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  本文關(guān)鍵詞：金鐵木紀(jì)錄片研究　出處：《蘭州大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：進(jìn)入2000年以后,中國(guó)紀(jì)錄片面臨一個(gè)向市場(chǎng)化轉(zhuǎn)型的難題。具有電影學(xué)背景的金鐵木對(duì)此進(jìn)行了一系列嘗試和探索,成功將故事電影的制作思路和制作模式引入歷史題材紀(jì)錄片的創(chuàng)作,不僅實(shí)現(xiàn)了紀(jì)錄電影的市場(chǎng)突圍,還在非市場(chǎng)行為的宣傳紀(jì)錄片和獨(dú)立紀(jì)錄片之外,開(kāi)辟出市場(chǎng)的主流類型——商業(yè)紀(jì)錄片。金鐵木的《復(fù)活的軍團(tuán)》《玄奘之路》《圓明園》等一系列紀(jì)錄片都收到了良好的受眾反饋。他的作品運(yùn)用搬演、數(shù)字特技等拍攝手法真實(shí)地復(fù)原了歷史場(chǎng)面,給受眾帶來(lái)了極其逼真的歷史畫面,這無(wú)疑是一種刺激的視覺(jué)體驗(yàn),給受眾帶來(lái)了豐富的審美愉悅。同時(shí),作者還賦予影片個(gè)人作者式的解讀,并對(duì)歷史加入個(gè)人反思,這就使得影片同時(shí)具備了藝術(shù)性和知識(shí)性。如今,在中國(guó)當(dāng)代紀(jì)錄片的專業(yè)領(lǐng)域內(nèi),金鐵木憑借著其歷史文化紀(jì)錄片頗具代表性的創(chuàng)作特點(diǎn),在紀(jì)錄片市場(chǎng)擁有著不可替代的地位。 本文以金鐵木的歷史人文紀(jì)錄片為研究對(duì)象,通過(guò)對(duì)其作品的系統(tǒng)整理和研究,歸納出導(dǎo)演的創(chuàng)作手法和影片的文化內(nèi)涵,并對(duì)其商業(yè)模式進(jìn)行探索。以此歸結(jié)出適宜國(guó)情的典型創(chuàng)作范式,這個(gè)范式將包含從融資、創(chuàng)意、制作、發(fā)行、營(yíng)銷的各個(gè)環(huán)節(jié)。
[Abstract]:Since 2000, Chinese documentaries are facing a difficult problem of market-oriented transformation. Jin Tiemu, who has film background, has made a series of attempts and explorations. The successful introduction of story film production ideas and production models into the creation of historical documentaries, not only achieve the record film market breakthrough, but also in the non-market behavior of propaganda documentaries and independent documentaries. A series of documentaries, such as Jin Tiemu's the Resurrection Legion, the Road of Xuanzang, Old Summer Palace, and so on, have received good feedback from the audience. Digital stunts and other shooting techniques truly restore the historical scenes, to the audience to bring extremely realistic historical picture, this is undoubtedly a stimulating visual experience, to the audience to bring a wealth of aesthetic pleasure. At the same time. The author also gives the film a personal writer's interpretation and a personal reflection on history, which makes the film both artistic and intellectual. Now, in the professional field of contemporary Chinese documentaries. Jin Tiemu has an irreplaceable position in the documentary market because of its representative creation characteristics of historical and cultural documentaries. This paper takes Jin Tiemu's historical and humanistic documentary as the research object, through the systematic arrangement and research of his works, sums up the director's creative technique and the cultural connotation of the film. By exploring its business model, this paper concludes a typical creative paradigm suitable for national conditions, which will include all aspects of financing, creativity, production, distribution and marketing.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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