本文選題：陜甘寧邊區(qū) + 抗戰(zhàn)文化運(yùn)動(dòng)　； 參考：《山東師范大學(xué)》2015年碩士論文

【摘要】：中國(guó)共產(chǎn)黨歷來(lái)高度重視文化運(yùn)動(dòng)，抗日戰(zhàn)爭(zhēng)時(shí)期，黨更是把文化運(yùn)動(dòng)作為教育群眾、組織群眾、打擊敵人的武器。在陜甘寧邊區(qū)，中國(guó)共產(chǎn)黨領(lǐng)導(dǎo)掀起了轟轟烈烈的抗戰(zhàn)文化運(yùn)動(dòng)。陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)興起有其背景，主要是國(guó)際局勢(shì)的惡化與中國(guó)抗戰(zhàn)外來(lái)援助的改善、國(guó)內(nèi)抗日浪潮的風(fēng)起云涌與民族統(tǒng)一戰(zhàn)線初步形成、中國(guó)共產(chǎn)黨代表著中國(guó)先進(jìn)文化的前進(jìn)方向。 陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)有其孕育發(fā)展的過(guò)程。其孕育包含著中華民族抗日救亡的愛(ài)國(guó)思潮，中國(guó)共產(chǎn)黨的抗戰(zhàn)思想和行動(dòng)。陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)的演進(jìn)包含著陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)的初步發(fā)展與陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)的繁榮。陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)從運(yùn)動(dòng)的角度來(lái)看有理論指導(dǎo)、黨的領(lǐng)導(dǎo)和抗日救亡團(tuán)體的組織，主要實(shí)踐有服務(wù)于抗戰(zhàn)的抗戰(zhàn)社會(huì)教育運(yùn)動(dòng)、抗戰(zhàn)文學(xué)運(yùn)動(dòng)和抗戰(zhàn)藝術(shù)運(yùn)動(dòng)�？箲�(zhàn)社會(huì)教育運(yùn)動(dòng)包括識(shí)字組、冬學(xué)和民眾教育，抗戰(zhàn)文學(xué)運(yùn)動(dòng)包括抗戰(zhàn)小說(shuō)、報(bào)告文學(xué)和街頭詩(shī)運(yùn)動(dòng)，，抗戰(zhàn)藝術(shù)運(yùn)動(dòng)包括抗戰(zhàn)戲劇運(yùn)動(dòng)、音樂(lè)運(yùn)動(dòng)和美術(shù)運(yùn)動(dòng)。這些抗戰(zhàn)文化運(yùn)動(dòng)立足于抗戰(zhàn)實(shí)際,為抗戰(zhàn)服務(wù)，具有運(yùn)動(dòng)的特征和典型的代表性。 陜甘寧邊區(qū)與其他抗日根據(jù)地、國(guó)統(tǒng)區(qū)以及淪陷區(qū)的抗戰(zhàn)文化運(yùn)動(dòng)相比較有不同之處。陜甘寧邊區(qū)是全國(guó)抗戰(zhàn)文化運(yùn)動(dòng)的示范區(qū)，邊區(qū)的抗戰(zhàn)文化運(yùn)動(dòng)作為黨領(lǐng)導(dǎo)人民抗戰(zhàn)的精神武器，具有較為突出的特點(diǎn)，主要體現(xiàn)在主題的政治性、價(jià)值取向的人民性、內(nèi)容的開(kāi)放兼容性以及體系的有機(jī)整體性上。 陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)是陜甘寧邊區(qū)人民在中國(guó)共產(chǎn)黨的領(lǐng)導(dǎo)下進(jìn)行的具有鮮明的指向性的文化運(yùn)動(dòng)。在中國(guó)共產(chǎn)黨的領(lǐng)導(dǎo)下，邊區(qū)的抗戰(zhàn)文化運(yùn)動(dòng)緊密結(jié)合戰(zhàn)爭(zhēng)形勢(shì)，配合抗戰(zhàn)需要。邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)吸納了廣大知識(shí)分子，團(tuán)結(jié)了廣大軍民，增強(qiáng)了黨的感召力和號(hào)召力。陜甘寧邊區(qū)抗戰(zhàn)文化運(yùn)動(dòng)啟示我們應(yīng)該堅(jiān)持黨對(duì)文化建設(shè)的領(lǐng)導(dǎo)權(quán)，高度重視文化建設(shè)的重要作用，繼承發(fā)揚(yáng)優(yōu)秀傳統(tǒng)文化，明確文化建設(shè)方向，調(diào)動(dòng)一切積極因素，培養(yǎng)文化人才，團(tuán)結(jié)各方力量，發(fā)揮文化隊(duì)伍的重要作用。
[Abstract]:The Communist Party of China has always attached great importance to the cultural movement. During the War of Resistance against Japan, the Party took the cultural movement as a weapon for educating the masses, organizing the masses, and attacking the enemy. In the Shaanxi-Kansu-Ningxia Border region, the Communist Party of China led a vigorous anti-Japanese cultural movement. The rise of the cultural movement of the Anti-Japanese War in the Shensi-Kansu-Ningxia Border region has its own background, mainly the deterioration of the international situation and the improvement of foreign aid from China's anti-Japanese war, the upsurge of the domestic anti-Japanese tide and the initial formation of the national United front. The Communist Party of China represents the forward direction of China's advanced culture. The cultural movement of the anti-Japanese war in the