本文選題：國(guó)有演藝企業(yè) + 上市　； 參考：《上海金融》2012年08期

【摘要】：借鑒來(lái)自傳媒、出版、影視動(dòng)漫、網(wǎng)絡(luò)游戲等文化企業(yè)的上市經(jīng)歷,本文探索了中國(guó)國(guó)有演藝企業(yè)的上市路徑,建議中國(guó)國(guó)有演藝企業(yè)更加關(guān)注國(guó)內(nèi)上市而非海外上市,關(guān)注深交所的創(chuàng)業(yè)板上市而非主板和中小板上市,關(guān)注IPO上市而非借殼上市。同時(shí),本文認(rèn)為未來(lái)國(guó)有演藝企業(yè)整體融資前景樂(lè)觀,將呈現(xiàn)多種所有制、多地區(qū)企業(yè)并進(jìn)的格局。最后,本文還提出了若干促進(jìn)國(guó)有演藝企業(yè)上市的建議。
[Abstract]:Referring to the listed experiences of cultural enterprises such as media, publishing, film and television animation, online games, this paper explores the listing path of Chinese state-owned performing enterprises, and suggests that Chinese state-owned performing enterprises pay more attention to domestic listing rather than overseas listing. Focus on the Shenzhen Stock Exchange gem listing rather than the main board and small and medium board listing, focusing on IPO listing rather than backdoor listing. At the same time, this paper holds that the overall financing prospect of state-owned performing enterprises in the future is optimistic and will present a pattern of multi-ownership and multi-regional enterprises. Finally, this paper puts forward some suggestions to promote the listing of state-owned performing enterprises.
【作者單位】： 北京第二外國(guó)語(yǔ)學(xué)院;
【基金】：2011年度國(guó)家哲學(xué)社會(huì)科學(xué)基金規(guī)劃藝術(shù)學(xué)項(xiàng)目李嘉珊教授主持的“國(guó)有表演藝術(shù)院團(tuán)改革及其國(guó)際化發(fā)展戰(zhàn)略研究”(項(xiàng)目編號(hào)11BG072)部分研究成果
【分類號(hào)】：J124;F832.51
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本文編號(hào)：1924884