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中國(guó)元宵燈彩藝術(shù)形式及審美內(nèi)涵探微

發(fā)布時(shí)間:2019-03-26 19:16
【摘要】:本文從民俗文化和藝術(shù)美的角度,對(duì)元宵燈彩藝術(shù)表現(xiàn)形式、潛在價(jià)值及其發(fā)展取向進(jìn)行初步探析。主要研究問題有:一、元宵燈彩的喜慶美內(nèi)涵;二、元宵燈彩的裝飾美特征;三、元宵燈彩的文化價(jià)值與發(fā)展取向。 首先,本文通過(guò)文獻(xiàn)查證和梳理,對(duì)中國(guó)元宵燈節(jié)的由來(lái)、地域風(fēng)采、種類、以及制作工藝作了歸納介紹,從該民間藝術(shù)所植根的人文習(xí)俗角度,探究中國(guó)元宵燈彩藝術(shù)形式形成的觀念基礎(chǔ)。經(jīng)過(guò)相關(guān)資料和作品的分析,較為詳細(xì)地追溯了中國(guó)元宵燈彩藝術(shù)從傳統(tǒng)的莊重典雅到現(xiàn)代徇爛多姿的歷史演進(jìn)過(guò)程,并對(duì)燈彩制作材料及其特性做了深入剖析,概括介紹了燈彩制作的所需工藝流程。 在研究中國(guó)元宵燈彩藝術(shù)形式及表現(xiàn)手法時(shí),本文以具有典型意義的作品為考察對(duì)象,選擇具有代表性的中國(guó)元宵燈彩作品作為范例,著重從題材、寓意、人文背景三個(gè)方面簡(jiǎn)要闡述中國(guó)燈彩的喜慶美內(nèi)涵。繼而從美術(shù)學(xué)專業(yè)角度,分別就造型、圖式構(gòu)成、色彩三個(gè)基本要素論述其裝飾美特征,以及燈彩與其他藝術(shù)門類相融入的表現(xiàn)方式。 最后,文章以現(xiàn)代燈彩的發(fā)展取向?yàn)槌霭l(fā)點(diǎn),探尋并揭示燈彩藝術(shù)所蘊(yùn)含的審美情趣、和祥情調(diào)及文化傳播的藝術(shù)價(jià)值。提出元宵燈彩的傳統(tǒng)精髓所在,以及時(shí)代特點(diǎn)、材料更新、科技運(yùn)用、燈景交融與公共娛樂等新審美取向,同時(shí)闡述了文化傳承與市場(chǎng)開發(fā)的設(shè)想和展望。
[Abstract]:From the point of view of folk culture and artistic beauty, this paper makes a preliminary analysis on the expression form, potential value and development orientation of Lantern Art. The main research issues are as follows: first, the connotation of the festive beauty of the Lantern; second, the decorative beauty of the Lantern; third, the cultural value and development orientation of the Lantern. First of all, through literature checking and combing, this paper summarizes and introduces the origin, regional style, types, and production techniques of the Lantern Festival in China, from the perspective of the humanities and customs rooted in this folk art, the article makes a summary and introduction to the origin, regional style, types and production techniques of the Lantern Festival in China. Explore the Chinese Lantern Festival lantern art form of formation of the conceptual basis. Through the analysis of relevant materials and works, this paper traces in detail the historical evolution of Chinese Lantern Festival lantern art from traditional dignified and elegant to modern favoritism, and makes an in-depth analysis of the materials and characteristics of lantern making. This paper briefly introduces the technological process required for the production of lanterns. When studying the art form and expression of Chinese Lantern, this paper takes the typical works as the object of study, chooses the representative Chinese Lantern works as an example, emphasizes on the subject matter and moral meaning. The three aspects of humanistic background briefly expound the connotation of Chinese lanterns' festive beauty. Then, from the point of view of art specialty, it discusses the three basic elements of modeling, schema composition and color, as well as the expression way of the combination of lantern and other art categories. Finally, taking the development orientation of modern lanterns as the starting point, the article explores and reveals the aesthetic interest contained in the lantern art, and the artistic value of the auspicious sentiment and the cultural dissemination. This paper puts forward the traditional essence of Lantern Festival, as well as the new aesthetic orientation, such as the characteristics of the times, the renewal of materials, the application of science and technology, the blending of lanterns and public entertainment, and expounds the ideas and prospects of cultural inheritance and market development.
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J528.7

【參考文獻(xiàn)】

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2 呂品田;流光溢彩——中國(guó)民間燈彩藝術(shù)[J];東南文化;2001年02期

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本文編號(hào):2447845


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