本文關(guān)鍵詞： 上海救亡演劇隊(duì) 《放下你的鞭子》 《保衛(wèi)蘆溝橋》 戲劇抗戰(zhàn)　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：1937年“八·一三”淞滬抗戰(zhàn)爆發(fā)后,上海建立了13支救亡演劇隊(duì)。演劇隊(duì)的成立,一方面是抗戰(zhàn)爆發(fā)后,戲劇工作者迫切要求上前線愿望的實(shí)現(xiàn);另一方面與中國(guó)共產(chǎn)黨的領(lǐng)導(dǎo)密不可分,同時(shí)國(guó)共合作也為演劇工作者的宣傳活動(dòng)提供了一定的條件。其隊(duì)員構(gòu)成多種多樣,以左翼戲劇工作者為主,還包括留日學(xué)生、電影明星等。演劇隊(duì)成立于特殊的歷史時(shí)期,其創(chuàng)作和演出的劇本內(nèi)容大都與抗日救亡密切相關(guān)。自8月下旬起,演劇隊(duì)便陸續(xù)從上海出發(fā),足跡遍及江蘇、浙江、安徽、河南、河北、山西、陜西、湖北等省,在演劇隊(duì)存在的一年時(shí)間里,共有二百多名文藝骨干先后加入,他們以唇為槍,以舌為劍,將舞臺(tái)變成了戰(zhàn)場(chǎng),以戲劇演出的形式宣傳抗戰(zhàn)。這一時(shí)期,話劇得到極大的發(fā)展,街頭劇、活報(bào)劇、廣場(chǎng)劇、田間劇等戲劇形式都被演劇隊(duì)隊(duì)員們所嘗試,獲得了新的活力。隊(duì)員們的工作方式也不僅僅局限于演劇,同時(shí)還結(jié)合演講、唱歌、座談會(huì)、壁報(bào)、播音、街頭宣傳、田埂宣傳、街頭雜耍、家庭訪問(wèn)、團(tuán)體訪問(wèn)、慰勞傷兵、調(diào)查戶口、出特刊等多種途徑,這些因時(shí)制宜、因地制宜的宣傳方式,密切了隊(duì)員與民眾之間的聯(lián)系。上海救亡演劇隊(duì)在全國(guó)各地的演劇宣傳,點(diǎn)燃了抗日烈火,溝通了社會(huì)文化,促進(jìn)了話劇的發(fā)展,成為了抗戰(zhàn)初期重要的民眾動(dòng)員方式,在中國(guó)抗戰(zhàn)史和話劇史上都占有重要地位。
[Abstract]:In 1937, after the outbreak of the War of Resistance against Japan in Shanghai, 13 troupes were set up in Shanghai. On the one hand, after the outbreak of the War of Resistance against Japan, the dramatists urgently demanded the realization of their desire to go to the front line. On the other hand, it is closely related to the leadership of the Communist Party of China. At the same time, the cooperation between the Kuomintang and the Communist Party also provides certain conditions for the propaganda activities of the drama workers. It also includes students studying in Japan, movie stars and so on. The drama team was founded in a special historical period, and the content of its plays and performances are closely related to the rescue of the Japanese. Since late August, the theatrical team has started from Shanghai one after another. Footprints throughout Jiangsu, Zhejiang, Anhui, Henan, Hebei, Shanxi, Shaanxi, Hubei and other provinces, in the drama team in one year, a total of more than 200 literary and artistic backbone joined successively, they lip as a gun, tongue as a sword. The stage became a battlefield and the war was propagandized in the form of theatrical performances. During this period, dramatic forms such as street dramas, live newspaper dramas, plaza dramas, field dramas, and so on, were all tried by the members of the theatrical team. Team members not only work in drama, but also combine speech, singing, symposia, wall news, broadcast, street propaganda, field ridge publicity, street juggling, family visits. Group visits, comfort for wounded soldiers, household registration surveys, special publications, and other channels, these measures to cope with the situation, the local conditions of publicity. Close the relationship between the members and the public. The Shanghai Rescue Drama team in all parts of the country play propaganda, lit the fire of anti-Japanese, social and cultural communication, promote the development of drama. It has become an important way to mobilize people in the early stage of the War of Resistance against Japan, and plays an important role in the history of the War of Resistance against Japan and the history of drama.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K265

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