本文選題：裕陵地宮 + 藏傳佛教　； 參考：《故宮博物院院刊》2016年05期

【摘要】：本文以裕陵地宮石刻中的圖像和梵字為重點(diǎn),通過(guò)分析其在墓室空間內(nèi)的組織邏輯,探究設(shè)計(jì)者在特定場(chǎng)所的創(chuàng)作意圖和處理手法,歸納出各類元素布局的基本規(guī)律和適應(yīng)性調(diào)整。同時(shí),作者闡釋了如何在空間、葬儀和宗教信仰等因素的共同作用下,在地宮內(nèi)構(gòu)建出一系列儀式性場(chǎng)景,揭示出既具佛殿、佛塔和墓室特征,且具混合性與矛盾性的多樣化場(chǎng)所之意義。
[Abstract]:This paper focuses on the images and Brahma characters in the stone carvings of Yuling Palace, through the analysis of their organizational logic in the tomb space, probes into the creative intention and handling techniques of the designers in the specific places. The basic rules and adaptive adjustment of the layout of various elements are summarized. At the same time, the author explains how to construct a series of ceremonial scenes in the underground palace under the joint action of space, burial instrument and religious belief, and reveal the characteristics of Buddha temple, pagoda and tomb. And with mixed and contradictory diversity of the significance of the place.
【作者單位】： 中央美術(shù)學(xué)院人文學(xué)院;北京工業(yè)大學(xué)建筑與城市規(guī)劃學(xué)院;
【基金】：國(guó)家自然科學(xué)基金資助項(xiàng)目(項(xiàng)目批準(zhǔn)號(hào):51008004)成果之一
【分類號(hào)】：K878.8

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