本文選題：電影幕后紀(jì)錄片 + 類型化　； 參考：《河南大學(xué)》2014年碩士論文

【摘要】：從20世紀(jì)初期紀(jì)錄片的誕生到現(xiàn)在,紀(jì)錄片關(guān)注的內(nèi)容趨向多樣化,題材包羅萬(wàn)象,形成諸如人文社會(huì)紀(jì)錄片、自然科技紀(jì)錄片、文獻(xiàn)紀(jì)錄片等不同的紀(jì)錄片類型,極大的豐富了人們的認(rèn)知世界。進(jìn)入新世紀(jì)以來(lái),在世界其他國(guó)家創(chuàng)作思想的影響下,中國(guó)的紀(jì)錄片在創(chuàng)作理念及手法上都發(fā)生了重大的變革,關(guān)注的領(lǐng)域逐漸擴(kuò)大,產(chǎn)生了一批新的紀(jì)錄片類型。其中以電影拍攝過(guò)程為主要記錄內(nèi)容的紀(jì)錄片的出現(xiàn),開(kāi)創(chuàng)了一個(gè)全新的紀(jì)錄片的種類——電影幕后紀(jì)錄片。 電影幕后紀(jì)錄片作為一種新的紀(jì)錄片類型和樣式,它一誕生就具備了自己的獨(dú)特的類型特征和傳播特性,如以網(wǎng)絡(luò)為主要載體,傳播范圍廣；以幕后故事為內(nèi)容,滿足受眾的窺視心理；制作靈活,滿足不同宣傳方式的需求等,這些特性使電影幕后紀(jì)錄片成為電影宣傳的新手段,并被廣泛使用,逐漸顯現(xiàn)出統(tǒng)一的特性和品質(zhì),逐漸形成一種新的紀(jì)錄片類型。 電影幕后紀(jì)錄片在我國(guó)發(fā)展迅速,逐步邁入成熟階段,但依然存在著不少問(wèn)題,還沒(méi)有形成統(tǒng)一規(guī)范的幕后紀(jì)錄片市場(chǎng)和機(jī)制。電影幕后紀(jì)錄片發(fā)展策略的研究,對(duì)幕后紀(jì)錄片的良性發(fā)展意義重大。本文將結(jié)合電影幕后紀(jì)錄片在中國(guó)的發(fā)展軌跡,對(duì)它進(jìn)行詳盡的類型化研究。 按照研究的層次,本文共分五個(gè)章節(jié)。第一章圍繞電影幕后紀(jì)錄片自身的特質(zhì),對(duì)電影幕后紀(jì)錄片進(jìn)行詳盡的定義,并將分三個(gè)方面歸納其產(chǎn)生的原因。類型化研究離不開(kāi)對(duì)其發(fā)展脈絡(luò)的梳理,對(duì)電影幕后紀(jì)錄片發(fā)展沿革進(jìn)行階段性劃分,便于對(duì)其進(jìn)行準(zhǔn)確的定位。尤其將中國(guó)電影幕后紀(jì)錄片的發(fā)展過(guò)程進(jìn)行詳盡的梳理,為以后電影幕后紀(jì)錄片的研究提供理論支撐和資料支持。 電影幕后紀(jì)錄片是新型的紀(jì)錄片類型,本文第二章并結(jié)合其他類型紀(jì)錄片的劃分,列出幕后紀(jì)錄片的幾種形態(tài),并詳盡的探討電影幕后紀(jì)錄片類型化的特點(diǎn)和功能。電影幕后紀(jì)錄片的類型特征歸結(jié)為題材固定、模式統(tǒng)一,敘事性差、參與感強(qiáng),主題依附,相互映襯三個(gè)方面,并歸納出商業(yè)營(yíng)銷宣傳功能、滿足觀眾窺視心理、揭示電影本質(zhì)功能、文獻(xiàn)資料收藏功能等特有的類型功能。 電影幕后紀(jì)錄片其誕生和發(fā)展都離不開(kāi)電影傳播的需要,其與生俱來(lái)的傳播特性是其他紀(jì)錄片種類所不具備的。本文第三章將從傳統(tǒng)媒體和新媒體等媒介研究其傳播的渠道,結(jié)合受眾需求、包裝宣傳對(duì)其傳播策略做進(jìn)一步的分析,探討其在社會(huì)和公眾之間存在的意義和價(jià)值。 電影幕后紀(jì)錄片是新生的事物,現(xiàn)如今其題材局限、缺乏獨(dú)立性,只注重紀(jì)實(shí)、藝術(shù)性較差,最重要的是缺乏平臺(tái),沒(méi)有形成規(guī)范的產(chǎn)業(yè)鏈。綜合這些問(wèn)題,本文第四章對(duì)電影幕后紀(jì)錄片的發(fā)展方向做出了探討,認(rèn)為多樣化、藝術(shù)化和產(chǎn)業(yè)化發(fā)展才是電影幕后紀(jì)錄片的出路。所以要求其加強(qiáng)對(duì)主題的挖掘、增加故事性,要注重紀(jì)錄片質(zhì)量、增加藝術(shù)構(gòu)思,并且需要打造專業(yè)團(tuán)隊(duì),實(shí)行產(chǎn)業(yè)化運(yùn)作。這樣才能保證電影幕后紀(jì)錄片健康有效的發(fā)展。 本文第五章將以《張藝謀和他的金陵十三釵》為例,論證幕后紀(jì)錄片的具體特點(diǎn)和功能。
[Abstract]:From the birth of the documentary in the early 20th century , the content of the documentary is diversified and the subject matter is subject to various themes , such as the documentary , natural science and technology documentary , documentary documentary and so on , which greatly enriched the people ' s cognitive world .

