本文選題：明代中后期　切入點：江南　出處：《華東師范大學》2012年碩士論文　論文類型：學位論文

【摘要】：書齋是一個集起居、著述、交往等功能為一體的文化意象,是中國傳統(tǒng)文化中一個散發(fā)著特殊韻味的部分。對于中國古代社會藉知識為生的文人們而言,書齋更是不可或缺。單是有史可考的具備正式命名的書齋,從西漢初楊雄的玄齋起,經隋唐及宋,呈現(xiàn)日益盛行之勢。直至明朝,封建文化進入高速發(fā)展及高度成熟期,有明一代的文人學士幾乎都有自己的書齋雅室。明代中后期,中央對地方的強力控制政策逐漸放松,作為當時全國經濟、文化中心的江南地區(qū)獲得了較大的發(fā)展空間。商品經濟高度繁榮,加之當朝政治的黑暗及仕進之途的壅塞,文人的價值取向也發(fā)生了重大的轉變,一直伴隨文人生活的書齋地位凸顯,成為他們在理想和現(xiàn)實的夾縫中苦苦尋覓的出路。此時江南的很多文人,在這片可以由自己隨性打造的空間中,將經營書齋作為寄情人生的文化載體,書齋的意境、陳設、器具等都融入了文人的審美情趣和文化追求,書齋也成為他們的最終歸宿和心靈棲息之地。 本文共分為五部分,從四個方面對本論題進行闡述。緒論部分對目前與本論題相關的學術研究現(xiàn)狀進行綜合分析,對本論題涉及的基本時空范圍進行簡要界定,從而挖掘出本論題的研究價值。論文主體分為四部分：分別從明代中后期江南繁榮的區(qū)域經濟、醇厚的文化氛圍、劇變的社會觀念以及縮小的文人空間四個層面來分析明代中后期江南書齋興盛的時空條件；以相對宏觀的視角還原江南文人對書齋極富詩意的建構,包括書齋的內部布局、整體規(guī)制及其與周邊空間的融合；對書齋中各類器具和物件進行深層次的挖掘,從而發(fā)現(xiàn)其中蘊含著文人獨特的文化品位和審美意趣；最后以層層遞進的方式論述明代中后期江南文人眼中獨特的書齋形象,書齋對于他們而言是一個具備多重功能的文化空間。
[Abstract]:The study is a cultural image with the functions of living, writing, communication and so on. It is a part of Chinese traditional culture which has a special charm. For the literati who lived by knowledge in ancient Chinese society, The study was even more indispensable. From the beginning of the Western Han Dynasty, Yang Xiong's Xuan Zhai, which had been formally named by Shi Ke, became increasingly popular through the Sui, Tang and Song dynasties. Until the Ming Dynasty, feudal culture entered a period of rapid development and high maturity. Almost all the literati of the Ming Dynasty had their own elegant rooms for their studies. In the middle and late Ming Dynasty, the central authorities gradually relaxed their strong policy of controlling the localities, which was the national economy at that time. The south of the Yangtze River, the cultural center, gained a large space for development. The high prosperity of the commodity economy, coupled with the darkness of politics and the choking of the path of official advancement, also led to a significant change in the value orientation of the literati. The status of the study, which has always been accompanied by the life of the literati, has become a way out for them to seek in the gap between ideal and reality. At this time, many literati in the south of the Yangtze River, in this space that can be created by their own nature, Taking the management of study as the cultural carrier of life, the artistic conception, furnishings and utensils of the study have been integrated into the aesthetic taste and cultural pursuit of the literati, and the study has also become their ultimate destination and spiritual habitat. This paper is divided into five parts, from four aspects to elaborate the topic. The introduction of the current academic research related to this topic comprehensive analysis of the basic scope of time and space involved in this topic is briefly defined. The main body of the thesis is divided into four parts: from the prosperous regional economy of Jiangnan in the middle and late Ming Dynasty, the mellow cultural atmosphere, This paper analyzes the space-time conditions of the prosperity of Jiangnan Lent in the middle and late Ming Dynasty from the four aspects of the social concept of drastic change and the narrowing of literati space, and restores the extremely poetic construction of the Lent by the Jiangnan literati from a relatively macroscopic perspective, including the internal layout of the Lent. The whole regulation and its fusion with the surrounding space, the deep excavation of all kinds of utensils and objects in the study, and the discovery of the unique cultural taste and aesthetic interest of the literati; Finally, it discusses the unique image of the study in the middle and late Ming Dynasty, which is a multi-functional cultural space for them.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：K248

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