發(fā)布時(shí)間：2018-05-03 17:59

  本文選題：建構(gòu)主義理論 + 中國(guó)媒體　； 參考：《新視野》2017年03期

【摘要】：俄羅斯國(guó)家形象在國(guó)際上有較大的爭(zhēng)議。近百年來(lái),中國(guó)媒體中的俄羅斯形象先后出現(xiàn)了"蘇聯(lián)老大哥""修正主義""混亂衰落的國(guó)度"以及"戰(zhàn)略伙伴"等形象。從建構(gòu)主義國(guó)際關(guān)系理論視角分析俄羅斯形象變遷的三個(gè)特點(diǎn),可以歸結(jié)為:中美俄三國(guó)關(guān)系在國(guó)際體系中的聯(lián)動(dòng)建構(gòu)了彼此間形象的大起大落,觀念作用下認(rèn)同的發(fā)展建構(gòu)了雙方總體正面的國(guó)家形象,特殊情境下的文化呼應(yīng)建構(gòu)了有虛幻成分的"老大哥"形象。
[Abstract]:Russia's national image has been controversial in the world. In the last hundred years, the image of Russia in Chinese media has appeared successively, such as "big brother of the Soviet Union", "revisionism", "a country in chaos and decline" and "strategic partner". From the perspective of constructivist international relations theory, this paper analyzes the three characteristics of Russia's image change, which can be summed up as follows: the linkage between China, the United States and Russia in the international system constructs the ups and downs of each other's image. The development of identity under the function of concept constructs the overall positive national image of both sides, and the cultural echo of special situation constructs the "Big Brother" image with illusory elements.
【作者單位】： 北京行政學(xué)院公共管理教研部;北京市領(lǐng)導(dǎo)干部應(yīng)急管理培訓(xùn)中心;
【分類號(hào)】：D822.351.2
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本文編號(hào)：1839512