【摘要】：關(guān)于"《春秋》書法",歷來論者甚眾,觀點紛呈。蘇軾有一系列論文探討了《春秋》中相關(guān)記載或表述的"書法"問題。蘇軾之論"《春秋》書法",涉及面廣,針對性強,其"《春秋》書法"觀不僅有對先儒尤其是"春秋三傳"的批判吸收,更有自己的獨到發(fā)明。蘇軾認為,孔子作《春秋》,褒貶歷史事件與人物,均以"禮"為評判準則。作為孔子思想學說的堅定擁護者,蘇軾論析"《春秋》書法",探究圣人之意,亦以"禮"為理論基礎(chǔ)。
[Abstract]:Regarding "the Spring and Autumn period" calligraphy, the historical theory is very many, the viewpoint is various. Su Shi has a series of papers to discuss the problem of calligraphy recorded or expressed in the Spring and Autumn period. Su Shi's theory of "calligraphy in the Spring and Autumn period" involves a wide range of aspects and has strong pertinence. His view of "calligraphy in the Spring and Autumn period" not only critically absorbs Confucianism, especially the three Biography of the Spring and Autumn period, but also has its own unique invention. Su Shi thinks that Confucius' works "Spring and Autumn", praise and demean historical events and figures, are judged by "propriety". As a staunch supporter of Confucius' thought and theory, Su Shi discussed and analyzed the calligraphy of the Spring and Autumn period, explored the meaning of the sage, and took the "rite" as the theoretical basis.
【作者單位】： 遵義師范學院人文與傳媒學院;
【基金】：貴州省社科規(guī)劃課題“蘇軾經(jīng)學思想研究”(項目編號:14GZYB41)階段成果
【分類號】：K225.04
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本文編號：2157479