本文關(guān)鍵詞： 晚明 景德鎮(zhèn) 青花 人物繪畫　出處：《景德鎮(zhèn)陶瓷學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：晚明景德鎮(zhèn)民窯青花人物繪畫藝術(shù)是獨(dú)具時(shí)代特點(diǎn)的一類陶瓷繪畫藝術(shù)品種，，在晚明社會(huì)政治經(jīng)濟(jì)背景的動(dòng)蕩與發(fā)展中開創(chuàng)了一種清晰婉約，既儒雅又富麗更兼具市井之風(fēng)的青花瓷人物繪畫模式，以至其在當(dāng)時(shí)熱銷全國(guó)，甚至受到海外市場(chǎng)的熱烈追捧。在我國(guó)青花人物繪畫史上發(fā)揮了承上啟下的關(guān)鍵作用。 晚明景德鎮(zhèn)民窯青花人物繪畫以其精美使用的器物功能、生動(dòng)的藝術(shù)表現(xiàn)能力及富含美好寓意的故事內(nèi)涵，順應(yīng)當(dāng)時(shí)消費(fèi)者的實(shí)用及審美需求，成為古人留給我們的一筆重要的文化財(cái)富。對(duì)晚明景德鎮(zhèn)民窯青花人物繪畫藝術(shù)的研究有助于我們了解這一類古代優(yōu)秀藝術(shù)作品的產(chǎn)生及藝術(shù)特性，有助于指導(dǎo)我們當(dāng)前的藝術(shù)創(chuàng)作工作。 本文通過文獻(xiàn)研究及器物分析等方式對(duì)晚明景德鎮(zhèn)民窯青花人物繪畫藝術(shù)的產(chǎn)生原因、藝術(shù)風(fēng)格、選題角度、構(gòu)圖形式、材料選擇等一系列問題進(jìn)行了探討研究。其蘊(yùn)含的豐富的創(chuàng)作表現(xiàn)方法，值得我們學(xué)習(xí)與借鑒，對(duì)我們具有深刻的指導(dǎo)意義。
[Abstract]:In the late Ming Dynasty, the painting art of the blue and white figure in Jingdezhen kiln was a kind of ceramic painting art with unique characteristics of the times. It created a kind of clear and graceful art in the turbulence and development of the social, political and economic background of the late Ming Dynasty. The pattern of blue and white porcelain figure painting, which is both elegant and rich and has both the style of market and the market, was very popular all over the country at that time, and even was enthusiastically sought after by the overseas market. It played a key role in the history of blue and white figure painting in our country. The late Ming Dynasty Jingdezhen folk kiln blue and white figure painting with its exquisite use of utensils function, vivid artistic expression ability and rich in beautiful moral story connotation, comply with the practical and aesthetic needs of consumers at that time, To become an important cultural wealth left by the ancients. The study of the painting art of the blue and white figures in Jingdezhen in the late Ming Dynasty is helpful for us to understand the emergence and artistic characteristics of this kind of outstanding ancient works of art. It is helpful to guide our current artistic creation. This article through the literature research and the object analysis and so on way to the late Ming Dynasty Jingdezhen folk kiln blue and white figure painting art causes, the artistic style, the topic choice angle, the composition form, A series of problems such as material selection are discussed and studied. The rich creative expression methods contained therein are worthy of our study and use for reference and have profound guiding significance for us.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J527

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本文編號(hào)：1510358