解析湘繡的藝術(shù)特點及對油畫創(chuàng)作的借鑒意義
發(fā)布時間:2018-05-05 07:50
本文選題:湘繡藝術(shù) + 繡畫; 參考:《西安美術(shù)學院》2012年碩士論文
【摘要】:湘楚文化源遠流長,歷史悠久,博大精深,是中華文化中獨具地域特色的一脈。湘繡作為其中文化的一部分,歷時兩千多年的歷史發(fā)展,逐漸由漢代馬王堆漢繡發(fā)展到唐宋閨閣繡,,由元明士大夫文化的精致典雅的繡畫,再到中國當代以四大名繡(蘇繡、湘繡、粵繡、蜀繡)為主的精品刺繡,隨歷史滄桑不斷更迭出新,湘繡以其鮮明的造型風范、豐富的色彩體系構(gòu)成了中國刺繡的核心內(nèi)容,為中國刺繡文化的主要構(gòu)成。其豐富厚重的文化底蘊也為今天的藝術(shù)創(chuàng)作、發(fā)展提供了很好的借鑒和參考的現(xiàn)實意義。在油畫創(chuàng)作中,立足本民族文化的發(fā)展,促進各種文化的交融,對于油畫民族元素的運用,湘繡都將會提供很好的參考和借鑒意義。本文從湘繡歷史發(fā)展及其特點、湘繡藝術(shù)的審美價值以及湘繡作品中對于油畫語言的借鑒范例分析,在油畫形式語言的表現(xiàn)和拓展上進行探討,并與湘繡藝術(shù)的個案分析結(jié)合,在民間藝術(shù)中尋找油畫創(chuàng)作的借鑒方法,并就油畫藝術(shù)如何在民間文化元素方面的借鑒、學習嘗試提出個人的觀點。
[Abstract]:Hunan-Chu culture has a long history and is a unique regional feature in Chinese culture. Hunan embroidery, as a part of the culture, lasted more than two thousand years of historical development, and gradually developed from Ma Wang Tui Han embroidery in Han Dynasty to boudoir embroidery in Tang and Song dynasties, from delicate and elegant embroidery paintings of Yuan and Ming dynasties to the four famous embroidery (Su embroidery) in contemporary China. Hunan embroidery, Yue embroidery, Shu embroidery) the main fine embroidery, with the vicissitudes of history, continuous changes in new, Hunan embroidery with its distinctive modeling style, rich color system constitutes the core content of Chinese embroidery, the main composition of Chinese embroidery culture. Its rich cultural background also provides a good reference and practical significance for today's artistic creation and development. In oil painting, based on the development of national culture, promote the blending of various cultures, for the use of national elements of oil painting, Hunan embroidery will provide a good reference and reference significance. This paper analyzes the historical development and characteristics of Hunan embroidery, the aesthetic value of Hunan embroidery art and the reference examples of oil painting language in Xiang embroidery works, and probes into the expression and expansion of oil painting form language, and combines it with the case study of Hunan embroidery art. This paper looks for the method of drawing lessons from the creation of oil painting in folk art, and puts forward a personal point of view on how to draw lessons from the elements of folk culture in oil painting art.
【學位授予單位】:西安美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:J523.6
【參考文獻】
相關(guān)期刊論文 前1條
1 田順新;;湘繡的歷史淵源(下)[J];文藝生活(藝術(shù)中國);2010年05期
本文編號:1846833
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