榆林小曲研究
發(fā)布時(shí)間：2018-07-21 14:28
【摘要】：榆林古稱“上郡”,始于春秋戰(zhàn)國,明清時(shí)期,榆林已是九邊重鎮(zhèn),素有“小北京”之美譽(yù)。隨著榆林戰(zhàn)略位置的突顯,政府也愈來愈重視并增加了榆林官員的派遣,所以出現(xiàn)了歷史上著名的“南官北座”現(xiàn)象。官員、將軍們不僅從江南帶來了眾多軍隊(duì),也把江南的思想觀念、生活方式滲透到了榆林,榆林小曲就是在這樣的氛圍中形成了。小曲不僅保留了江南小曲的原有特色,而且吸收了許多陜北民歌的詞曲,成為典型的南北文化融合產(chǎn)物,展現(xiàn)了榆林城鎮(zhèn)市民獨(dú)特的生活情趣和民俗風(fēng)情。小曲內(nèi)容雅俗趣味,不僅是百姓間的娛樂消遣,而且與民眾的日常生活緊密聯(lián)系,因此被譽(yù)為“市民音樂”,集中折射出榆林民眾獨(dú)特的民俗風(fēng)情。榆林小曲傳承已數(shù)百年,顯然是我們民間文化的原生態(tài),對于該文化的探究,定然會(huì)對我們傳統(tǒng)民間藝術(shù)的研究有重大借鑒意義。然而現(xiàn)今,受當(dāng)代流行音樂影響,傳統(tǒng)藝術(shù)發(fā)展舉步維艱,誠然小曲得到諸多專家學(xué)者的關(guān)注與研究,但因缺乏系統(tǒng)的梳理和研究,聽眾基礎(chǔ)薄弱、傳承人老齡化,以及小曲演唱曲目缺乏新意、表演形式單一枯燥等因素,小曲的發(fā)展形勢非常嚴(yán)峻,因此傳承、發(fā)揚(yáng)榆林小曲刻不容緩。本文結(jié)構(gòu)除引言外,總共分為以下四部分:第一部分是介紹榆林小曲形成的歷史沿革。具體從明清時(shí)期、清末至建國后、文革至改革開放前、改革開放后四個(gè)時(shí)期梳理了榆林小曲的形成、繁榮、沒落、復(fù)蘇四個(gè)階段。第二部分是深入探討了榆林小曲的形成原因。從邊陲軍人的喜好娛樂、邊塞商貿(mào)往來、大眾娛樂的需要這三個(gè)方面具體闡述小曲誕生的原因,集中體現(xiàn)榆林這塊土地為小曲的誕生提供了肥沃的土壤。第三部分是著重于榆林小曲自身獨(dú)特的藝術(shù)特色,反映出榆林小曲屬南北融合之物,是榆林獨(dú)有的文化符號(hào)。第四部分是詳細(xì)闡述了榆林小曲所反映的近代社會(huì)。關(guān)注小曲唱詞中反映的榆林人口遷徙、商業(yè)貿(mào)易、社會(huì)現(xiàn)狀、民風(fēng)民俗四個(gè)方面,進(jìn)而還原榆林的近代社會(huì)面貌。深入探討榆林小曲的唱詞內(nèi)容,進(jìn)而窺探小曲所蘊(yùn)含的歷史文化,不僅豐富了榆林小曲的研究,而且還可以清晰地折射出榆林近代社會(huì)的面貌�？偠灾�,榆林小曲這種獨(dú)特的明清遺曲,不僅在陜北民間藝術(shù)文化中占有重要地位,也為專家學(xué)者探討榆林地區(qū)近代社會(huì)豐富了史料,這些對非物質(zhì)文化遺產(chǎn)的傳承和發(fā)揚(yáng)都有非常重要的借鑒作用。
[Abstract]:Yulin ancient name "Shangjun", began in the Spring and Autumn warring States, Ming and Qing dynasties, Yulin has been a Nine-border town, known as "small Beijing" reputation. With the prominence of Yulin's strategic position, the government has paid more and more attention to and increased the dispatch of Yulin officials. Officials, generals not only brought a large number of troops from the south of the Yangtze River, but also the ideas and lifestyles of the south of the Yangtze River permeated into Yulin, Yulin Xiaoqu was formed in such an atmosphere. Xiaoqu not only retains the original characteristics of Jiangnan folk song, but also absorbs many songs of Northern Shaanxi folk songs, and becomes a typical product of North-South culture fusion, showing the unique life and folk customs of the citizens of Yulin town. The tasteful and vulgar content of the Xiao qu is not only the entertainment of the common people, but also the close connection with the people's daily life, so it is called "citizen music" and reflects the unique folk customs of the people in Yulin. Yulin Xiaoqu has been passed on for hundreds of years, which is obviously the original ecology of our folk culture. The exploration of this culture will certainly be of great significance to the study of our traditional folk art. However, nowadays, under the influence of contemporary pop music, the development of traditional art is very difficult. It is true that many experts and scholars have paid close attention to the small music, but because of the lack of systematic combing and research, the audience foundation is weak, and people are aging. As well as the lack of new songs, performance form single boring and other factors, the development of small music situation is very grim, so it is urgent to carry forward Yulin Xiaoqu. In addition to the introduction, the structure of this paper is divided into four parts: the first part is to introduce the historical evolution of the formation of Xiao qu in Yulin. From the Ming and Qing dynasties, the late Qing Dynasty to the founding of the people's Republic of China, the Cultural Revolution to the reform and opening up, four periods after the reform and opening up to the outside world, the formation, prosperity, decline, recovery of the four stages of Yulin. The second part is to explore the causes of the formation of Yulin Xiaoqu. This paper expounds the reasons for the birth of Xiaoqu from the three aspects of the frontier servicemen's preference for entertainment, frontier fortress trade and trade, and the need for popular entertainment, which mainly reflects the fertile soil for the birth of Xiao qu in Yulin. The third part focuses on the unique artistic characteristics of Yulin Xiaoqu, which reflects that Yulin Xiaoqu belongs to the integration of the north and the south, and is a unique cultural symbol of Yulin. The fourth part is a detailed description of the modern society reflected in Yulin Xiaoqu. This paper focuses on the four aspects of Yulin population migration, commerce and trade, social status quo and folk customs, which are reflected in the lyrics of Xiao qu, and then restore the modern social outlook of Yulin. It not only enriches the study of Xiao qu in Yulin, but also clearly reflects the appearance of modern society in Yulin. In a word, Yulin Xiaoqu, a unique relic of the Ming and Qing dynasties, not only occupies an important position in the folk art culture of Northern Shaanxi, but also enriches the historical data for experts and scholars to discuss the modern society in Yulin region. These are very important for the inheritance and development of intangible cultural heritage.
