陶瓷繪畫在陶瓷藝術(shù)設(shè)計(jì)中的應(yīng)用研究
發(fā)布時(shí)間:2018-08-07 15:30
【摘要】:當(dāng)今社會(huì),由于受商品經(jīng)濟(jì)與市場(chǎng)經(jīng)濟(jì)的影響,在以消費(fèi)為主導(dǎo)的前提下,人們的審美意識(shí)和消費(fèi)觀念發(fā)生了翻天覆地的變化,已不再只是單純注重陶瓷品的功能效用,更多的是追求陶瓷品背后蘊(yùn)含的思想精神所帶來的藝術(shù)氣質(zhì)。有設(shè)計(jì)感、有創(chuàng)意感、有形式美感、有深刻文化內(nèi)涵的陶瓷品越來越受到人們的青睞。作為陶瓷藝術(shù)設(shè)計(jì)審美有效表達(dá)的重要手段,陶瓷繪畫裝飾的價(jià)值已不言而喻,充分發(fā)揮繪畫裝飾在陶瓷設(shè)計(jì)藝術(shù)中的作用,提升陶瓷品的附加值,是眾多陶瓷設(shè)計(jì)藝術(shù)家共同追求的目標(biāo)。本文從陶瓷繪畫的構(gòu)成要素著手,詳細(xì)分析了陶瓷繪畫的語言特點(diǎn)、形式結(jié)構(gòu)和審美特征,可以看出陶瓷繪畫和其它繪畫藝術(shù)形態(tài)有著截然不同的特點(diǎn),受陶瓷材料與工藝的制約,陶瓷繪畫的工藝美、形式美呈現(xiàn)出獨(dú)具魅力的藝術(shù)特征,陶瓷繪畫的各個(gè)構(gòu)成要素在設(shè)計(jì)的構(gòu)想中都發(fā)揮出各自的作用呈現(xiàn)出各自的特點(diǎn);陶瓷繪畫與陶瓷設(shè)計(jì)的關(guān)系是既獨(dú)立存在,又相互依存,陶瓷繪畫服務(wù)于陶瓷設(shè)計(jì),陶瓷設(shè)計(jì)更凸現(xiàn)了陶瓷繪畫的形式美;本文論述的層層展開在依附于陶瓷藝術(shù)設(shè)計(jì)的前提下,始終站在陶瓷系統(tǒng)化藝術(shù)設(shè)計(jì)的視野中,緊密結(jié)合陶瓷藝術(shù)設(shè)計(jì)對(duì)陶瓷繪畫和陶瓷藝術(shù)設(shè)計(jì)的關(guān)系以及運(yùn)用進(jìn)行了較深入的研究,發(fā)掘出一系列陶瓷繪畫裝飾的表現(xiàn)形式,試圖探尋陶瓷繪畫的多元化創(chuàng)作思路與方法,從而為陶瓷藝術(shù)設(shè)計(jì)提供更多的設(shè)計(jì)路徑和設(shè)計(jì)空間。這些繪畫裝飾的方法在陶瓷藝術(shù)設(shè)計(jì)過程中都不是完全孤立的,正確合理地將其運(yùn)用到陶瓷藝術(shù)設(shè)計(jì)中,可以更加有效地服務(wù)設(shè)計(jì),從而創(chuàng)造出更多更優(yōu)秀的陶瓷藝術(shù)精品來滿足人們的物質(zhì)需要和精神需求。對(duì)于陶瓷繪畫在陶瓷藝術(shù)設(shè)計(jì)中的作用以及運(yùn)用遠(yuǎn)遠(yuǎn)不止文中所述的幾種方式。只有通過熟練掌握陶瓷繪畫工藝,不論從內(nèi)容到形式,還是從表現(xiàn)技巧、材料與工藝到創(chuàng)作方法與觀念,才能創(chuàng)作出具有鮮明個(gè)性特征與風(fēng)格的陶瓷繪畫作品,才能將新的陶瓷繪畫運(yùn)用到陶瓷藝術(shù)設(shè)計(jì)中,獲取陶瓷繪畫與陶瓷藝術(shù)設(shè)計(jì)的完美和諧統(tǒng)一,使陶瓷繪畫形成有意味的陶瓷藝術(shù)設(shè)計(jì)中的繪畫裝飾,實(shí)現(xiàn)陶瓷藝術(shù)設(shè)計(jì)作品的精神表達(dá)與審美價(jià)值。
[Abstract]:In today's society, due to the influence of commodity economy and market economy, people's aesthetic consciousness and consumption concept have changed dramatically under the premise of taking consumption as the leading factor, and they are no longer merely paying attention to the functional utility of ceramics. More is the pursuit of ceramic products behind the ideological spirit brought about by the artistic temperament. Ceramic products with a sense of design, originality, beauty of form and profound cultural connotations are becoming more and more popular. As an important means of aesthetic expression of ceramic art design, the value of ceramic painting decoration has been self-evident, fully play the role of painting decoration in ceramic design art, and promote the added value of ceramic products. It is a common goal pursued by many ceramic design artists. Starting from the elements of ceramic painting, this paper analyzes in detail the linguistic characteristics, formal structure and aesthetic characteristics of ceramic painting. It can be seen that ceramic painting and other art forms have distinct characteristics. Restricted by ceramic materials and techniques, the art features of ceramic painting are unique, and the elements of ceramic painting play their respective roles in the design. The relationship between ceramic painting and ceramic design is both independent and interdependent. Ceramic painting serves ceramic design, and ceramic design highlights the formal beauty of ceramic painting. On the premise of adhering to ceramic art design, the layer by layer discussed in this paper is always standing in the vision of ceramic systematic art design. In this paper, the relationship and application of ceramic painting and ceramic art design are studied in close combination with ceramic art design, and a series of expression forms of ceramic painting decoration are found out, in order to explore the diversified creative ideas and methods of ceramic painting. In order to provide more design path and design space for ceramic art design. These methods of painting and decoration are not completely isolated in the process of ceramic art design. Applying them to ceramic art design correctly and reasonably can serve the design more effectively. In order to create more and more excellent ceramic art to meet people's material and