【摘要】：摘要：目前,經(jīng)濟社會發(fā)展突飛猛進,城市化進程不斷加快。一方面是現(xiàn)代技術(shù)日臻周備,環(huán)境危機日益加劇,人們對于生態(tài)的需求則日漸強烈,建筑應(yīng)如何滿足人們的生態(tài)情感訴求已成為目前所面臨的突出問題。另一方面,由于傳統(tǒng)哲學主客二元對立思想的根深蒂固,以至建筑研究過多的注重工具理性、物質(zhì)技術(shù)和圖像化,這就使建筑師難免局限于個人主觀意圖或當下時代局限走向形而上學的道路,從而加速了建筑體驗的喪失�！安磺‘�?shù)睦斫庾匀弧笔窃斐蛇@一困境的重要哲學根源。生態(tài)現(xiàn)象學以人與環(huán)境的關(guān)系為研究內(nèi)容,揭示了建筑的本質(zhì),應(yīng)當作為重塑建筑體驗的依據(jù)而被重視起來。 本文首先對生態(tài)現(xiàn)象學一般性理論進行剖析,接著發(fā)掘出生態(tài)現(xiàn)象學影響下建筑本身的意義與機制。其中,通過對建筑現(xiàn)象學還原和建筑本身意義的探討,呈現(xiàn)了人與自然之間原有的密切關(guān)系。同時,通過對場所體驗到生命體驗的研究,認為建筑應(yīng)當是一種人與自然對話的媒介,讓人感受到“生命體驗”。進而通過建筑體驗的感官機制、心理機制和環(huán)境機制來研究體驗生成問題,并加入案例進行分析,最終使“主客同一”觀念下的建筑體驗成為可能。
[Abstract]:Absrtact: at present, the economic and social development by leaps and bounds, the urbanization process speeds up unceasingly. On the one hand, modern technology is becoming more and more comprehensive, environmental crisis is becoming more and more serious, and people's demand for ecology is becoming more and more intense. How to satisfy people's demands of ecological emotion has become a prominent problem. On the other hand, due to the deep-rooted idea of dualistic opposition in traditional philosophy, the study of architecture pays too much attention to instrumental rationality, material technology and visualization. This makes architects bound to the personal subjective intention or the current time limitations to the metaphysical road, thus accelerating the loss of architectural experience. An improper understanding of nature is an important philosophical source of this dilemma. Taking the relationship between human and environment as the research content, the ecological phenomenology reveals the essence of architecture and should be regarded as the basis for reshaping the architectural experience. This paper first analyzes the general theory of ecological phenomenology, and then finds out the significance and mechanism of architecture under the influence of ecological phenomenology. Among them, the close relationship between man and nature is presented through the discussion of the restoration of architectural phenomenology and the meaning of architecture itself. At the same time, through the study of the experience of life in place, the author thinks that architecture should be a medium of dialogue between man and nature, and make people feel "life experience". Then, through the sensory mechanism, psychological mechanism and environmental mechanism of architectural experience to study the problem of experience generation, and add the case to analyze, finally make the architectural experience under the concept of "subject and object same" become possible.
【學位授予單位】：中南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TU-023

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