本文關鍵詞：多元文化語境下的趙本山鄉(xiāng)村電視劇研究　出處：《四川師范大學》2014年碩士論文　論文類型：學位論文

  更多相關文章： 多元文化 趙本山 鄉(xiāng)村電視劇 文化學 美學

【摘要】：在新時期政治、經濟、文化發(fā)展的關鍵階段，在文藝界，特別是相聲小品界里，一個在日后被廣大電視觀眾所熟知并喜愛的演員正初露鋒芒，，這個人就是當今多領域的領軍人物——著名笑星趙本山。一個從鄉(xiāng)村走出來的普通農民把二人轉這門藝術發(fā)揚光大，并同時在小品和影視界成為領頭羊。特別是趙本山自導自演的鄉(xiāng)村系列題材電視劇，受到了廣大媒體和觀眾的認可。作品中獨樹一幟的東北喜劇風格，在幽默中蘊藏著很多生活上的道理。但對于其影視劇作品的評價也出現(xiàn)了許多不同的聲音，無論是褒是貶都有其存在的道理。本文將從不同的學術理論層面探究趙本山鄉(xiāng)村電視劇的發(fā)展之路。 對于趙本山鄉(xiāng)村電視劇作品近些年熱播的原因，此前的研究分析大多運用語言學或傳播學的視角進行闡釋。本文嘗試運用文化學、美學以及傳播學理論等，多角度對趙本山鄉(xiāng)村電視劇從整體發(fā)展到瓶頸期這一轉變進行闡述與分析，進一步深入地解讀東北鄉(xiāng)村文化的魅力。論文除了運用以上相關理論對趙本山鄉(xiāng)村題材電視劇進行較深層次的解讀和研究外，研究中也將運用到語言學、社會歷史研究法等學科方法以及具體的文藝學研究方法等。本論文由緒論和三章主體內容以及結語五部分構成。首先，緒論部分通過對趙本山以及他所參與的鄉(xiāng)村題材電視劇受到人們廣泛關注的種種原因進行梳理，并闡述選題緣由和研究的合理性以及研究現(xiàn)狀和研究意義，陳述研究方法和研究思路。第一章從整體上對趙本山從事演藝行當以來身份的轉換的論述，以及趙本山所參與拍攝與創(chuàng)作的鄉(xiāng)村電視劇的特點與評價；第二章從文化學的視角對趙本山鄉(xiāng)村題材電視劇進行深入解讀；第三章從美學的角度對趙本山鄉(xiāng)村電視劇進行較深層次的分析。最后，進行整體的客觀評價，并提出有實際意義的建議。
[Abstract]:In the key stage of the development of politics, economy and culture in the new era, in the literary and art circles, especially in the comic dialogue world, an actor who was well known and loved by the majority of television viewers in the future is coming to the fore. This person is the leader in many fields today-famous comedian Zhao Benshan. An ordinary farmer from the countryside to carry forward the art of the two people. And at the same time in the sketch and film industry to become the leader. Especially Zhao Benshan's self-directed and self-acting series of rural TV dramas, has been recognized by the media and audience. The works are unique in the Northeast comedy style. There is a lot of truth in life in humor, but there are many different voices in the evaluation of his films and TV plays. Whether it is praise or derogation, there is a reason for existence. This paper will explore the development of Zhao Benshan's rural TV drama from different academic theories. For Zhao Benshan's rural TV plays in recent years, most of the previous research and analysis of the perspective of linguistics or communication to explain. This paper tries to use cultural, aesthetic and communication theory. This paper expounds and analyzes the transformation of Zhao Benshan's rural TV drama from the whole development to the bottleneck period. In addition to the use of the above relevant theories Zhao Benshan rural TV series in a deeper level of interpretation and research, the study will also be applied to linguistics. This thesis is composed of introduction, three chapters and conclusion. First of all. The introduction part through the Zhao Benshan and his participation in the rural TV series received extensive attention for a variety of reasons, and expounds the reasons for the topic and the reasonableness of the study, as well as the status quo and significance of the study. The first chapter discusses the transformation of Zhao Benshan's identity since he was engaged in performing arts, and the characteristics and evaluation of rural TV dramas in which Zhao Benshan participated in shooting and creating. The second chapter from the cultural perspective of Zhao Benshan rural TV drama in-depth interpretation; The third chapter makes a deep analysis of Zhao Benshan's rural TV dramas from the angle of aesthetics. Finally, it carries on the overall objective evaluation, and puts forward some practical and meaningful suggestions.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

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本文編號：1395960