本文選題：朵瑪 + 朵瑪祭祀��； 參考：《西藏大學(xué)》2015年碩士論文

【摘要】：“朵瑪”即是一門(mén)宗教學(xué)的研究范疇,又屬民俗學(xué)的范圍,研究該項(xiàng)目要有以上兩門(mén)學(xué)科扎實(shí)的知識(shí)基礎(chǔ),才能深入地展開(kāi)分析。故這次本人從民俗學(xué)和宗教學(xué)角度,以青海省海南藏族自治州貴南縣托勒寺為例,對(duì)這一民俗事象和宗教活動(dòng)做了詳細(xì)的描述與梳理。憑本人的社會(huì)閱歷和所積累的知識(shí),試圖對(duì)“朵瑪”做個(gè)全面而深刻的研究,無(wú)疑是空談。但懷著一顆探索“根”欲知“本”的想法和精神,在大量的佛教文獻(xiàn)典籍中、原始祖民信奉之苯教的教義里,尋覓出了些蛛絲馬跡,對(duì)“朵瑪”分四個(gè)章節(jié)做了試探性研究。初探藏族的宗教文化,包括藏傳佛教中一些陌生的儀式,使我得出了一個(gè)粗淺的印象,感覺(jué)即好奇又陌生,于是通過(guò)采訪、實(shí)踐、查閱書(shū)籍對(duì)“朵瑪”的分類(lèi)、功德、材質(zhì)及它的藝術(shù)價(jià)值做個(gè)詳實(shí)的梳理。“朵瑪”是一種極具藝術(shù)特色與思想內(nèi)涵的宗教文化產(chǎn)物,也是一種傳統(tǒng)的民俗文化現(xiàn)象。本文主要內(nèi)容共分為四個(gè)章節(jié):第一章簡(jiǎn)單的介紹了貴南縣的自然地理、歷史以及托勒寺產(chǎn)生和文化背景,同時(shí)給托勒寺的朵瑪祭祀研究作鋪墊。第二章簡(jiǎn)要闡明了托勒寺“朵瑪”的產(chǎn)生及制作方法,同時(shí)介紹了藏傳佛教及苯教朵瑪?shù)臏Y源。第三章簡(jiǎn)單闡述了“朵瑪”祭祀的供奉方式、祭祀時(shí)辰以及祭祀“朵瑪”的功德。第四章論述了“朵瑪”的藝術(shù)價(jià)值,進(jìn)一步詳細(xì)論證了“朵瑪”為何稱(chēng)為一門(mén)藝術(shù)的理由。
[Abstract]:Doma "is not only a research category of religion, but also the scope of folklore. The research project must have a solid knowledge base of the above two disciplines in order to carry out in-depth analysis." Therefore, from the perspective of folklore and religion, taking the Towler Temple of Hainan Tibetan Autonomous Prefecture in Qinghai Province as an example, this paper describes and combs the folklore and religious activities in detail. Based on my social experience and accumulated knowledge, trying to do a comprehensive and profound study of Doma is undoubtedly empty talk. However, with the idea and spirit of exploring "root" and wanting to know "this", in a large number of Buddhist documents and classics, some clues were found in the doctrine of benzene religion believed in by the original ancestors, and a tentative study was made on "Doma" in four chapters. Probing into Tibetan religious Culture, including some unfamiliar rituals in Tibetan Buddhism, I got a superficial impression that I was both curious and strange. So through interviews and practice, I checked the classification and merit of Doma in books. Material and its artistic value to do a detailed combing. Doma is a religious and cultural product with artistic characteristics and ideological connotations, as well as a traditional folk cultural phenomenon. The main content of this paper is divided into four chapters: the first chapter briefly introduces the natural geography, history, the origin and cultural background of Towler Temple in Guinan County, and at the same time paves the way for the study of Doma sacrifice in Towler Temple. The second chapter briefly expounds the production and production methods of Doma in Towler Temple, and introduces the origin of Tibetan Buddhism and Bandoma. The third chapter briefly expounds the worship mode of Doma, the time of sacrifice and the merit of sacrificing Doma. The fourth chapter discusses the artistic value of Doma, and further demonstrates the reason why Doma is called an art.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：B946.6

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本文編號(hào)：2070758