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唐長(zhǎng)安城外蕃奴隸、貢人及僧侶史事述論

發(fā)布時(shí)間:2018-05-27 14:22

  本文選題:唐長(zhǎng)安城 + 外蕃人; 參考:《西北大學(xué)》2010年碩士論文


【摘要】: 唐朝是封建社會(huì)發(fā)展的鼎盛時(shí)期,他以開(kāi)放、包容的姿態(tài)矗立在東方世界,而其國(guó)都長(zhǎng)安城是當(dāng)時(shí)著名的國(guó)際性大都市。長(zhǎng)安城的繁榮吸引著不同國(guó)度人來(lái)此朝拜,他們?cè)诓煌臅r(shí)間、以不同的方式匯集在這個(gè)大都市之中,構(gòu)成了唐長(zhǎng)安城社會(huì)結(jié)構(gòu)中一個(gè)龐大的外蕃人集團(tuán)。他們廣泛活躍于長(zhǎng)安各階層之間,或出將入相、或彈拉賣唱、或貿(mào)易經(jīng)商、或講經(jīng)布法等等,構(gòu)成當(dāng)時(shí)長(zhǎng)安社會(huì)中一道獨(dú)特的風(fēng)景。本文以長(zhǎng)安城的外蕃人為研究對(duì)象,分為三章來(lái)研究長(zhǎng)安城內(nèi)部分外蕃人的生活狀況。 第一章主要介紹唐長(zhǎng)安城內(nèi)的外蕃奴隸。本章又分為四個(gè)小節(jié),分別從俘虜來(lái)的外蕃奴隸、擄掠和販賣來(lái)的外蕃奴隸及進(jìn)貢來(lái)的外蕃奴隸等三個(gè)方面介紹長(zhǎng)安城內(nèi)外蕃奴隸的存在情況,第四小節(jié)根據(jù)唐朝奴隸的生活狀況來(lái)推斷這些外蕃奴隸在長(zhǎng)安城內(nèi)的生活狀態(tài)。 第二章主要論述唐長(zhǎng)安城內(nèi)的外蕃貢人。本章主要從唐朝樂(lè)舞機(jī)構(gòu)中的外蕃人入手,來(lái)介紹不同樂(lè)舞機(jī)構(gòu)中的外蕃貢人。本章內(nèi)容分別從太常寺內(nèi)的外蕃貢人、內(nèi)教坊中的外蕃貢人、外教坊中的外蕃貢人及其他外蕃貢人四個(gè)方面來(lái)介紹外蕃貢人在長(zhǎng)安城內(nèi)分布的情況,最后總結(jié)這些外蕃貢人在長(zhǎng)安城的生活狀態(tài)。 第三章主要介紹唐長(zhǎng)安城內(nèi)的外蕃僧人。本章的內(nèi)容以外蕃僧人的世俗活動(dòng)為討論的重點(diǎn),從日本和三韓來(lái)唐的學(xué)問(wèn)僧、東來(lái)弘揚(yáng)佛教的外來(lái)僧侶、東來(lái)傳教的三夷教僧侶三個(gè)方面來(lái)介紹長(zhǎng)安城內(nèi)外蕃僧人的存在情況。這三類僧侶在長(zhǎng)安城內(nèi)的生活狀態(tài)不盡相同,最后總結(jié)這些外蕃僧人在長(zhǎng)安城所具有的共同的生活情形。 文章最后為結(jié)語(yǔ),結(jié)論認(rèn)為不管是外來(lái)的奴隸、僧侶、樂(lè)人還是侏儒,他們來(lái)到唐朝后很快的融入了長(zhǎng)安城內(nèi)的生活,為長(zhǎng)安城佛教的興盛、樂(lè)舞的繁榮及唐朝的文學(xué)藝術(shù)的發(fā)展都注入了新鮮的血液,為整個(gè)長(zhǎng)安城的繁榮做出自己的貢獻(xiàn)。
[Abstract]:The Tang Dynasty was the heyday of feudal society. He stood in the oriental world with an open and tolerant attitude, and Changan, the capital of his country, was a famous international metropolis at that time. The prosperity of Changan City attracts people from different countries to come here to worship. They come together in different ways and at different times in this metropolis, forming a huge group of foreigners in the social structure of Changan City in Tang Dynasty. They were widely active among the various strata of Chang'an, or will come to the stage, or play and sing, or trade and business, or lecture, and so on, constitute a unique landscape in Changan society at that time. This paper studies the living conditions of the outer foreigners in Changan city in three chapters. The first chapter mainly introduces the outer Tibetan slaves in Changan City of Tang Dynasty. This chapter is divided into four subsections. It introduces the existence of foreign slaves in and out of Changan City from three aspects: foreign slaves captured from captives, foreign slaves from captivity and foreign slaves from tribute. According to the living conditions of the slaves in Tang Dynasty, the fourth section inferred the living conditions of these outer slaves in Changan City. The second chapter mainly discusses the Tang Dynasty Changan City outside the Fan Gong people. This chapter mainly from the Tang Dynasty music and dance organizations of the foreign Tibetan people, to introduce the different music and dance organizations of the foreign Tibetan tribute. This chapter introduces the distribution of Waifan people in Changan City from four aspects: the Waizhuangong in Taichang Temple, the Waifan in the Inner Missionary, the Waipanggong in the Foreign Missionary, and the other in the Foreign Fanggong. At last, it summarizes the living conditions of these foreigners in Changan City. The third chapter mainly introduces the outside Buddhist monks in Changan City of Tang Dynasty. Outside the contents of this chapter, the secular activities of the Tibetan monks are the focus of the discussion. From Japan and the three Koreas to the learned monks of the Tang Dynasty, and from the east to carrying forward the Buddhist monks from the outside, The Sanyi monks from east to the east introduce the existence of Tibetan monks in and out of Changan city. The living conditions of these three kinds of monks in Changan City are different. Finally, the common living conditions of these Tibetan monks in Changan City are summarized. At the end of the article, it is concluded that whether it is foreign slaves, monks, happy people or dwarfs, they quickly integrated into the life of Chang'an City after they came to the Tang Dynasty, for the prosperity of Changan Buddhism. The prosperity of music and dance and the development of literature and art in Tang Dynasty injected fresh blood and made their own contribution to the prosperity of Changan City.
【學(xué)位授予單位】:西北大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2010
【分類號(hào)】:K242

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 姜清波;入唐三韓人研究[D];暨南大學(xué);2005年

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本文編號(hào):1942457

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