本文選題：鄱陽　切入點(diǎn)：漆藝文化　出處：《江西科技師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：鄱陽脫胎漆器歷史久遠(yuǎn)，始于漢代，明清以后，享譽(yù)江南。它既有景泰藍(lán)的高貴，又有陶瓷的潔雅，胎體輕巧玲瓏、色澤光亮如鏡、古樸莊重，具有鮮明的民族風(fēng)格和濃厚地方特色的手工藝品，，它與北京景泰藍(lán)、江西景德鎮(zhèn)瓷器合稱中國工藝品三寶。 隨著近年來，國家文化部對非物質(zhì)文化遺產(chǎn)保護(hù)政策不斷完善，對傳統(tǒng)手工藝的重視程度不斷提升，鄱陽漆藝的美正重新被世人所發(fā)掘、認(rèn)可。經(jīng)國務(wù)院批準(zhǔn)，《鄱陽脫胎漆器髹飾技藝》已于2011年10月正式納入“第三批國家級非物質(zhì)文化遺產(chǎn)名錄”。這一重大歷史性的突破，使得原本低靡的鄱陽漆藝文化產(chǎn)業(yè)又重燃希望。 文章分幾個部分展開論述，首先，對江西省古代漆藝的歷史、主要的漆器產(chǎn)地、鄱陽漆器的特征作全面的概述。其次，重點(diǎn)論述鄱陽漆藝文化的產(chǎn)業(yè)現(xiàn)狀，并分析阻礙其發(fā)展的困境和促進(jìn)其壯大的機(jī)遇，為下文提出傳承與創(chuàng)新途徑的探索性策略作鋪墊。最后，根據(jù)以上的探索和研究，總結(jié)鄱陽漆藝文化在現(xiàn)代環(huán)境中的發(fā)展趨勢和對中國漆藝發(fā)展的展望。 本文主要研究目的是通過對鄱陽傳統(tǒng)漆藝文化發(fā)展脈絡(luò)的梳理和其藝術(shù)特征的分析，以及當(dāng)?shù)仄崴囄幕a(chǎn)業(yè)現(xiàn)狀的調(diào)研，結(jié)合傳統(tǒng)漆藝在當(dāng)代社會所遇到的困境和機(jī)遇，力求探索傳承與創(chuàng)新的現(xiàn)實(shí)途徑。
[Abstract]:Poyang lacquer ware has a long history, beginning in the Han Dynasty and after the Ming and Qing dynasties. It is famous in Jiangnan. It has the nobility of cloisonne, the elegance of ceramics, the light and exquisite body of the placenta, the lustre and lustre as mirror, and the simplicity and seriousness. With distinctive national style and strong local characteristics of handicrafts, it with Beijing cloisonne, Jiangxi Jingdezhen porcelain known as three Chinese handicrafts. In recent years, the Ministry of Culture has continuously improved its policy on the protection of intangible cultural heritage, and attached great importance to traditional handicrafts. The beauty of Poyang's lacquer art is being rediscovered by the world. Approved. With the approval of the State Council, Poyang lacquerware painting technology was formally included in the third batch of National Intangible Cultural Heritage list in October 2011. This is a significant and historic breakthrough. The original low Poyang lacquer culture industry rekindled hope. The article is divided into several parts, first, the history of ancient lacquer art in Jiangxi Province, the main lacquer production area, the characteristics of Poyang lacquer ware are summarized. Secondly, the industrial status of Poyang lacquer art culture is discussed. It also analyzes the predicament that hinders its development and the opportunity to promote its growth, which paves the way for the following exploratory strategies of inheritance and innovation. Finally, according to the above exploration and research, The development trend of Poyang lacquer culture in modern environment and the prospect of Chinese lacquer art development are summarized. The main purpose of this paper is to analyze the development of Poyang traditional lacquer culture and its artistic characteristics, as well as to investigate the present situation of local lacquer culture industry, and to combine the difficulties and opportunities encountered by traditional lacquer art in contemporary society. Strive to explore the inheritance and innovation of the realistic approach.
【學(xué)位授予單位】：江西科技師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J527;J124

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