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K207
本文編號(hào)：2135823
[Abstract]:Yulin ancient name "Shangjun", began in the Spring and Autumn warring States, Ming and Qing dynasties, Yulin has been a Nine-border town, known as "small Beijing" reputation. With the prominence of Yulin's strategic position, the government has paid more and more attention to and increased the dispatch of Yulin officials. Officials, generals not only brought a large number of troops from the south of the Yangtze River, but also the ideas and lifestyles of the south of the Yangtze River permeated into Yulin, Yulin Xiaoqu was formed in such an atmosphere. Xiaoqu not only retains the original characteristics of Jiangnan folk song, but also absorbs many songs of Northern Shaanxi folk songs, and becomes a typical product of North-South culture fusion, showing the unique life and folk customs of the citizens of Yulin town. The tasteful and vulgar content of the Xiao qu is not only the entertainment of the common people, but also the close connection with the people's daily life, so it is called "citizen music" and reflects the unique folk customs of the people in Yulin. Yulin Xiaoqu has been passed on for hundreds of years, which is obviously the original ecology of our folk culture. The exploration of this culture will certainly be of great significance to the study of our traditional folk art. However, nowadays, under the influence of contemporary pop music, the development of traditional art is very difficult. It is true that many experts and scholars have paid close attention to the small music, but because of the lack of systematic combing and research, the audience foundation is weak, and people are aging. As well as the lack of new songs, performance form single boring and other factors, the development of small music situation is very grim, so it is urgent to carry forward Yulin Xiaoqu. In addition to the introduction, the structure of this paper is divided into four parts: the first part is to introduce the historical evolution of the formation of Xiao qu in Yulin. From the Ming and Qing dynasties, the late Qing Dynasty to the founding of the people's Republic of China, the Cultural Revolution to the reform and opening up, four periods after the reform and opening up to the outside world, the formation, prosperity, decline, recovery of the four stages of Yulin. The second part is to explore the causes of the formation of Yulin Xiaoqu. This paper expounds the reasons for the birth of Xiaoqu from the three aspects of the frontier servicemen's preference for entertainment, frontier fortress trade and trade, and the need for popular entertainment, which mainly reflects the fertile soil for the birth of Xiao qu in Yulin. The third part focuses on the unique artistic characteristics of Yulin Xiaoqu, which reflects that Yulin Xiaoqu belongs to the integration of the north and the south, and is a unique cultural symbol of Yulin. The fourth part is a detailed description of the modern society reflected in Yulin Xiaoqu. This paper focuses on the four aspects of Yulin population migration, commerce and trade, social status quo and folk customs, which are reflected in the lyrics of Xiao qu, and then restore the modern social outlook of Yulin. It not only enriches the study of Xiao qu in Yulin, but also clearly reflects the appearance of modern society in Yulin. In a word, Yulin Xiaoqu, a unique relic of the Ming and Qing dynasties, not only occupies an important position in the folk art culture of Northern Shaanxi, but also enriches the historical data for experts and scholars to discuss the modern society in Yulin region. These are very important for the inheritance and development of intangible cultural heritage.
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K207
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