【摘要】： 五四時(shí)期是中國(guó)思想史上千載難逢的黃金時(shí)代,它所倡導(dǎo)的思想啟蒙,無(wú)疑開啟了中國(guó)社會(huì)由政治制度層面向文化思想層面推進(jìn)的現(xiàn)代化進(jìn)程,引發(fā)了物質(zhì)經(jīng)濟(jì)、制度規(guī)范、價(jià)值取向、思想意識(shí)、精神心理等領(lǐng)域一系列巨大而深刻的變革。五四對(duì)于文學(xué)創(chuàng)作而言,它也是一個(gè)開放、多元的時(shí)代,當(dāng)時(shí)的作家紛紛以自己獨(dú)有的人生體驗(yàn)探索著文學(xué)表現(xiàn)形式的多種可能。因此,任何一個(gè)崇尚個(gè)體的時(shí)代它的一切總是和個(gè)性聯(lián)系著,在主流之外總有它的支流,在主導(dǎo)之外總有它的另類,從這個(gè)意義上說,廢名的文學(xué)創(chuàng)作是符合時(shí)代精神的。 廢名的小說創(chuàng)作,前后延續(xù)了大約26年。在這26年的時(shí)間里,中國(guó)人民求解放、求生存的斗爭(zhēng),經(jīng)歷了不同的歷史時(shí)期,身處在新潮迭起和民族奮爭(zhēng)年代的廢名,先后往返于北京和黃梅的文化環(huán)境里。面對(duì)時(shí)代的風(fēng)雨和新潮的沉浮,他的文化選擇、審美情趣與文學(xué)的追求也不能不受到時(shí)代精神的感染和文化環(huán)境潛移默化的影響。 廢名秉持的是對(duì)傳統(tǒng)文化的尊重與辨證看待。在不斷的探尋與嘗試中,以“中西結(jié)合”的方式,對(duì)中國(guó)傳統(tǒng)文化的精髓給予了肯定與繼承與創(chuàng)新。筆者希望通過分析我國(guó)前人優(yōu)秀作品中表現(xiàn)出來的傳統(tǒng)復(fù)歸,對(duì)當(dāng)今國(guó)人應(yīng)如何繼承和發(fā)揚(yáng)中國(guó)文化傳統(tǒng)提供有意義的啟示。 本文主要運(yùn)用實(shí)質(zhì)研究,影響研究、比較研究的研究方法。隨著中國(guó)不斷發(fā)展,中國(guó)文化的影響不斷擴(kuò)大,在國(guó)內(nèi)“國(guó)學(xué)熱”也悄然興起的當(dāng)下,作者希望通過分析我國(guó)前人優(yōu)秀作品中表現(xiàn)出來的傳統(tǒng)復(fù)歸,對(duì)當(dāng)今國(guó)人應(yīng)如何繼承和發(fā)揚(yáng)中國(guó)文化傳統(tǒng)提供有意義的啟示。
[Abstract]:The May 4th period was a golden age in the history of Chinese ideology. The ideological enlightenment it advocated undoubtedly opened up the modernization process of Chinese society from the political system level to the cultural and ideological level, and triggered the material economy and system norms. A series of great and profound changes in the fields of value orientation, ideology, psychology and so on. The May 4th Movement is also an open and pluralistic era for literary creation. Writers at that time explored various possibilities of literary expression with their own unique life experience. Therefore, in any era of advocating the individual, everything is always related to personality, there is always its branch outside the mainstream, and there is always its alternative outside the dominant. In this sense, Fei Ming's literary creation is in line with the spirit of the times. Fei Ming's novel creation lasted about 26 years. In these 26 years, the struggle for liberation and survival of the Chinese people, experienced different historical periods, in the era of rising new trends and national struggle, successively in the cultural environment of Beijing and Huang Mei. In the face of the wind and rain of the times and the ups and downs of the new trends, his cultural choices, aesthetic tastes and literary pursuits cannot but be influenced by the influence of the spirit of the times and the cultural environment. Fei Ming adheres to the respect and dialectical treatment of traditional culture. In the constant exploration and attempt, the essence of Chinese traditional culture has been affirmed and inherited and innovated in the way of "combination of Chinese and Western". The author hopes that through the analysis of the restoration of the tradition in the outstanding works of our predecessors, it will provide meaningful inspiration to the Chinese people how to inherit and carry forward the Chinese cultural tradition. This article mainly uses the essential research, the influence research, the comparative research method. With the continuous development of China and the expanding influence of Chinese culture, the author hopes to return to the traditional Chinese culture through the analysis of the outstanding works of our predecessors at a time when the "craze for the study of Chinese culture" is also quietly rising. It provides meaningful enlightenment on how to inherit and carry forward Chinese cultural tradition.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I207.42

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