本文選題：影視穿越劇 + 穿越小說　； 參考：《湖北師范學院》2014年碩士論文

【摘要】：2011年《神話》、《宮》的熱播引發(fā)了穿越熱潮,現(xiàn)今“穿越”早已發(fā)展成為一種大眾文化現(xiàn)象滲透于我們的生活中�！按┰健辈粌H存在于影視作品中,在許多的小說文學作品中也有“穿越”存在。學者們的研究往往集中于影視穿越劇,缺少兩者的對比研究。筆者認為應當將研究范圍擴展到從古至今涉及穿越的各類文學作品,將作為大眾文化的影視穿越劇與作為精英文化的穿越小說進行對比,探究兩者的異同。在這里,穿越小說傳達出的思想具有現(xiàn)代性意義和價值,它的范圍更為廣泛,包括古代神話、魏晉的修仙訪道小說、唐傳奇、明清章回小說等等,但不包括網(wǎng)絡穿越小說,因為大多數(shù)影視穿越劇是根據(jù)網(wǎng)絡穿越小說改編,網(wǎng)絡穿越小說也屬于大眾文化,承載著更多的娛樂功能。本論文將從以下幾方面對影視穿越劇和穿越小說進行對比研究,構(gòu)建出完整的“穿越”體系。 首先,對影視穿越劇和穿越小說進行概述。探究“穿越”的真正的緣起,循著“穿越”的歷史脈絡,對“穿越”的概念進行重新確定。建立“穿越”題材的分類標準,對比出影視穿越劇和穿越小說各自的分類特點。其次,對影視穿越劇與穿越小說的審美特征和審美意識兩方面進行對比分析,審視二者不同的審美觀念、審美趣味和審美理想,反映出大眾審美文化心理。最后,從現(xiàn)代性的高度分析、探討影視穿越劇和穿越小說的思想文化內(nèi)涵,在比較中探究影視穿越劇現(xiàn)代性的缺失,并對它的思想文化進行批判、反思。 總之,對大眾文化下穿越現(xiàn)象的研究,不僅為穿越現(xiàn)象的未來走向提供了建議,更多的是能在對比之中讓影視穿越劇借鑒穿越小說的反思性,并且通過提高中國電視劇的文化內(nèi)涵來提高觀眾的審美水平。
[Abstract]:In 2011, the popularity of "Palace" triggered an upsurge of traversing. Nowadays, "traversing" has developed into a mass cultural phenomenon that permeates our lives. "traversing" not only exists in film and television works, but also in many novel literature works. Scholars often focus on film and television traversing drama, lack of comparative study between the two. The author believes that the scope of research should be extended to all kinds of literary works involved in traversing from ancient to present, and the film and television traversing drama as popular culture and the traversing novel as elite culture should be compared to explore the similarities and differences between the two. Here, the ideas conveyed in the traversing novel have modern significance and value, and its scope is more extensive, including ancient myths, Wei and Jin dynasties' Xixian and Taoist novels, Tang legends, Ming and Qing's Zhanghui novels, and so on, but not the network traversing novels. Because most film and television traversing drama is adapted according to the network traversing novel, the network traversing novel also belongs to the popular culture, carrying more entertainment function. This thesis makes a comparative study of traversing drama and traversing novels from the following aspects, and constructs a complete traversing system. First of all, the film and television traversing drama and traversing novels are summarized. This paper explores the real origin of "traversing" and redefines the concept of "traversing" according to the historical context of "traversing". The classification standard of "traversing" is established, and the classification characteristics of traversing drama and traversing novel are compared. Secondly, the aesthetic characteristics and aesthetic consciousness of traversing drama and traversing novel are compared and analyzed, and their different aesthetic concepts, aesthetic taste and aesthetic ideal reflect the popular aesthetic cultural psychology. Finally, from the perspective of modernity, this paper probes into the ideological and cultural connotation of traversing drama and novels, probes into the lack of modernity of traversing drama in comparison, and criticizes and reflects on its ideology and culture. In a word, the research on the phenomenon of traversing under popular culture not only provides suggestions for the future trend of traversing phenomenon, but also makes the film and television traversing drama learn from the reflection of the traversing novel in contrast. And by improving the cultural connotation of Chinese TV series to improve the aesthetic level of the audience.
【學位授予單位】：湖北師范學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905;I207.42

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