本文選題：慢設計 + 情感傳達�。� 參考：《景德鎮(zhèn)陶瓷學院》2012年碩士論文

【摘要】：當前人類物質生活豐富，但隨之而來的問題也日趨嚴重。快速發(fā)展的工業(yè)社會和快捷的現(xiàn)代生活帶給我們的是一個因過度關注物質獲取而無法適應日益風險化、多樣化和互相依靠的世界，充斥著過度消費的世界。生態(tài)平衡的危機令人類重新思考生活的本質需求。因而，，強調人與自然和諧共存成為全球共識的價值趨勢。由此在設計界，慢設計理念逐漸受到大眾的關注。 慢設計作為一個漸漸興起的設計理念，最初由西方國家提出，但它追求的境界卻與東方的傳統(tǒng)設計思想有所交融。本文在闡述慢設計理念時，探討其中包含的東方傳統(tǒng)設計思想。通過對目前日用陶瓷產品設計的研究，進一步闡述慢設計理念在日用陶瓷設計中的重要性，并在慢設計理念的指導下對日用陶瓷產品設計要素進行了深入剖析。本文提出的設計理念能夠讓用戶關注產品的感性情感經歷、細細體驗過程的變化所帶來的內心感受，設計實踐工作要充分體現(xiàn)本土傳統(tǒng)價值，進而帶給用戶更深層次的審美體驗和情感需求。同時提醒大眾回歸生活本質，探索人類與自然環(huán)境的互惠關系，遵循共生的自然法則，減緩資源的消耗。履行慢的心態(tài)，科學的創(chuàng)造力將可能激勵創(chuàng)造出更多的社會價值。
[Abstract]:At present, the human material life is rich, but the attendant problems are becoming increasingly serious. The rapid development of industrial society and fast modern life bring us a world that is unable to adapt to the increasing risk, diversity and mutual dependence, and the world of excessive consumption. The crisis of ecological balance makes the human being. Rethinking the essential demand of life, therefore, emphasizing the harmonious coexistence of man and nature becomes the value trend of the global consensus. In the design world, the slow design concept has gradually attracted the attention of the public.
Slow design as a rising design concept, originally proposed by the western countries, but its pursuit of the realm of the eastern traditional design ideas blend. This article discusses the idea of the eastern traditional design in the slow design concept. Through the study of the current domestic ceramic product design, the slow design is further elaborated. The importance of the concept in the design of daily ceramics is made, and under the guidance of the slow design concept, the elements of the design of the daily ceramic products are deeply analyzed. The design concept proposed in this paper can make the user pay attention to the emotional experience of the product and the inner feelings brought about by the change of the process, and the design practice should fully reflect the native place. The traditional value also brings users a deeper aesthetic experience and emotional needs. At the same time, it reminds the public to return to the essence of life, to explore the reciprocal relationship between human and natural environment, to follow the natural law of symbiotic nature, to slow down the consumption of resources. To fulfill the slow mentality, scientific creativity will inspire more social value.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527

【引證文獻】

相關碩士學位論文 前1條

1 楊碩;陶瓷首飾設計產品化的研究[D];大連理工大學;2013年

本文編號：2089953