代電視;2005年06期

本文編號：1784959