發(fā)布時(shí)間：2018-05-17 06:02

  本文選題：建水陶文化 + 裝飾藝術(shù)　； 參考：《昆明理工大學(xué)》2013年碩士論文

【摘要】：建水陶曾有“宋有青瓷、元有青花、明有粗陶、清有紫陶”之說,建水陶不僅是建水文化的結(jié)晶,而且是民族民間藝術(shù)的瑰寶。在中國陶藝中,建水陶是“四大名陶”之一,其重要性、文化性以及藝術(shù)性已經(jīng)被證實(shí)。對建水陶藝術(shù)設(shè)計(jì)的研究提升了陶器藝術(shù)研究的豐富性,通過運(yùn)用符號學(xué)的理論解讀建水陶,不僅能傳承和保護(hù)建水陶獨(dú)特的制作工藝和裝飾藝術(shù),而且能促進(jìn)當(dāng)代建水陶藝術(shù)設(shè)計(jì)的發(fā)展與創(chuàng)新。 論文在查閱國內(nèi)外相關(guān)文獻(xiàn)資料的基礎(chǔ)上,首先對建水碗窯村進(jìn)行實(shí)地考察,準(zhǔn)確地把握了建水陶的歷史、現(xiàn)狀以及制作工藝,闡述了建水歷史、建水陶的起源、名稱和發(fā)展,通過其造型、書畫裝飾和制作工藝總結(jié)出建水陶中蘊(yùn)含的手工文化、實(shí)用文化、藝術(shù)文化、民族文化、漢文化以及儒道文化。進(jìn)一步闡述了建水陶的裝飾內(nèi)容和技法,分析了建水陶裝飾藝術(shù)的構(gòu)成之美和“中和”之美。在此基礎(chǔ)上,基于設(shè)計(jì)符號學(xué)的理論,將建水陶符號分為文字符號和圖形符號,分析建水陶在形態(tài)、色彩、材質(zhì)上的隱喻性,提出了建水陶隱喻性設(shè)計(jì)的原則和方法。最后,探索建水陶的傳承與演變,并分析和總結(jié)了基于傳承的建水陶設(shè)計(jì)原則與方法,旨在探討民族民間藝術(shù)設(shè)計(jì)發(fā)展的未來。 綜上所述,論文運(yùn)用符號學(xué)的理論解讀了建水陶藝術(shù)設(shè)計(jì),并分析和總結(jié)出其設(shè)計(jì)的原則與方法,這為研究建水陶文化與產(chǎn)品發(fā)展提供了一個(gè)全新的視角,以期探尋傳承與保護(hù)建水陶這一非物質(zhì)文化遺產(chǎn)的可行方法。
[Abstract]:Jianshui pottery once had "Song Dynasty has celadon, Yuan has blue and white flowers, Ming Dynasty has coarse pottery, Qing Dynasty has purple pottery", Jianshui pottery is not only the crystallization of Jianshui culture, but also the treasure of national folk art. In Chinese pottery art, Jianshui pottery is one of the "four famous pottery", its importance, culture and artistry have been proved. The study of Jianshui pottery art design has promoted the richness of the pottery art research. Through the use of semiotics theory to interpret Jianshui pottery, it can not only inherit and protect the unique production technology and decorative art of Jianshui pottery, And can promote the contemporary Jianshui pottery art design development and innovation. On the basis of consulting relevant documents at home and abroad, first of all, the paper carries on the field inspection to Jianshui bowl kiln village, accurately grasps the history, the present situation and the manufacture craft of the Jianshui pottery, expounds the Jianshui history, the origin, the name and the development of the Jianshui pottery. Through its modeling, calligraphy and painting decoration and production technology summarized the handicraft culture, practical culture, art culture, national culture, Han culture and Confucianism and Taoism culture contained in Jianshui pottery. This paper further expounds the decoration contents and techniques of Jianshui pottery, and analyzes the beauty of the composition and the beauty of "neutralization" of the decorative art of Jianshui pottery. On this basis, based on the theory of design semiotics, Jianshui pottery symbols are divided into character symbols and graphic symbols. The metaphorical features of Jianshui pottery in form, color and material are analyzed, and the principles and methods of metaphorical design of Jianshui pottery are put forward. Finally, it explores the inheritance and evolution of Jianshui pottery, and analyzes and summarizes the design principles and methods of Jianshui pottery based on inheritance, in order to explore the future of the development of national folk art design. To sum up, the thesis uses semiotics theory to interpret the artistic design of Jianshui pottery, and analyzes and summarizes the principles and methods of its design, which provides a new perspective for the study of Jianshui pottery culture and product development. In order to explore the inheritance and protection of Jianshui pottery, a practical method of intangible cultural heritage.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J527

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本文編號：1900206