【摘要】：正在我們這個文學(xué)退潮時代,人們不再那么有勇氣為藝術(shù)而搖旗吶喊。與八九十年代先鋒小說那種劃定小說的藝術(shù)界限,拒絕讀者,刻意增加作品的難度的追求相反,當(dāng)代很多小說家開始在藝術(shù)與非藝術(shù)的邊界上大幅度撤退。藝術(shù)小說與非藝術(shù)小說的劃分開始粗略地被圖書排行榜上流行的虛構(gòu)與非虛構(gòu)圖書所代替。小說家們恥于被稱為"藝術(shù)家",似乎藝術(shù)是一種缺乏面對現(xiàn)實(shí)的勇氣的遁詞。為了更深刻地突出現(xiàn)實(shí)感,或者獲
[Abstract]:In this era of literary decline, people no longer have the courage to shout for art. Contrary to the pursuit of drawing up the artistic boundaries of novels, rejecting readers and deliberately increasing the difficulty of works, many contemporary novelists began to retreat sharply on the boundary between art and non-art. The division between artistic novels and non-artistic novels began to be roughly replaced by the popular fictional and non-fiction books on the list of books. Novelists are ashamed to be called "artists", as if art is an evasive word that lacks the courage to face reality. In order to give greater prominence to a sense of reality, or to gain
【作者單位】： 安陽師范學(xué)院文學(xué)院;
【分類號】：I207.425
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本文編號：2278274