本文關(guān)鍵詞：鞏義石窟寺北魏后期飛天藝術(shù)樣式的中土化研究　出處：《北京服裝學(xué)院》2017年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：魏晉南北朝的佛教雕塑史是一部不斷民族化、中國(guó)化的歷史。佛教藝術(shù)自印度進(jìn)入中華大地,與中國(guó)本土的時(shí)代背景、文化土壤、審美趣味等發(fā)生反應(yīng),經(jīng)歷碰撞、交融的過(guò)程,在此扎根。佛教藝術(shù)風(fēng)格逐漸由外來(lái)藝術(shù)樣式過(guò)渡到完全中國(guó)式審美的中土化藝術(shù)樣式。北魏時(shí)期,良好的政治根基、相對(duì)完備的社會(huì)基礎(chǔ)環(huán)境與自由開(kāi)放的文化土壤為佛教在中國(guó)的迅速傳播以及佛教藝術(shù)的中土化發(fā)展創(chuàng)造了重要條件。本文據(jù)此展開(kāi)分析和討論,首先,以時(shí)間和地點(diǎn)為轉(zhuǎn)移,概述早期印度的天人風(fēng)格以及飛天藝術(shù)東漸過(guò)程中不同地域、階段藝術(shù)風(fēng)格的流變,梳理了飛天藝術(shù)樣式大致的發(fā)展源流。隨后,論述中土化飛天藝術(shù)樣式的審美特點(diǎn)和形成藝術(shù)風(fēng)格背后的綜合影響因素。最后,從鞏義石窟飛天藝術(shù)樣式的風(fēng)格特點(diǎn)及飛天視覺(jué)表象背后的隱性審美趨向,著重闡述了鞏義石窟飛天藝術(shù)的中土化發(fā)展概況。論文結(jié)語(yǔ)部分,總結(jié)了鞏義石窟寺飛天的中土化進(jìn)程,鑒古思今,由此引發(fā)了對(duì)于當(dāng)代藝術(shù)的思考——中國(guó)的當(dāng)代藝術(shù)如何處理和把握外來(lái)藝術(shù)形態(tài)與中國(guó)民族藝術(shù)的關(guān)系。
[Abstract]:The history of Buddhist sculpture in Wei Jin and Southern and Northern dynasties is a nationalized and Chinese history. Buddhist art from India into the land of China with the Chinese local background cultural soil aesthetic taste and other reactions. The Buddhist art style gradually transition from the foreign art style to the completely Chinese aesthetic Chinese style of art. The Northern Wei Dynasty period, the good political foundation. The relatively complete social basic environment and free and open cultural soil have created important conditions for the rapid spread of Buddhism in China and the development of Buddhist art in China. With time and place as the transfer, this paper outlines the early Indian style of Heaven and Man, as well as the evolution of different regions and stages of art style in different regions during the eastward development of Feitian Art, and combs the general development source of Feitian Art style. This paper discusses the aesthetic characteristics of the mid-earth Feitian art style and the comprehensive influencing factors behind the formation of the artistic style. Finally, from the Gongyi Grottoes Feitian art style style style characteristics and the hidden aesthetic trend behind the Feitian visual image. This paper focuses on the development of the art of flying heaven in Gongyi Grottoes. The conclusion of the paper summarizes the process of the mid-earth in Gongyi Grottoes Temple. This led to the consideration of contemporary art-how to handle and grasp the relationship between foreign art forms and Chinese national art.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：K879.3;J315

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本文編號(hào)：1364420