【摘要】：正清末民初,國運(yùn)衰竭,文物之流散每使世人扼腕長嘆。自羅振玉《海外吉金錄》始,國人已有收集海外流散青銅器之自覺,然而在當(dāng)時(shí)環(huán)境之下,要做成這一工作豈為易事。截至1949年,搜集流散日本歐美公私藏家之青銅器的著作不過三部:容庚《海外吉金圖錄》(1935年),梅原末治《歐米剱儲(chǔ)支那古銅精華》(1935年),以及陳夢家《海外中國銅器圖錄》(1946年)。容氏圖錄專收流散日本之中國青銅器,梅原又為日本學(xué)者,《海外中國銅器圖錄》實(shí)為中國學(xué)者所著、總結(jié)歐美國家收藏中國青銅器收藏狀況的第一部圖錄。這部圖錄的海外照片征集工作由袁同禮主持完成,而圖錄的編纂工作則由陳夢家完成。
[Abstract]:At the end of the Qing Dynasty and the beginning of the Republic of China, the fate of the country failed, and the dispersal of cultural relics made the world lament. Since Luo Zhenyu's overseas Ji Jin Lu, Chinese people have collected the consciousness of overseas bronze vessels. However, under the circumstances at that time, it was not easy to do this work. Up to 1949, there were only three books on collecting bronze wares from private and public collectors in Japan, Europe and the United States: Rong Geng, "overseas Ji Jin Tu Lu" (1935), Mei Yuan, "Omekiang Storage of ** Ancient Bronze essence" (1935), and Chen Mengjia, "overseas Chinese Bronze Chart" (1946). Yung's Atlas is devoted to the collection of Chinese bronzes scattered across Japan, while Mei Yuan is a Japanese scholar. The overseas Chinese Bronze Chart is actually written by Chinese scholars. The first picture of the collection of Chinese bronzes in Europe and the United States is summarized. The collection of overseas photos was completed by Yuan Tongli and compiled by Chen Mengjia.
【作者單位】： 國家圖書館古籍館;
【分類號(hào)】：K876.41

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 瞿林東;;范曄“謀反”新說——兼論沈約對范曄的評價(jià)[J];安徽史學(xué);2006年01期

2 湯城;;淺談《史通》對范曄《后漢書》的評論[J];安徽廣播電視大學(xué)學(xué)報(bào);2009年02期

3 王進(jìn)平;;司馬光對檔案文獻(xiàn)編纂學(xué)的創(chuàng)新[J];檔案;2008年03期

4 項(xiàng)念東;;岑仲勉早年邊疆史地研究與其文獻(xiàn)考據(jù)思路之形成[J];中國典籍與文化;2010年03期

5 鄭若葵;論商代馬車的形制和系駕法的復(fù)原[J];東南文化;1992年06期

6 汪U，

本文編號(hào)：2168853