本文選題：墓室壁畫 + 漢唐墓室壁畫��； 參考：《東北師范大學(xué)》2013年碩士論文

【摘要】：墓室壁畫作為繪畫史的重要組成部分，很早就出現(xiàn)在了我國的社會發(fā)展史中。墓室壁畫不僅是貴族對于生前奢靡生活的記錄，也是達官貴族死后所向往的理想生活境界，更為重要的是，，我們從出土的墓室壁畫中能夠了解到那一歷史時期人們對生與死的認識。 墓室壁畫在我國各地多有發(fā)現(xiàn)，各民族都有著不同的內(nèi)容、形式、語言。形成了不同時代不同區(qū)域文化的藝術(shù)特點。每個事物的出現(xiàn)都有它發(fā)展完善軌跡，在吉林省的集安市先后出土了大量的高句麗墓室壁畫也不例外，作為我國東北邊陲的附屬領(lǐng)地，源于傳承中原文化的集安高句麗墓室壁畫，隨著時間的推移，也漸漸形成相對獨特的繪畫內(nèi)容和表現(xiàn)形式。 通過對集安高句麗修建于漢唐時期具有代表性的角壿墓、舞踴墓，、五盔墳、安岳墓、雙楹墓、江西大墓墓室壁畫的年代、社會背景、思想、內(nèi)容、形式等方面與中原漢唐墓室繪畫的比較研究，從繪畫的角度來闡述個人對于頗多爭議點的觀點與認識，闡述高句麗墓室壁畫與中原墓室壁畫千絲萬縷的聯(lián)系，并在就過程中吸取傳統(tǒng)繪畫藝術(shù)的精華，用于當(dāng)代繪畫創(chuàng)作實踐。
[Abstract]:As an important part of the history of painting, tomb murals have appeared in the history of social development of our country. Tomb murals are not only a record of the aristocrats' extravagant life, but also the ideal life realm that the aristocrats aspire to after their death. More importantly, From the murals of the unearthed tombs, we can understand the understanding of life and death in that historical period. Tomb murals are found in various parts of China, different ethnic groups have different contents, forms and languages. It forms the artistic characteristics of different regional cultures in different times. The emergence of each thing has its development and perfection track. A large number of murals of Koguryo tombs have been unearthed successively in Ji'an, Jilin Province, as a subsidiary territory of the northeastern border of China. The murals of Goguryo tomb in Ji'an, which originated from the inheritance of the Central Plains culture, gradually formed a relatively unique painting content and form of expression with the passage of time. Through analyzing the age, social background, thought and content of the murals of the tomb chamber of Ji'an Goguryo, which were built in Han and Tang dynasties, such as Jiao Wei Tomb, Mou Yong Tomb, five helmets Tomb, an Yue Tomb, Jacaranda Tomb, Jiangxi Great Tomb, Form and other aspects of the Han and Tang dynasties in the Central Plains tomb painting comparative study, from the perspective of painting to explain the point of view and understanding of a considerable number of disputes, Koguryo tomb murals and the Central Plains tomb murals inextricably linked, And in the process of absorbing the essence of traditional painting art, used in contemporary painting practice.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：K879.41

【參考文獻】

相關(guān)期刊論文 前2條

1 李興河;論沂南古畫像石墓的年代及墓主[J];臨沂師專學(xué)報;1998年01期

2 沈語冰;后現(xiàn)代主義:可能的與不可能的[J];美術(shù)觀察;2004年02期

本文編號：1883661