本文關(guān)鍵詞：“清語騎射”與“杜漸防微”——清代北京戲園相關(guān)禁令的考察　出處：《天津大學(xué)學(xué)報(社會科學(xué)版)》2016年03期 　論文類型：期刊論文

  更多相關(guān)文章： 清代 北京戲園 禁令 清語騎射

【摘要】：清代政府對于北京戲園的經(jīng)營地點和顧客群皆有制約,然而以往對于禁令制訂的出發(fā)點多有誤解�？滴醭詠韮�(nèi)城禁止經(jīng)營戲園,其目的并非"維穩(wěn)",而是認為內(nèi)城開設(shè)戲園會引誘旗人日滋游惰、耗費銀錢。清代帝王視戲園為敗壞風(fēng)俗之端,擔心旗人漸失滿洲淳樸舊風(fēng)、疏于清語騎射,因此禁止八旗子弟、王公大臣出入戲園或登臺演戲。此外,清代統(tǒng)治者認為,官員聽戲關(guān)乎吏治,禁止官員逛戲園、抑制其聽戲的風(fēng)尚,旨在防止官員、王公貴族玩忽職守、擾害平民以及結(jié)黨營私。
[Abstract]:The Qing government had restrictions on the location and customers of Beijing Opera Garden. However, there were many misunderstandings about the starting point of making the ban in the past. Since Kangxi Dynasty, the purpose of prohibiting the operation of Beijing Opera Garden was not to "maintain stability". The emperor of the Qing Dynasty regarded the opera garden as the end of the corrupt customs, worried that the flag man gradually lost the simple old wind of Manchuria, and neglected the Qing language to ride and shoot, so the children of the eight banners were forbidden. In addition, the rulers of the Qing Dynasty believed that the official hearing of the play was related to the administration of officials, and prohibited officials from visiting the opera garden to curb the tradition of listening to the opera, in order to prevent officials and princes from neglecting their duties. Harass the common people and form a party for personal gain.
【作者單位】： 清華大學(xué)歷史系;
【分類號】：K249
【正文快照】： 清代帝后王公、文人雅士、士紳商賈、販夫走卒等各階層皆對戲曲有著特殊的喜愛,更有甚者癡迷其中�；始覉@囿和王府私宅的戲臺、堂會,百姓自是無緣得見,而廟會演戲則多受節(jié)令限制。惟有戲園這種商業(yè)化的日常演出場所更能滿足大眾的需求,到戲園聽戲成為清代百姓最為常見的娛樂休

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