【摘要】：相對于空間而言,“建構(gòu)”才是建筑的核心靈魂,它屬于技術(shù)范疇,是帶有藝術(shù)味道工藝技術(shù)�！敖�(gòu)”(Tectonics)也被稱為“詩意的建造”,因?yàn)樗浅Ｗ⒅亟ㄖ慕ㄔ旆椒?注重以精湛工匠技藝來表達(dá)建筑材料的本質(zhì),進(jìn)而帶領(lǐng)人們走向重返與物的境界,它是一種展現(xiàn)建筑的邏輯藝術(shù)的方法,以樸實(shí)的態(tài)度對待不同地域性建筑。當(dāng)下,隨著一批老工匠的去世,多少年來形成的傳統(tǒng)核心營造體系及其背后的營造智慧是否也會隨之帶入墳?zāi)?這是擺在我國建筑界面前的一個問題。本文在大量的實(shí)地調(diào)研訪談基礎(chǔ)上,以劍川沙溪白族傳統(tǒng)民居的建蓋過程為研究對象,從“建構(gòu)”學(xué)的角度評述傳統(tǒng)營造體系發(fā)展中遇到的問題,最后得出其對新民居建設(shè)和老民居修復(fù)的指導(dǎo)意義。針對當(dāng)下傳統(tǒng)工匠技藝流失的現(xiàn)狀,以及我們對傳統(tǒng)民居研究和保護(hù)的方法。首先引出一種民居研究新視角一—‘建構(gòu)”,深度剖析其理論中對于傳統(tǒng)民居研究有益的部分,并從國內(nèi)外建筑師們靈活運(yùn)用其理論的案例來論證,得出“建構(gòu)”對于傳承“建筑傳統(tǒng)”的影響。而后論述國內(nèi)外在應(yīng)對“現(xiàn)代主義”浪潮時,提出使用“建構(gòu)”來作為“傳統(tǒng)”與“現(xiàn)代”之間對話的橋梁作用。論文重點(diǎn)分章節(jié)是三、四、五章分別對白族傳統(tǒng)民居的平面“建構(gòu)”、剖面“建構(gòu)”、行為“建構(gòu)”進(jìn)行分析,從中整理出白族傳統(tǒng)民居在其建造過程中所展現(xiàn)出的營造智慧、建造技藝、建造邏輯。通過上述研究,得出“建構(gòu)”學(xué)在多樣性的民居研究中的重要地位,尤其是對傳統(tǒng)民居以及傳統(tǒng)村落在保護(hù)與發(fā)展中的理論指導(dǎo)意義。并總結(jié)出“建構(gòu)”對于傳統(tǒng)工藝傳承和發(fā)展的促進(jìn)作用。從建構(gòu)學(xué)的視角去看待“傳統(tǒng)”VS“現(xiàn)代”的問題,能讓筆者更加清醒的認(rèn)識到我國城鎮(zhèn)化進(jìn)城中對于“建筑傳統(tǒng)”保護(hù)的一些問題,同時對“傳統(tǒng)建筑”與“建筑傳統(tǒng)”之間的關(guān)系有了全新的思考。
[Abstract]:Compared with space, construction is the core soul of architecture. It belongs to the category of technology and has artistic flavor. "Construction" (Tectonics) is also called "poetic construction" because it pays great attention to the construction method, to the expression of the essence of building materials with exquisite craftsmanship, and to the return to the realm of things. It is a way to show the logical art of architecture, with a simple attitude towards different regional architecture. At present, with the death of a group of old craftsmen, whether the traditional core construction system and the wisdom behind it will be brought to the grave, which is a question in front of our country's architectural circles. Based on a large number of field research and interviews, this paper takes the construction process of the Bai traditional houses in Shaxi, Jianchuan, as the research object, and comments on the problems encountered in the development of the traditional construction system from the perspective of "constructivism". Finally, the paper draws its guiding significance for the construction of new houses and the restoration of old houses. In view of the current situation of the loss of traditional craftsmanship, and our research and protection of traditional residential methods. First of all, it leads to a new perspective of residential research-'construction', and deeply analyzes the beneficial part of its theory to the traditional residential research, and proves that the architects at home and abroad are flexible in using their theory cases. The influence of "construction" on inheriting "architectural tradition" is obtained. Then it discusses the role of "construction" as a bridge between "tradition" and "modern" when dealing with the tide of "modernism" at home and abroad. The thesis is divided into three, four and five chapters, respectively, to analyze the plane "construction", the section "construction" and the behavior "construction" of the Bai nationality traditional residence, and to sort out the construction wisdom of the Bai traditional residence in the process of its construction. Build the art, build the logic. Through the above research, we can draw the conclusion that the "construction" theory plays an important role in the study of diverse residential houses, especially the theoretical guidance significance for the traditional houses and the traditional villages in the protection and development. And summed up the "construction" for the traditional technology heritage and development of the promotion. Looking at the problem of "traditional" VS "modern" from the perspective of constructivism can make the author realize more soberly some problems about the protection of "architectural tradition" in the urbanization of our country. At the same time, the relationship between "traditional architecture" and "architectural tradition" has a new thinking.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU253

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 愛德華·F·塞克勒;凌琳;;結(jié)構(gòu),建造,建構(gòu)[J];時代建筑;2009年02期

2 卡雷斯·瓦洪拉特;鄧敬;;對建構(gòu)學(xué)的思考 在技藝的呈現(xiàn)與隱匿之間[J];時代建筑;2009年05期

3 王駿陽;;《建構(gòu)文化研究》譯后記(中)[J];時代建筑;2011年05期

4 王駿陽;;建構(gòu)的話語、建造的詩學(xué)與建筑史學(xué)[J];時代建筑;2012年02期

5 阿希姆·門格斯;封帥;;制造的多樣性[J];時代建筑;2011年06期

6 張海超;;建筑、空間與神圣領(lǐng)域的營建——大理白族住屋的人類學(xué)考察[J];云南社會科學(xué);2009年03期

，

本文編號：2320466