本文選題：兩宋陶瓷 + 顏色審美　； 參考：《江南大學(xué)》2012年碩士論文

【摘要】：兩宋是我國物質(zhì)文化和精神文化繁榮的一個(gè)時(shí)期。在此期間，中國的傳統(tǒng)審美文化出現(xiàn)了轉(zhuǎn)型，，從盛唐時(shí)期的以雄威博大為主的壯美轉(zhuǎn)變?yōu)橐詼赝耜幦釣橹鞯娜崦�，進(jìn)而形成了中國民族特有的內(nèi)向含蓄的民族特征和審美文化。這一轉(zhuǎn)變以“素”審美文化的特征出現(xiàn)在兩宋陶瓷顏色審美中。兩宋陶瓷以其無染無為的釉色、質(zhì)樸自然的裝飾、雪貌冰肌的柔弱感和天然自成的“缺陷”美創(chuàng)造了中國陶瓷藝術(shù)一個(gè)難以超越的高峰。 本文分為四個(gè)部分：第一部分研究了“素”文化，結(jié)合中國傳統(tǒng)文化中的“天人合一”的思想和傳統(tǒng)思想理論，指出了“素”文化是與自然共美的審美觀、以理統(tǒng)欲的人倫觀、素功留白的顏色觀的審美文化。第二部分從兩宋社會(huì)背景、科技技術(shù)、思想文化等方面分析了兩宋陶瓷顏色“素”文化形成的原因和物質(zhì)基礎(chǔ)。兩宋的“興文教、抑武事”的國策；文化中心從北方遷移到南方，從壯美轉(zhuǎn)變?yōu)橐匀崦罏橹鲗徝牢幕蝗�、佛、道三家融合的理學(xué)更加推進(jìn)了虛凈的美感；同時(shí)兩宋陶瓷顏色釉料的工藝的發(fā)展，將兩宋陶瓷顏色的“素”文化完美呈現(xiàn)出來。第三部分結(jié)合古籍、出土文物從兩宋陶瓷的釉色、裝飾、缺陷三個(gè)方面闡述了陶瓷顏色中的“素”美文化特征。第四部分指出兩宋陶瓷顏色“素”文化在現(xiàn)代設(shè)計(jì)中用色的指導(dǎo)意義，吸取“素”文化的精髓，創(chuàng)造出具有中國民族特色的現(xiàn)代設(shè)計(jì)。
[Abstract]:The Song Dynasty was a period of prosperity of material culture and spiritual culture in China. During this period, the traditional aesthetic culture of China has undergone a transformation, from the magnificent beauty dominated by Xiong Wei and Bo Da in the prosperous Tang Dynasty to the soft beauty with the gentle and feminine nature as the main body, thus forming the unique introverted and implicit national characteristics and aesthetic culture of the Chinese nation. This change appeared in the color appreciation of porcelain in Song Dynasty. The porcelain of the two Song dynasties has created a peak of Chinese ceramic art with its unstained glaze color, simple and natural decoration, soft feeling of snow and ice muscle and natural "defect" beauty. This paper is divided into four parts: the first part studies the culture of "element", combines the thought of "harmony of nature and man" and the theory of traditional thought in Chinese traditional culture, and points out that the culture of "element" is the aesthetic idea of beauty with nature, and the view of human relations with reason and desire. The aesthetic culture of the color view of plain work. The second part analyzes the reasons and material basis of the formation of "element" culture of ceramic color in Song Dynasty from the aspects of social background, science and technology, ideology and culture. The national policy of "exhilarating culture and education, restraining military affairs" of the two Song dynasties, the cultural center moved from the north to the south, and changed from the magnificent beauty to the aesthetic culture with the softness as the main factor, Confucianism, Buddhism and Taoism combined three schools of Neo-Confucianism to promote the aesthetic feeling of emptiness and purity. At the same time, the development of ceramic glaze technology in Song Dynasty perfectly presents the "element" culture of ceramic color in Song Dynasty. The third part, combined with ancient books, unearthed cultural relics from the two Song Dynasty ceramic glaze color, decoration, defects in the three aspects of the ceramic color of the "element" aesthetic cultural characteristics. The fourth part points out the guiding significance of the "element" culture of ceramic color in the modern design of the two Song dynasties, absorbs the essence of the "element" culture, and creates a modern design with Chinese national characteristics.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

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