As a kind of new documentary type and style , the film behind the film has its own unique type characteristics and propagation characteristics , such as the network as the main carrier , the spread range is wide ;
With the behind - the - scenes story as the content , the audience ' s peer - to - sight psychology is satisfied ;
Making flexible and meeting the needs of different propaganda methods , these characteristics make the documentary film behind the film become the new means of movie propaganda , and are widely used , gradually show the unified character and quality , gradually form a new documentary type .

The documentary film behind the scenes in China is developing rapidly and gradually into the mature stage . However , there are still a number of problems , and there is still no post - scenes documentary market and mechanism of uniform specification . The research on the development strategy of documentary film behind the scenes is of great significance to the benign development of documentary film behind the scenes . This paper will carry out a detailed typed study on the development track of documentary film behind the scenes in China .

According to the level of research , this paper is divided into five chapters . The first chapter is about the characteristics of the film behind the film , defines the documentary film behind the film , and concludes the reasons for it .

The film behind the film is a new type of documentary , the second chapter of this paper , combining with the division of other types of documentary , lists several forms of the documentary film behind the scenes , and discusses the features and functions of documentary type .

The introduction and development of the film behind the film are inseparable from the need of the film dissemination . The propagation characteristics of the film are not possessed by other documentary types . In chapter 3 , the channels of communication are studied from the media such as the traditional media and the new media . In the third chapter , the dissemination strategies are further analyzed from the media such as the traditional media and the new media , and the significance and value of their communication in the society and the public are discussed .

The film behind the film is a new thing . Now its subject matter is limited , lack of independence , only focus on documentary , lack of platform , not forming the standard industrial chain . The fourth chapter of this paper discusses the development direction of the film behind the scenes . Therefore , it is necessary to strengthen the excavation of the theme , increase the story , pay attention to documentary quality , increase the artistic conception , and need to build professional team and carry out the industrialization operation . This can ensure the healthy and effective development of documentary film behind the film .

The fifth chapter of this article will take Zhang Yimou and his Jin Ling thirteen - chai hairpin as an example to demonstrate the specific features and functions of the documentary film behind the scenes .

【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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