spiritual needs. The role of ceramic painting in ceramic art design and the use of more than the several ways described in the paper. Only by mastering ceramic painting techniques, from content to form, from performance skills, materials and techniques to creative methods and ideas, can we create ceramic paintings with distinctive characteristics and styles. In order to apply the new ceramic painting to ceramic art design, to obtain the perfect harmony and unity of ceramic painting and ceramic art design, so that ceramic painting can form meaningful painting decoration in ceramic art design. To realize the spiritual expression and aesthetic value of ceramic art and design works.
【學(xué)位授予單位】:湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J527
本文編號(hào):2170471
[Abstract]:In today's society, due to the influence of commodity economy and market economy, people's aesthetic consciousness and consumption concept have changed dramatically under the premise of taking consumption as the leading factor, and they are no longer merely paying attention to the functional utility of ceramics. More is the pursuit of ceramic products behind the ideological spirit brought about by the artistic temperament. Ceramic products with a sense of design, originality, beauty of form and profound cultural connotations are becoming more and more popular. As an important means of aesthetic expression of ceramic art design, the value of ceramic painting decoration has been self-evident, fully play the role of painting decoration in ceramic design art, and promote the added value of ceramic products. It is a common goal pursued by many ceramic design artists. Starting from the elements of ceramic painting, this paper analyzes in detail the linguistic characteristics, formal structure and aesthetic characteristics of ceramic painting. It can be seen that ceramic painting and other art forms have distinct characteristics. Restricted by ceramic materials and techniques, the art features of ceramic painting are unique, and the elements of ceramic painting play their respective roles in the design. The relationship between ceramic painting and ceramic design is both independent and interdependent. Ceramic painting serves ceramic design, and ceramic design highlights the formal beauty of ceramic painting. On the premise of adhering to ceramic art design, the layer by layer discussed in this paper is always standing in the vision of ceramic systematic art design. In this paper, the relationship and application of ceramic painting and ceramic art design are studied in close combination with ceramic art design, and a series of expression forms of ceramic painting decoration are found out, in order to explore the diversified creative ideas and methods of ceramic painting. In order to provide more design path and design space for ceramic art design. These methods of painting and decoration are not completely isolated in the process of ceramic art design. Applying them to ceramic art design correctly and reasonably can serve the design more effectively. In order to create more and more excellent ceramic art to meet people's material and spiritual needs. The role of ceramic painting in ceramic art design and the use of more than the several ways described in the paper. Only by mastering ceramic painting techniques, from content to form, from performance skills, materials and techniques to creative methods and ideas, can we create ceramic paintings with distinctive characteristics and styles. In order to apply the new ceramic painting to ceramic art design, to obtain the perfect harmony and unity of ceramic painting and ceramic art design, so that ceramic painting can form meaningful painting decoration in ceramic art design. To realize the spiritual expression and aesthetic value of ceramic art and design works.
【學(xué)位授予單位】:湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J527
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