本文關(guān)鍵詞：北齊造像記書法研究　出處：《吉林大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 北齊造像記 書體 書法風(fēng)格 書刻

【摘要】：北齊造像記蘊(yùn)含了北齊豐富的社會(huì)、宗教文化等信息,同時(shí)還具有很高的書法藝術(shù)價(jià)值。本文以《北齊造像記書法研究》為題,深入挖掘北齊造像記的書法價(jià)值,對(duì)造像記產(chǎn)生的背景,造像記書法的本體,即書體與書法風(fēng)格,以及造像記的書丹刊刻等問題進(jìn)行分析研究。本文正文分為四章。第一章為北齊造像發(fā)展的社會(huì)環(huán)境,重點(diǎn)對(duì)北齊的佛教發(fā)展與佛教造像興盛的原因進(jìn)行分析,并且介紹了北齊的社會(huì)文化環(huán)境及北齊的書法家。第二章與第三章從北齊造像記書法的本體出發(fā),分析造像記的書體特征與書法風(fēng)格以及北齊造像記的地域書風(fēng)特征;從北齊上層社會(huì)與低層社會(huì)使用的不同書體入手,進(jìn)而討論了北齊朝廷書法與民間書法的面貌;在論述北齊造像記的地域書風(fēng)特征時(shí),通過對(duì)鄴城地區(qū)、河洛地區(qū)以及青齊地區(qū)三個(gè)典型的地域具體分析,研究地域的社會(huì)文化對(duì)造像記書法風(fēng)格的影響以及地域書風(fēng)的特征。第四章,討論了北齊造像記的書丹、刻手以及刊刻對(duì)書法風(fēng)格的影響。本文以北齊造像記為研究課題,從北齊的社會(huì)文化大背景出發(fā),對(duì)造像記書體、書法風(fēng)格進(jìn)行整體討論,并試圖從朝廷對(duì)書法的統(tǒng)一規(guī)范、民間書法的狀況以及地域書風(fēng)等角度提出一些新的見解。希望能以造像記書法為基礎(chǔ),還原北齊社會(huì)書法的真實(shí)面目。
[Abstract]:North Qi statues contains rich social, religious and cultural information, but also has a high value of calligraphy. Dig deeply into the calligraphy value of the portrait of the Northern Qi Dynasty, the background of the creation of the portrait record, the ontology of calligraphy, that is, calligraphy style and style. This paper is divided into four chapters. The first chapter is the social environment of the development of the statues in the Northern Qi Dynasty, focusing on the Buddhist development of the Northern Qi Dynasty and the reasons for the prosperity of the Buddhist statues. And introduced the social and cultural environment of the Northern Qi and the calligrapher in the Northern Qi. The second and third chapters start from the Noumenon of calligraphy. This paper analyzes the characters of calligraphy style and style of calligraphy and the regional style of calligraphy in Northern Qi Dynasty. Starting with the different calligraphy styles used in the upper and lower levels of the Northern Qi Dynasty, the author discusses the features of the calligraphy of the imperial court and the folk calligraphy in the Northern Qi Dynasty. When discussing the characteristics of the regional calligraphy style of the Northern Qi statues, this paper analyzes three typical regions of Yecheng area, Heluo area and Qingqi area. This paper studies the influence of regional social culture on the calligraphy style and the characteristics of regional calligraphy style. Chapter 4th discusses the calligraphy of the Northern Qi Dynasty. The influence of engraving and publishing on calligraphy style. This paper takes the portrait of the Northern Qi Dynasty as a research topic, from the social and cultural background of the Northern Qi Dynasty, the calligraphy style and calligraphy style are discussed as a whole. It also tries to put forward some new opinions from the angle of the unified standard of calligraphy in the imperial court, the situation of folk calligraphy and the regional style of calligraphy, hoping to restore the true face of calligraphy in Northern Qi Dynasty on the basis of portrait calligraphy.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K239.24;J292.1

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 徐人仲;建設(shè)中的北京圖書館[J];w，

本文編號(hào)：1411018