眾籌:電影內(nèi)容運(yùn)營(yíng)風(fēng)險(xiǎn)管理的試金石
發(fā)布時(shí)間:2019-06-19 22:48
【摘要】:2014年5月22日,首屆全球眾籌峰會(huì)在北京舉行,來自多個(gè)國(guó)家和地區(qū)的業(yè)界人士對(duì)眾籌這一互聯(lián)網(wǎng)金融的新模式進(jìn)行了積極討論并認(rèn)為2014年將成為中國(guó)眾籌"元年"。本文首先梳理了眾籌的概念、發(fā)展及現(xiàn)狀,然后分析了眾籌在電影內(nèi)容運(yùn)營(yíng)風(fēng)險(xiǎn)管理中的作用,指出眾籌可以為電影內(nèi)容運(yùn)營(yíng)提供市場(chǎng)調(diào)研、市場(chǎng)推廣及融資渠道,最后就如何優(yōu)化眾籌在電影內(nèi)容運(yùn)營(yíng)風(fēng)險(xiǎn)管理中的作用進(jìn)行了探討。
[Abstract]:On May 22, 2014, the first global crowdfunding summit was held in Beijing. Industry figures from a number of countries and regions actively discussed crowdfunding, a new model of Internet finance, and believed that 2014 will become the "first year" of crowdfunding in China. This paper first combs the concept, development and present situation of crowdfunding, then analyzes the role of crowdfunding in the risk management of film content operation, points out that crowdfunding can provide market research, market promotion and financing channels for film content operation, and finally discusses how to optimize the role of crowdfunding in the risk management of film content operation.
【作者單位】: 中國(guó)傳媒大學(xué)經(jīng)濟(jì)與管理學(xué)院;
【基金】:教育部人文社科重點(diǎn)研究基地廣播電視研究中心資助項(xiàng)目“我國(guó)文化創(chuàng)意產(chǎn)業(yè)的政策與規(guī)制創(chuàng)新研究”(項(xiàng)目編號(hào):GDYB201205) 中國(guó)傳媒大學(xué)科研培育項(xiàng)目“我國(guó)對(duì)外文化交流與文化貿(mào)易的制度創(chuàng)新研究”(項(xiàng)目編號(hào):CUC13B13) 中國(guó)傳媒大學(xué)優(yōu)秀中青年教師培養(yǎng)工程(項(xiàng)目編號(hào):YXJS201336)的階段性成果
【分類號(hào)】:J943
本文編號(hào):2502698
[Abstract]:On May 22, 2014, the first global crowdfunding summit was held in Beijing. Industry figures from a number of countries and regions actively discussed crowdfunding, a new model of Internet finance, and believed that 2014 will become the "first year" of crowdfunding in China. This paper first combs the concept, development and present situation of crowdfunding, then analyzes the role of crowdfunding in the risk management of film content operation, points out that crowdfunding can provide market research, market promotion and financing channels for film content operation, and finally discusses how to optimize the role of crowdfunding in the risk management of film content operation.
【作者單位】: 中國(guó)傳媒大學(xué)經(jīng)濟(jì)與管理學(xué)院;
【基金】:教育部人文社科重點(diǎn)研究基地廣播電視研究中心資助項(xiàng)目“我國(guó)文化創(chuàng)意產(chǎn)業(yè)的政策與規(guī)制創(chuàng)新研究”(項(xiàng)目編號(hào):GDYB201205) 中國(guó)傳媒大學(xué)科研培育項(xiàng)目“我國(guó)對(duì)外文化交流與文化貿(mào)易的制度創(chuàng)新研究”(項(xiàng)目編號(hào):CUC13B13) 中國(guó)傳媒大學(xué)優(yōu)秀中青年教師培養(yǎng)工程(項(xiàng)目編號(hào):YXJS201336)的階段性成果
【分類號(hào)】:J943
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 許嘉;;點(diǎn)名要答“到!”——眾籌,改變電影業(yè)生態(tài)的一種可能[J];大眾電影;2013年19期
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1 王玨;;色彩在動(dòng)畫電影中的敘事作用[J];電影文學(xué);2011年15期
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