Shaanxi-Kansu-Ningxia Border region has its gestation and development process. It contains the patriotic thoughts of the Chinese nation, the thought and action of the Communist Party of China. The evolution of the cultural movement of the Anti-Japanese War in the Shaanxi-Gansu-Ningxia Border region includes the preliminary development of the Cultural Movement of the Anti-Japanese War and the prosperity of the Cultural Movement of the Anti-Japanese War in the Shaanxi-Gansu-Ningxia Border region. The cultural movement of the Anti-Japanese War in the Shensi-Kansu-Ningxia Border region has theoretical guidance from the point of view of the movement, and the leadership of the Party and the organization of the anti-Japanese organizations mainly practice the anti-Japanese social education movement, the anti-Japanese literature movement and the anti-war art movement, which serve the Anti-Japanese War. The social education movement of the War of Resistance against Japan consists of literacy groups, winter studies and popular education, and the movement of literature includes novels, reportage and street poetry, and the movement of art includes drama, music and fine arts. These cultural movements are based on the reality of the War of Resistance and serve the War of Resistance. Compared with other anti-Japanese base areas, Kuomintang-controlled areas and enemy-occupied areas, the Shaanxi-Kansu-Ningxia Border region is different from the cultural movement of the War of Resistance. The Shensi-Kansu-Ningsia Border region is the demonstration area of the national anti-Japanese cultural movement. As the spiritual weapon of the Party leading the people's resistance, the cultural movement of the Border region is characterized by the political nature of the theme and the people's character of the value orientation. Open content compatibility and the organic integrity of the system. The cultural movement of the Anti-Japanese War in the Shensi-Kansu-Ningsia Border region is a cultural movement with distinctive orientation carried out by the people of the Shaanxi-Gansu-Ningsia Border region under the leadership of the Communist Party of China. Under the leadership of the Communist Party of China, the cultural movement of the Border region closely combined with the war situation and the need of the war. The cultural movement of the Anti-Japanese War in the Border region absorbed the vast numbers of intellectuals, United the army and the people, and strengthened the Party's appeal and appeal. The Cultural Movement of the Anti-Japanese War in the Shensi-Kansu-Ningxia Border region revealed that we should uphold the Party's leadership over cultural construction, attach great importance to the important role of cultural construction, inherit and carry forward excellent traditional culture, clarify the direction of cultural construction, and mobilize all positive factors. Cultivate cultural talents, unite all parties, and give play to the important role of the cultural team.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：D231

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