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西夏佛教藝術中的“家窟”與“公共窟”——瓜州榆林窟第29窟供養(yǎng)人的構成再探

發(fā)布時間:2018-05-25 04:44

  本文選題:西夏 + 供養(yǎng)人。 參考:《敦煌學輯刊》2017年03期


【摘要】:此文重新檢索了榆林窟第29窟供養(yǎng)人的身份構成,認為此窟的性質是一個有濃重官方背景的"公共窟"而非通常認為的"家窟"。西夏占領河西走廊西端的瓜沙地區(qū)之后,統(tǒng)治該地區(qū)數百年之久的當地世家大族受到殘酷戰(zhàn)爭的重創(chuàng),已經無力繼續(xù)作為開窟造像的中堅力量而被西夏政權的高官新貴所取代。西夏文武官員集合財力權力開創(chuàng)新窟,使瓜沙地區(qū)的西夏石窟具有了與前代佛窟不同的性質和功能。
[Abstract]:This paper researches the identity of the providers of the 29th Grottoes of Yulin Grottoes, and considers that the nature of the Grottoes is a "public cave" with a strong official background rather than a "family cave". After Xixia occupied the Guasha area at the western end of the Hexi Corridor, the local patriarchs who had ruled the region for hundreds of years had been hard hit by the cruel war, and could no longer continue to be replaced by the upper-ranking officials of the Xixia regime as the backbone of the grottoes. The Xixia Wushu officials set up new grottoes by pooling their financial power, which made the Xixia grottoes in Guasha area have different nature and function from those of the previous Buddhism grottoes.
【作者單位】: 四川美術學院視覺藝術研究中心;首都師范大學美術學院;
【分類號】:K879.2


本文編號:1932166

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