本文選題：巖山寺 + 壁畫�。� 參考：《山西大學(xué)》2010年碩士論文

【摘要】： 山西繁峙巖山寺文殊殿建于于金正隆三年(公元1158年),以后歷代均有修葺,留存至今只有南殿(文殊殿)為金代原物(唯有屋頂為元重筑),特別是四壁滿布的金代時(shí)期壁畫,具有較高的藝術(shù)與歷史價(jià)值,1982年被定為國(guó)家級(jí)重點(diǎn)保護(hù)單位。文殊殿壁畫為研究宋金時(shí)期的宗教、文化、社會(huì)、生活、藝術(shù)等多方面,提供了可貴的斷代重要研究依據(jù),因此探討巖山寺壁畫意義十分深遠(yuǎn)。 本文是在學(xué)習(xí)前人對(duì)巖山寺壁畫的諸項(xiàng)研究成果的基礎(chǔ)上,選擇其目前尚屬薄弱環(huán)節(jié)的市井生活作為研究對(duì)象。通過對(duì)酒樓市井圖的酒樓、酒旗、酒器、街市和人物等的圖像做出研究考證,最后得出繁峙巖山寺酒樓市井圖像是宋金時(shí)期酒樓市井的縮影。 本文在研究方法上應(yīng)用歷史文獻(xiàn)學(xué)、考古類型學(xué)、藝術(shù)學(xué)和社會(huì)學(xué)的方法對(duì)巖山寺文殊殿壁畫酒樓市井圖像進(jìn)行研究,并將巖山寺文殊殿壁畫圖像置至于相對(duì)歷史年代中,與同類題材的繪畫作品綜合比較,檢索相關(guān)歷史文獻(xiàn),追究求索其歷史文獻(xiàn)與藝術(shù)價(jià)值。 希望本文通過對(duì)其的研究,將對(duì)巖山寺殿壁畫市井生活方面研究得以進(jìn)一步的深入,同時(shí),也對(duì)提升巖山寺壁畫的藝術(shù)價(jià)值和史學(xué)價(jià)值作出點(diǎn)滴貢獻(xiàn)。
[Abstract]:The Manjusri Temple of the Yanshan Temple in Fanchi, Shanxi, was built in three years of Kim Jong Lung (AD 1158), and has been repaired throughout the later dynasties. To this day, only the South Temple (Manjusri Temple) is the original object of the Jin Dynasty. (only the roof is rebuilt for the Yuan, especially the frescoes of the Jin Dynasty, which are covered with walls.) With high artistic and historical value, 1982 was designated as a national key protection unit. The frescoes of Manjusri Temple provide valuable basis for the study of religion, culture, society, life, art and so on in Song and Jin dynasties, so it is of great significance to explore the murals of Yashan Temple. On the basis of studying the achievements of previous researches on the murals of Yanshan Temple, this paper chooses the city life which is still a weak link as the research object. By studying the images of restaurants, wine flags, wine vessels, markets and figures, it is concluded that the images of Yanshan Temple Restaurant in Fanchi are the epitome of restaurants in Song and Jin dynasties. This paper applies the methods of historical philology, archaeological typology, art and sociology to study the frescoes of restaurant in Yanshan Temple, and puts the mural images of Manjusri Temple in Yanshan Temple in the relative historical period. Compared with the painting works of the same subject matter, search the relevant historical documents and seek for their historical documents and artistic value. It is hoped that this paper, through its research, will further study the life of the murals of the Temple and Temple of Yashan, and at the same time, make some contributions to the promotion of the artistic and historical value of the murals of the Temple.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K879.4;J218.6

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 李國(guó)華;朔州崇福寺彌陀殿壁畫研究[D];太原理工大學(xué);2011年

2 陳麗潔;山西云林寺雕塑與水陸壁畫研究[D];太原理工大學(xué);2012年

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本文編號(hào)：1883254