吐蕃統(tǒng)治時期敦煌游藝史料研究
[Abstract]:Recreation should refer to all kinds of games or entertainment activities. Recreation activities refer to the entertainment activities that people engage in their daily life and thus achieve spiritual and cultural activities for the purpose of entertainment. Dunhuang recreation and Dunhuang studies, Dunhuang sports academic research is also rich in connotation, vague extension, diverse levels, complex structure of cultural phenomena and disciplinary system, it and philosophy, politics, religion, medicine, The study of art and other disciplines is closely linked. Therefore, as an integral part of Dunhuang sports, the academic research of Dunhuang recreation is not only deeply rooted in Dunhuang studies, but also has its own unique development track. During the reign of Tubo during the reign of Dunhuang from 786-848, the culture and development of Dunhuang entertainment did not become incomplete. Chen Xiangyin, On the contrary, the deep exchange between Chinese and foreign culture and Tang Fan culture promoted Dunhuang recreation culture to enter a new stage of development. The history and variety of recreational activities in Dunhuang region during the period of Tubo rule were long and varied, which added rich forms of leisure and entertainment activities to the daily life of the people of that period, so that people could not only enjoy leisure and entertainment, but also be able to cultivate sentiment. Exercise. In this paper, the activities of Tibetan rule were divided into three categories: art, game, game and festival, which had different origins and characteristics. It is of great significance to the daily life of the people in Dunhuang area during this period. The recreation activities in Dunhuang area are unique political, entertaining and religious, mainly because Dunhuang is located on the Silk Road, an important hub and transit station for cultural exchanges between China and the West. The recreation activities in Dunhuang area were influenced by the two cultures of the Western region and the Central Plains, and finally formed the characteristic Dunhuang recreation culture. The purpose of this thesis is to study the Dunhuang recreation culture in Dunhuang murals and documents during the period of Tubo rule, which is rich in content, diverse in subject matter and abundant in historical materials of Dunhuang. The connotation and its evolution track research, explore and fill the new materials of Dunhuang recreation in the period of Tubo rule, and think about the problems existing in Dunhuang recreation academic research according to the frontier research direction and recent academic development. To seek and predict the future development of Dunhuang recreation research content and development of academic direction. At the same time, this topic combined with the relevant documents of the period of Tubo rule Dunhuang, using scientific research methods, combing the whole process of the evolution of Dunhuang entertainment in the period of Tubo rule, and restoring the true features of Dunhuang recreation. Furthermore, the social function and cultural value of ancient Chinese recreation are demonstrated from the evolution and development of Dunhuang recreation. In addition, this topic belongs to the basic theoretical research, the author hopes to make their own contribution to the academic research of Dunhuang recreation through the study of Dunhuang recreation in the period of Tubo rule.
【學位授予單位】:西北民族大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:K28
【相似文獻】
相關期刊論文 前10條
1 邵宏江;我對敦煌壁畫的認識和我的臨摹方法[J];敦煌研究;2001年04期
2 杜元;早期山水畫與敦煌壁畫中的樹木描寫[J];敦煌學輯刊;2002年02期
3 陳方平;有序的形式與自由的時空——敦煌壁畫構圖的裝飾性分析[J];西北美術;2002年04期
4 李曉玉;敦煌壁畫臨本的收藏[J];敦煌研究;2002年05期
5 吳榮鑒;敦煌壁畫色彩應用與變色原因[J];敦煌研究;2003年05期
6 暨遠志;金獅床考——敦煌壁畫家具研究之二[J];考古與文物;2004年03期
7 周河;敦煌壁畫臨本裝裱記要[J];敦煌研究;2004年04期
8 馬強;敦煌壁畫和濕壁畫的材料技法之比較[J];敦煌研究;2005年03期
9 張元林;敦煌美術研究的重要成果——簡評《敦煌壁畫風景研究》[J];敦煌研究;2005年05期
10 馬振西;;馬振西十大創(chuàng)作之——敦煌壁畫系列[J];藝術市場;2006年05期
相關會議論文 前5條
1 王傳杰;;管窺敦煌壁畫的色彩應用特征[A];紀念中國流行色協(xié)會成立三十周年:2012中國流行色協(xié)會學術年會學術論文集[C];2012年
2 叢春雨;;敦煌壁畫“形象醫(yī)學”的歷史貢獻[A];新世紀 新機遇 新挑戰(zhàn)——知識創(chuàng)新和高新技術產(chǎn)業(yè)發(fā)展(下冊)[C];2001年
3 胡同慶;;敦煌壁畫中的杖具——笞杖、球杖考[A];中外關系史論文集第17輯——“草原絲綢之路”學術研討會論文集[C];2009年
4 胡同慶;;論古代角抵、相撲活動的表演性和娛樂性——兼談敦煌壁畫中相關畫面的定名[A];中外關系史論叢第19輯——多元宗教文化視野下的中外關系史[C];2010年
5 樊錦詩;;玄奘譯經(jīng)和敦煌壁畫[A];常書鴻先生誕辰一百周年紀念文集[C];2004年
相關重要報紙文章 前10條
1 朱音;新世界社力促敦煌壁畫“走出去”[N];中國新聞出版報;2008年
2 隴菲;敦煌壁畫中的并舟之舫[N];光明日報;2012年
3 王艷明;甘肅敦煌壁畫展示古代游戲多達40余種[N];西部時報;2013年
4 葉馨;讓敦煌壁畫舞動起來[N];中國文化報;2013年
5 付文;敦煌壁畫出自誰手?專家對此有說法[N];中國社會報;2000年
6 記者 王艷明;敦煌壁畫變色原因有新解[N];新華每日電訊;2004年
7 莊壯;敦煌壁畫音樂的主要特點[N];音樂周報;2006年
8 莊壯;敦煌壁畫音樂的主要特點[N];音樂周報;2006年
9 沈浩;敦煌壁畫修復的啟示[N];中國建材報;2008年
10 申尊敬 張澤遠;敦煌壁畫誰繪成?[N];中國水利報;2000年
相關博士學位論文 前8條
1 潘汶汛;唐及唐以前敦煌壁畫設色研究及其在現(xiàn)代繪畫的影響[D];中國美術學院;2010年
2 阮立;唐敦煌壁畫女性形象研究[D];上海大學;2011年
3 胡明強;敦煌壁畫形式元素的現(xiàn)代闡釋[D];中國藝術研究院;2014年
4 曹U,
本文編號:2142125
本文鏈接:http://www.sikaile.net/shekelunwen/zgmzsz/2142125.html