【摘要】：山西平陽(yáng)歷來(lái)是文化之邦形勝之地,金元是平陽(yáng)雕印史上的黃金時(shí)代。依托平陽(yáng)悠久的歷史文化積淀、特殊的地理位置及優(yōu)越的自然環(huán)境,在特定的歷史政治背景下,山西平陽(yáng)的刻書(shū)業(yè)在金元時(shí)期進(jìn)入了鼎盛階段,發(fā)展為一種相對(duì)獨(dú)立的發(fā)達(dá)的文化產(chǎn)業(yè)——出版業(yè)。山西平陽(yáng)成為與浙江杭州、四川成都、福建建陽(yáng)并列的四大刻書(shū)中心之一。金元平水本在中國(guó)出版史上占有重要的地位,平水文化在一定程度上代表著金元兩個(gè)時(shí)期的文化。平陽(yáng)刻書(shū)內(nèi)容豐富、種類齊全,質(zhì)量上乘,是北方刻書(shū)業(yè)的代表。通過(guò)簡(jiǎn)要介紹平陽(yáng)的歷史沿革,揭示平陽(yáng)悠久的歷史文化傳承,分析了金元時(shí)期平陽(yáng)成為刻書(shū)中心的自然、經(jīng)濟(jì)、文化、技術(shù)、教育、宗教等原因,并著重指出特殊的歷史政治背景對(duì)平陽(yáng)成為金元時(shí)期刻書(shū)中心產(chǎn)生了巨大的影響；通過(guò)匯總平陽(yáng)刻書(shū),分析了平陽(yáng)刻書(shū)的特點(diǎn)；重點(diǎn)考證了平水本中最具代表性的“平水韻”、“四美圖”、《趙城金藏》、《重修政和經(jīng)史證類備用本草》等平陽(yáng)刻本,梳理出平水韻的由來(lái)及發(fā)展過(guò)程,指出“平水韻”作為古人作詩(shī)用韻的標(biāo)準(zhǔn)所具有的非凡的語(yǔ)言學(xué)價(jià)值；高度評(píng)價(jià)了“四美圖”對(duì)中國(guó)插圖人物版畫(huà)的啟后之功；闡述《趙城金藏》、《道藏》的刊刻及發(fā)現(xiàn)過(guò)程,揭示其宗教、文獻(xiàn)學(xué)、版本學(xué)和目錄學(xué)價(jià)值；用圖表說(shuō)明了宋以后《證類本草》的刊刻源流情況,指出其作為本草學(xué)研究的范本之一對(duì)明李時(shí)珍《本草綱目》也有一定影響�？梢哉f(shuō),為了祖國(guó)優(yōu)秀傳統(tǒng)文化的保存、流傳、發(fā)展,平陽(yáng)刻書(shū)業(yè)功不可沒(méi)。
[Abstract]:Shanxi Pingyang has always been the land of culture, Jin Yuan is the golden age in the history of Pingyang carving and printing. Relying on Pingyang's long historical and cultural accumulation, special geographical location and superior natural environment, under the specific historical and political background, the book engraving industry of Pingyang in Shanxi has entered the peak stage in the Jin and Yuan dynasties. To develop into a relatively independent and developed cultural industry-publishing industry. Pingyang, Shanxi Province, has become one of the four engraved book centers juxtaposed with Hangzhou, Chengdu, Sichuan and Jianyang, Fujian Province. Pingshui text plays an important role in the history of Chinese publication. To some extent, Pingshui culture represents the culture of Jin and Yuan dynasties. Pingyang engraved book rich in content, complete range, high quality, is the representative of the northern book engraving industry. By briefly introducing the history of Pingyang, revealing the long historical and cultural heritage of Pingyang, and analyzing the natural, economic, cultural, technological, educational, religious and other reasons why Pingyang became the center of engraving books in the Jin and Yuan dynasties, It also points out that the special historical and political background had a great influence on Pingyang's becoming the center of engraving books in the Jin and Yuan dynasties. Through collecting Pingyang engraving book, the characteristics of Pingyang engraving book are analyzed. The most representative "Pingshui rhyme", "Simei Tu", "Zhao Cheng Jin Zang", "Restoration of Politics" and "standby herbs of Classical History" in Pingshui Ben are mainly studied, and the origin and development process of Pingshui rhyme are sorted out. It is pointed out that "Pingshui rhyme" is of extraordinary linguistic value as the standard of rhyme in ancient poetry. This paper highly appraised the work of "Simei Tu" in the beginning of Chinese illustrated figure prints, expounded the publishing and discovery process of "Zhao Cheng Jin Zang", "Dao Collection", and revealed the value of religion, philology, versioning and bibliography. In this paper, the author explains the origin and course of the publication of "proof herbs" after Song Dynasty, and points out that it also has some influence on Ming Li Shizhen "Compendium of Materia Medica" as a model for the study of Herbal Medicine. It can be said, for the preservation, spread, development of the excellent traditional culture of the motherland, Pingyang engraved book industry.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：G239.29

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本文編號(hào)：2398377